BNE Water

The following is a message from BNE, the graffiti writer and founder of the BNE Water Foundation. The foundation is launching an ambitious project to provide clean water to people in Gunung Kidul, Indonesia. If you have the means, I encourage you to donate or pick up something from the foundation’s shop or gallery. With this project, even a small donation goes a long way.

Hello,

As many of you know, since early 2011 we have been working really hard to launch the BNE Water Foundation (known as Yayasan BNE in Indonesia), a non-profit organization like no other. To get this far, it has taken almost eight months of bureaucracy, a lot of hard work and about $50,000. We are now an official NPO and this is the start of what I feel is a true platform for real social change. Much like graffiti in its purest form, this is something real and very raw that was born in the streets.

Many generous artists including Estevan Oriol, Sabe KST, INSA, Shepard Fairey and others have come on board, they are among the first to have donated artwork. People have also started to support by donating cash and buying sticker sets which is much appreciated. What bothers me is that I have been hearing many people say things like, “That’s really cool what YOU are doing” or “good luck with YOUR project.” This disturbs me and makes me think that most of you really do not understand my intentions. I have funded this project for the most part by myself and will continue to do so for as long as it takes, but this is not something that I can do alone. I am simply donating my name, ideas, time and money to set this off. This was never meant to be MY project, this is something for the people. My intentions were to create something that everyone could participate in, and something that everyone could benefit from. I CANNOT DO THIS ALONE. The most I can do is give all of you the platform and opportunity to create something truly revolutionary. Without all of you, this will not work.

I have spent more than 15 years doing graffiti full-time for no pay, and like many of you I have no plans of ever stopping. Throughout my graffiti career, I have never felt the need to speak or do interviews, anything I needed to say could be expressed on the walls. In order to get all of you to act, and to become a part of something that benefits both our culture and society, it has become necessary for me to speak out. None of you will ever know what I’ve been through in order to travel the world, do the amount of graffiti that I’ve done and to be able to present this project to all of you. However, I think that through my visible actions over the years, I have proven to all of you my dedication to our culture and have shown you what I am about. Now, I would like to respectfully ask all of you, to show the world what we as a culture are about. Our culture was born out of rebellion and if any group of people is capable of igniting something truly revolutionary, it’s us. I would like to believe that we are about something more than ego, endless self-promotion and trying to make a dollar. Are graffiti and street art just empty visual commodities that have been co-opted by brands, corporations and institutions, or are we a culture that actually stands for something?

For our next project, we have promised over 100,000 people in an impoverished area of Indonesia access to clean water and sanitation. It will cost about two million dollars to complete this project. All types of artists and people from all walks of life are of course invited to be a part or this, but now I am reaching out to all of you specifically. I am asking graffiti writers and street artists to be the ones primarily responsible for changing these peoples lives. I have faith that I can rely on all of you to be the spark that blows this movement up into the massive force that I envision. We hope to start work on this project March 1st. If every single one of you decide to get involved after reading this, the entire project will easily be completely funded and you will have given us the much needed traction to move forward. I have always thought that it was a shame and a waste that we have never all united for a single cause. I am now presenting all of you with a chance to do that. I’m not sure how many graffiti writers, street artists, and fans of our culture are out there, but I assume we are in the hundreds of thousands at the very least. If we ALL come together, we can do on our own what our governments are failing to do. The fact that more than one billion people consider clean water a luxury is completely unacceptable.

Our goal is to raise at least $500,000 dollars before March 1st, but I believe that we are capable of raising the full two million dollars or even more. When united in large numbers, the power of the people is massive. With everyone’s support, achieving this goal will not be very difficult.

We are 100% sure to succeed if EVERYONE gets involved by doing the following things:

1. EVERYONE needs to make a cash donation. $5, €10, ¥1000, what ever you can afford, the important thing is that EVERYONE donates something. A $10 donation x 50,000 people is $500,000 dollars. This is enough to provide 25,000 people with clean water and for us to really get the ball rolling. At least 95% of you can afford to donate $10, so please make a donation and get two friends to do the same. Again, in order for this to work, EVERYONE needs to donate something. I don’t care if it’s one dollar or a coin, donate something and make sure you get someone else to do the same.

2. Spread the word. This is very important, please start by forwarding this message to other writers, street artists and fans of the culture. If you have a blog, Facebook or Twitter account please use them to spread the word.

3. If you are an artist who sells your work, please donate a piece to our gallery and get two friends to do the same.

Sadly, if enough of you disregard this message and choose to do nothing, then we will have shown that the world of street art and graffiti is made up of indifferent, selfish individuals who could not be bothered to help change the world. We will have failed in more ways than one. If EVERYONE gets involved, then we will have shown the world what true revolutionary actions look like. We will have also changed over 100,000 thousand lives in Indonesia, and jump started a true global movement for social justice.

4,500 children die everyday from water related diseases. These forgotten children are putting our culture to a test.

Let’s do this!

DONATE HERE and PLEASE FORWARD THIS MESSAGE TO OTHERS.

Sincerely,

-BNE

11-28-2011

Photo courtesy of BNE

Weekend link-o-rama

A wall in Munich

Sorry this is coming a day late, but Thanksgiving and related activities took priority. Here’s what I missed posting about this week:

Photo by Luna Park

Weekend link-o-rama

Keely

This week the Occupy Wall Street live streams have been very effective at distracting me from Vandalog, which I’m not too upset about. The violent and suppressive eviction of Occupy Wall Street is certainly more important that the latest swindle that some art gallery is trying to pull. Nonetheless, I have been paying attention even if I haven’t been writing, so here’s what’s been going on in the street art world this week:

Photo by Damonabnormal

Weekend link-o-rama

Os Gêmeos in Greece

It’s 11/11/11, so I guess that’s a big deal to some people. That seems so arbitrary to me, since our calendar is pretty arbitrary to begin with. Besides, it’s really 11/11/2011. A few years ago, 11/02/2011 was much cooler. In my social sphere though, 11/11/11 seems like an excuse to throw parties, so maybe I shouldn’t complain. While I was thinking about the ridiculousness of this date, here’s what almost passed me by this week in art:

Photo by Nolionsinengland

Weekend link-o-rama

Jaz and Laguna in Madrid (click to view large)

This week just keeps getting better. Looks like we’ve got a bit of NYC coming to Philadelphia with a show curated by Matt Siren. Here’s what I meant to blog about this week:

Photo by Jaz

Weekend link-o-rama

Bust in Amsterdam

Happy almost Halloween. It’s been a week of wasted energy, or so it seems. A potential legal wall that I was organizing has fallen through for the time being, but hopefully things are just delayed rather than cancelled. Here’s some of what I should have posted about this week:

Photo by Bust

K-Guy banks on Occupy London to make a buck

K-Guy put out the above “carpet bomb” last week at Occupy London, which is taking near the London Stock Exchange. While Nolionsinengland has some nice things to say about K-Guy and the piece over on Graffoto, I’ve got a major problem with it. Is the “carpet bombing” idea a bit funny upon first hearing it? Yeah, I guess. Is K-Guy’s pun worthy of being on a protest sign? Sure. I like it. But there’s a funny story about how I hear about this piece… The above image was emailed to me by the woman doing PR for K-Guy’s upcoming solo show at London West Bank Gallery in the hopes that I would post about this piece and, in the process, also mention that K-Guy just happens to have a show coming up next month where he will be trying to sell a lot of artwork in a short amount of time.

In the past, I’ve defended the practice of street artists getting up in order to build hype for a show, so long as the work isn’t overtly advertising a show (such as putting the gallery name and date of the opening on a poster). Particularly when an artist isn’t from the city where the show is being held, it’s a way to get their artwork out on the street when it otherwise wouldn’t be there, regardless of any advertising angle. That’s not what happened here.

It seems like K-Guy has gone too far here. He has made what is (likely) a very temporary piece, put it right next to a legitimate protest about putting people over profits, and then used photographs of the protest and his artwork in order to immediately turn around and try to sell something. He is blatantly trying to make a buck off of these protestors, which seems to me to be quite disrespectful the Occupy movement, even if the spread of K-Guy’s image may potentially raise some awareness for Occupy London. For me, his PR campaign delegitimizes this piece by K-Guy, and it will likely make me think twice about any of his politically-charged work in the future. The whole incident reminds me a bit of this Levi’s ad.

Oh crud, I guess the PR machine worked anyway. Didn’t Warhol say something about not reading your press, but weighing it?

Photo courtesy of K-Guy

Weekend link-o-rama

Dimitris Taxis in Barcelona

Usually I have something to say here about my week, but it’s all kind of a blur and I’ve been struggling to find any words to describe what’s been going on or excuses for not blogging about everything interesting I’ve seen this week. So let’s skip the pointless pleasantries and here’s the stuff I missed:

  • Some thoughts from Alone One on graffiti and street art coexisting (and the inherent superiority of graffiti, according to the author). While I agree with the author that, in the case pictured, Aakash Nihilani and Posterboy did the smart and respectful thing by utilizing a piece of graffiti in their street art rather than covering it unnecessarily, the all-to-common argument that graffiti is always always always superior to street art really upsets me. Is there something beautiful/powerful about a tag that street art cannot capture? Sure. Are there street artists (and young graffiti writers) who stupidly go over important graffiti? Definitely, all the time. But warning that street artists can never go over graffiti under any circumstances is narrow-minded and naive, especially today when so much work blurs the line between street art and graffiti. It’s too bad when such a talented writer has such a narrow view of things.
  • Here’s the latest work by Dal.
  • Evol never fails to impress.
  • MOMO is part of a show on at Space 1026 in Philadelphia and made this sculpture.
  • Os Gêmeos have a show opening next week at the Museu Vale in Vila Velha, Brazil. Here’s a bit of a preview.
  • Some stunning walls were painted at Meeting of Styles London this year, particularly by Shok1.
  • S.Butterfly has a set of images from the Moniker fair. I’d like to hear in the comments what people who were there in the flesh thought, but it looks to me like a bit of brilliance (Dabs/Myla, Matt Small), a bit of goodness (Cash For Your Warhol, Aiko) and then a massive logo from D*Face and Scream Gallery’s booth which both just make me want to scream in a bad way (although I think D*Face’s piece actually looked a lot better once someone tried to mess it up and he had to change the piece to this). Update: It’s actually unclear if that simple D*face Ddog logo was intended to stay that simple or if the additions were part of the plan all along given this piece inside the fair.

Photo by Dimitris Taxis

Weekend link-o-rama

1010 and Other aka Troy Lovegates

Had about 4 days away from a computer and it’s taken me nearly as long to catch up on emails. This post should help to finish that task. Here’s what I missed while I was away:

Photo by Other

Ron English round-up

At English 101

Ron English has been busy with projects in LA recently. Here’s some of what he’s been up to:

Photo by Carlos Gonzalez for Arrested Motion