Merry Christmas and happy new year from Luzinterruptus

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I am loving this piece by Luzinterruptus, a little Christmas gift for the citizens of Madrid. Here’s what they have to say about their latest intervention…

This Christmas, we asked Santa Claus to fix some things that are wrong with our city for us, a seemingly endless list that keeps on growing as the crisis becomes more serious and politicians reveal their worst intentions to us.

Santa told us that he couldn’t perform miracles, that is the jurisdiction of another union, but that he would work on our behalf so that one of our petitions would be granted.

Therefore, after Christmas day, the surveillance cameras in the center of Madrid were covered with illuminated hats that prevented them from recording what was happening before them.

Madrid is a city, in which, despite the existing rules, in practice, there is no real control over the monitoring devices installed on its streets and the citizens don’t have the possibility of accessing the record of what these cameras record 24 hours a day in the places where they are situated.

In 2007 it was suggested that there were more than 20.000 cameras looking out for our safety, but today, there are no devices capable of controlling those who control us, and while politicians don’t care about that they record and use images of common citizens, it seems that they have many drawbacks in that “they record and disseminate images of security agents in the exercise of their functions… if you put their person or the operation on which they are working at risk…”.

The action Merry Christmas to those who watch us took place on the night of December 26th and to carry it out, we used 20 cameras installed in the center of Madrid, mainly those that monitor the streets, other located on public buildings and some on private property.

We hope that our anonymous friends behind the cameras, appreciated the warm flashes of Christmas light which we presented them with on their surveillance monitors.

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Photos by Luzinterruptus

SMoA brings guerilla curating to the streets of London

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The Street Museum of Art has launched its second venture in “guerilla curating” in London’s artsy district of Shoreditch. Like their first exhibition, it’s basically a self-guided street art tour with museum-like wall labels. The exhibition’s title, “Beyond Banksy: Not another gift shop“, is likely a tongue and cheek reference to the commercial attention that street art has received in London these past few years, with Banksy at the forefront of the movement. In all fairness, Banksy has become enough of a household name that he and Exit Through the Gift Shop are frequently my reference points when speaking about street art to people outside this niche community. For that, I am thankful that I get to SMoA advises that the name is not meant to undermine the work of the beloved stencil artist, rather it is to encourage those who have Banksy as their token understanding of street art to the diversity of the other talented artists on the streets. This exhibition highlights works by artists such as C215, Christiaan Nagel, Eine, Mobstr, Pablo Delgado, Phlegm, Roa, Run, Skewville, Space Invader, Stik and Swoon.

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The map of the exhibited works are available here and the hours are… well, unlimited.

Photo by Street Museum of Art

Weekend link-o-rama

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Liqen. Click to view large.

Well, it’s a slow week, but not completely silent. Here’s a bit of what we missed:

Photo by Liqen

 

2501 and James Kalinda

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Two frequent collaborators, 2501 and James Kalinda, produced these pieces this week in an abandoned factory in Parma, Italy (the work above was just 2501 and the figure below was a collaboration between the two). It’s a little morbid, but it works and 2501’s bird head is a great effect.

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2501 and James Kalinda
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2501 and James Kalinda

Photos by 2501

Elian and Pastel in Wynwood, Miami

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Elian + Pastel in Wynwood. Photo courtesy of Pastel.

Argentinian artists Elian and Pastel collaborated on various pieces during this year’s Fountain Art Fair in Wynwood, Miami. Both artists exhibited works inside the fair, as part of a collaboration curated by Atlanta’s public art non-profit Living Walls.

The above collaboration utilizes use of fleeting, temporary mediums that captures Elian’s and Pastel’s playful and meaningful interaction with public art. Pastel uses chalk as his medium; creating organic relationships with weather and the passing of time, while Elian’s repetitive lines will remain and play with the empty space that evolved through the lapse of time.

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Pastel and Elian at Fountain Art Fair. Photo courtesy of Pastel.

This collaboration was one of my favorites that I saw in Wynwood this year. Both pieces communicate with each other but also have the ability to stand on their own as separate works.

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“Divorcio” by Elian. Photo courtesy of Elian.
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“Cachaça” by Pastel. Photo courtesy of Elian.

Photos courtesy of Elian and Pastel

La Mesa

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La Mesa is an incredibly talented realistic painter from Spain. He seems to have a good understanding of the way light hits an object. His attention to detail (especially with hair) reminds me a bit of Dan Witz, if Witz were to work with spray paint instead of acrylic. A lot of his work is in black and white but he is also pretty skilled at painting in color.  You can find more by La Mesa on his Flickr and Unurth posted a few beautiful walls in Western Sahara in January.

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Photos by La Mesa

Hush at Scope in Miami

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Hush was in Miami at Scope showing new works with Corey Helford Gallery before his solo show with them in LA in May. This is not my favorite by Hush, but to be fair the work probably comes across quite differently in person. I think his stronger pieces are the ones with more intricate, closer-knit collaging; similar to the collaging in the wheatpaste of the last picture.
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Photos courtesy of Hush