And one last thing about Miami

Jade. Photo by Jade

This is (probably) my last post about the outdoor work at Basel Miami 2011. Here’s a somewhat random selection of pieces that went up this year by Entes, Jade, Col, Anthony Lister, Free Humanity, Pez, Chanoir, How and Nosm, Greg LaMarche, Romi, Aeon, Haze, Aaron De La CruzJohn Wendelbo, Mare139, Gaia and others. Some of the walls are from Graffuturism’s In Situ project, and you can find a full set of those walls on their site along with an introduction to that project written by Haze.

Gaia. Photo by Mike Pearce
Haze. Photo by Clams Rockefeller

More after the jump… Continue reading “And one last thing about Miami”

Swoon in London, indoors and outdoors

Photo by Hooked

Right now, Londoners are fortunate enough to have both new work on the street by Swoon and her first London solo show, which is open at Black Rat Projects. Hooked have photos of most of her street work. Here are a few photos of her show, Murmuration. Hooked has plenty more photos of the show on flickr that are well worth checking out, as this post only provides a taste of what Swoon has done. While Murmuration is in a much smaller space than Swoon’s historic solo shows at Deitch Projects, it’s still installation-based and looks like a hit.

More after the jump… Continue reading “Swoon in London, indoors and outdoors”

Christmas group shows that aren’t at POW

Sweet Toof and Mighty Mo. Photo by Alex Ellison

This week seems to be the week of pre-Christmas art sales in the UK, or at least attempts at pre-Christmas art sales. In London, there’s the Taking Liberty’s pop-up shop open now through the 21st with a great group of political charged artists and 10% of sales going to Reel News as well as Season Ticket an “underground art fair” in Shoreditch from High Roller Society and Alex Daw opening on Thursday. Over in Newcastle, Unit 44 have a big party planned to celebrate their 1-year anniversary, also on Thursday, with new work from artists including SheOne, Hush and Stormie Mills. With Pictures On Walls‘ annual Christmas show being cool (keep an eye on their homepage for print releases this week) but allegedly nothing like the “good old days” of their Santa’s Ghetto events (not that I would know, as I wasn’t there then and I’m not in London now), it seems that a few groups may be trying to rekindle those once warm and fuzzy feelings of Christmas cheer around street art, or they know that people like getting art for Christmas.

Here are fliers for all these show… Personally, I’m most excited about Season Ticket…

Photo by Alex Ellison

Living Walls hits Miami

Jaz. Click image to view large. Photo by Jaz

Even the Atlanta-based mural conference Living Walls managed to make it to Miami this year for Art Basel Miami. Partnering with Primary Flight, Living Walls organized spots for Jaz, Know Hope and Ever. Mike Pearce caught photos of the walls in progress and after they were finished, and here are some of his pictures:

Know Hope
Jaz working on a mural
Jaz working on a mural
Ever's mural in progress
Ever working on his mural
Ever
Jaz

Photos by Mike Pearce and Jaz

Giveaway: A painting by Lewis

For the upcoming holiday season, Lewis and Vandalog are giving away one of his paintings: The above piece, titled “Claim Corners”. Vandalog readers might be familiar with Lewis’ old pseudonym, World War Won. To win it, just tweet at Lewis (@likelewis) and Vandalog (@vandalog) and tell us why you want Lewis to give “Claim Corners” to you. The winner will be chosen on December 12th. While giveaways like this might be rare on Vandalog, they’re actually pretty common for Lewis, since he gives away a painting via Twitter every day. Check out more from Lewis on his tumblr or his twitter.

Photo by Lewis

Banksy news update

Photo by S.Butterfly

We’ve got a few bits of Banksy-related news to share, so it’s all being lumped together here:

  • It looks like there will be a new Banksy print this Christmas March 2012 from Pictures on Walls (no surprise). The print will be based on this gorilla image, which was recently buffed accidentally. Even Pictures on Walls’ description of the print in a bit tongue-in-cheek about the recycling of this older image into a print with different glittery color options.
  • A number of people have emailed me after seeing this Banksy installation (photo by Just) at Pictures on Walls’ winter group show (which Just has plenty more photos of) because it looks a bit like this sculpture by Giles Walker and Peter Dunne from a couple of years ago. Personally, I prefer Dunne and Walker’s piece, but I don’t think the pieces are too similar for comfort. Could Banksy have seem the work by Dunne and Walker and been inspired partially by that? Definitely. But it’s not just an outright copy, and I’m often hesitant to say that any Banksy idea has been outright stolen from another artist, since most of his ideas rely on pretty simple themes and symbols, so it’s likely that others have tried similar things before whether Banksy knew about it or not.
  • It now seems unlikely that we will ever get confirmation from Banksy’s website that the piece pictured at the top of this post and covered on Vandalog last month is a Banksy. Foreignstudents.com happened to catch some photos of the work being put up. No faces of the artist or his crew, but the site did get images of a scaffolding being put up that covered the work while it was being done, and they say a man posing as a security guard stayed at the scaffolding for some of the time that it was up. So if this wasn’t Banksy’s work, someone may still come forward claiming responsibility. I’m confident however that this was the work of Banksy, so given these photos and any more that might be out there, taking responsibility seems risky for his anonymity.

Photo by S.Butterfly

UGLAR’s “Painting the Painters”

Courtesy of UGLAR. Click image to view large.

Balancing elements of local heritage with commentary on the process of large-scale, public works-style painting, UGLAR recently utilized techniques of fine art and street art to pay tribute to L.A.’s three greatest contemporary muralists, Willy Herron III, Kent Twitchell, and Chaz Bojorquez, with a massive mural just north of Chinatown called “Painting the Painters.”

Roughly 20 feet high and 100 feet long, the piece features several crewmembers depicted in the process of painting it (anchoring its left side is a larger-than-life Sergio Diaz, and spaced throughout are life-sized representations of Jose. A. Lopez and Evan Skrederstu), as well as a color-chart chameleon whose scales reflect every hue in the piece, and Tlaloc, the Aztec rain deity. It’s a piece that honors those that came before while commenting on the process of mural-painting, and could only have sprung up on the streets of L.A.

Location: 1726 N. Spring Street, Los Angeles, CA 90012.

Sergio Diaz (L), Willy Herron III (R), and Christopher Brand touching up a tentacle.
Kent Twitchell
Chaz (In Progress)
Tlaloc and the Chameleon

Photos by Ryan Gattis unless otherwise stated

BNE Water

The following is a message from BNE, the graffiti writer and founder of the BNE Water Foundation. The foundation is launching an ambitious project to provide clean water to people in Gunung Kidul, Indonesia. If you have the means, I encourage you to donate or pick up something from the foundation’s shop or gallery. With this project, even a small donation goes a long way.

Hello,

As many of you know, since early 2011 we have been working really hard to launch the BNE Water Foundation (known as Yayasan BNE in Indonesia), a non-profit organization like no other. To get this far, it has taken almost eight months of bureaucracy, a lot of hard work and about $50,000. We are now an official NPO and this is the start of what I feel is a true platform for real social change. Much like graffiti in its purest form, this is something real and very raw that was born in the streets.

Many generous artists including Estevan Oriol, Sabe KST, INSA, Shepard Fairey and others have come on board, they are among the first to have donated artwork. People have also started to support by donating cash and buying sticker sets which is much appreciated. What bothers me is that I have been hearing many people say things like, “That’s really cool what YOU are doing” or “good luck with YOUR project.” This disturbs me and makes me think that most of you really do not understand my intentions. I have funded this project for the most part by myself and will continue to do so for as long as it takes, but this is not something that I can do alone. I am simply donating my name, ideas, time and money to set this off. This was never meant to be MY project, this is something for the people. My intentions were to create something that everyone could participate in, and something that everyone could benefit from. I CANNOT DO THIS ALONE. The most I can do is give all of you the platform and opportunity to create something truly revolutionary. Without all of you, this will not work.

I have spent more than 15 years doing graffiti full-time for no pay, and like many of you I have no plans of ever stopping. Throughout my graffiti career, I have never felt the need to speak or do interviews, anything I needed to say could be expressed on the walls. In order to get all of you to act, and to become a part of something that benefits both our culture and society, it has become necessary for me to speak out. None of you will ever know what I’ve been through in order to travel the world, do the amount of graffiti that I’ve done and to be able to present this project to all of you. However, I think that through my visible actions over the years, I have proven to all of you my dedication to our culture and have shown you what I am about. Now, I would like to respectfully ask all of you, to show the world what we as a culture are about. Our culture was born out of rebellion and if any group of people is capable of igniting something truly revolutionary, it’s us. I would like to believe that we are about something more than ego, endless self-promotion and trying to make a dollar. Are graffiti and street art just empty visual commodities that have been co-opted by brands, corporations and institutions, or are we a culture that actually stands for something?

For our next project, we have promised over 100,000 people in an impoverished area of Indonesia access to clean water and sanitation. It will cost about two million dollars to complete this project. All types of artists and people from all walks of life are of course invited to be a part or this, but now I am reaching out to all of you specifically. I am asking graffiti writers and street artists to be the ones primarily responsible for changing these peoples lives. I have faith that I can rely on all of you to be the spark that blows this movement up into the massive force that I envision. We hope to start work on this project March 1st. If every single one of you decide to get involved after reading this, the entire project will easily be completely funded and you will have given us the much needed traction to move forward. I have always thought that it was a shame and a waste that we have never all united for a single cause. I am now presenting all of you with a chance to do that. I’m not sure how many graffiti writers, street artists, and fans of our culture are out there, but I assume we are in the hundreds of thousands at the very least. If we ALL come together, we can do on our own what our governments are failing to do. The fact that more than one billion people consider clean water a luxury is completely unacceptable.

Our goal is to raise at least $500,000 dollars before March 1st, but I believe that we are capable of raising the full two million dollars or even more. When united in large numbers, the power of the people is massive. With everyone’s support, achieving this goal will not be very difficult.

We are 100% sure to succeed if EVERYONE gets involved by doing the following things:

1. EVERYONE needs to make a cash donation. $5, €10, ¥1000, what ever you can afford, the important thing is that EVERYONE donates something. A $10 donation x 50,000 people is $500,000 dollars. This is enough to provide 25,000 people with clean water and for us to really get the ball rolling. At least 95% of you can afford to donate $10, so please make a donation and get two friends to do the same. Again, in order for this to work, EVERYONE needs to donate something. I don’t care if it’s one dollar or a coin, donate something and make sure you get someone else to do the same.

2. Spread the word. This is very important, please start by forwarding this message to other writers, street artists and fans of the culture. If you have a blog, Facebook or Twitter account please use them to spread the word.

3. If you are an artist who sells your work, please donate a piece to our gallery and get two friends to do the same.

Sadly, if enough of you disregard this message and choose to do nothing, then we will have shown that the world of street art and graffiti is made up of indifferent, selfish individuals who could not be bothered to help change the world. We will have failed in more ways than one. If EVERYONE gets involved, then we will have shown the world what true revolutionary actions look like. We will have also changed over 100,000 thousand lives in Indonesia, and jump started a true global movement for social justice.

4,500 children die everyday from water related diseases. These forgotten children are putting our culture to a test.

Let’s do this!

DONATE HERE and PLEASE FORWARD THIS MESSAGE TO OTHERS.

Sincerely,

-BNE

11-28-2011

Photo courtesy of BNE

Preview of The Underbelly Show (and NEW LOCATION)

The Eternal Infancy of Art by Ron English for The Underbelly Miami

On Monday, The Underbelly Project announced two big things: 1. They did a Paris version of The Underbelly Project, which we’ll have more about soon, but The Huffington Post has info on for now; and 2. They’ve changed the location of The Underbelly Show opening this week in Miami to 78 NW 25th Street in Wynwood. That, and an exclusive preview of that show, will be the focus of today’s Underbelly post.

The Underbelly Show may be the new kid on the block during Miami Art Basel, but it has arrived as a force to be reckoned with. It will featuring brand new work from over 30 artists who participated in the New York and Paris Underbelly Projects, as well as a host of other installations and events. This is not just another gallery show during a busy week. It’s an experience. Starting with the RSVP-only opening party on Tuesday, Thursday will see a Secret Wars battle, Friday the space opens to the general public and includes the launch of a limited edition version of The Underbelly Project’s book We Own the Night, which won’t be on sale in stores until next year. And that’s just the stuff I can tell you about. I can’t even guess at what else the Underbelly crew have got planned, but this is definitely the one must-see thing in Miami this week.

While setting up the show at the original location on Collins Avenue this week, the team realized the amount of art and their vision was too big for that space, so they moved to a warehouse in Wynwood at 78 NW 25th Street.

In a rare statement, the usually silent Workhorse told Vandalog:

The scope of the Underbelly Miami show grew larger than we had expected. Originally our idea for the location in South Beach was to showcase selected works in a high traffic area so as many people could see it as possible. As the works started to come in, we realized that we were going to run out of wall space. One of the Swoon pieces is 21 feet wide by 13 feet tall. The L’atlas piece is nearly 12 feet tall. We have over 70 pieces of work and most all of them are 4×6 feet and larger. The work is massive. So we began to look for additional space and realized it was best to move the show to Wynwood so that we could feature the works without being crowded and crammed onto the walls.

Undergound Brooklyn by Skewville for The Underbelly Miami

Photos courtesy of The Underbelly Project