All the usual Shepard Fairey updates

Time to talk Shepard Fairey. And that means two things.

First: The Boston Arrest. Fairey was arrested back in February at the Boston ICA during the opening of his show there. He was charged with a number of counts of vandalism. Most of those were eventually dropped. The most recent news is that Fairey has pled guilty to those remaining charges and in exchange agreed to not carry graffiti supplies in Boston for two years. I guess he won’t be doing any more work with Boston’s mayor on the side of City Hall during that time.

Via Arrested Motion

Second: Mannie Garcia, the photographer who took the photo that Fairey based his Obama poster off of, has made claims in court that he was not employed by the AP at the time he took that photograph and therefore own the copyright to it. Now, he’s made those claims official in court. The Art Law Blog, which has done an amazing job following this case, has more.

You Are Beautiful

You know you’ve seen it around, I mean the message is practically ubiquitous in the most quiet way possible. But apparently this is an anonymous group that has been disseminating this simple message. You Are Beautiful has released a website with an overview of murals and work dedicated to those three words. Thanks to Porous Walker for the tip.

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Also, I’ve crossed over to the dark side so check out my blog on Juxtapoz

Progress Shots of the Mural on North Avenue

For the past two nights I have been working on a mural adjacent to a day care center for children in East Baltimore on North Avenue and Broadway. Since the primary audience will be the children and their parents, and since our small budget is being covered, I thought it would be a good chance to use a wild palette that I generally shy away from. 

 Here are some photos from last night’s progress. My portion of the painting will be completed tonight! A big, grateful shout out to John Aquila for organizing the session, Karl Miller for the photos and Carey for helping paint the image

Gaia Bear

On top of Car

Cow Projection 

Simply four colors of enamel paint, a ladder, brushes and a projector. For more photos check out my flickr. I’ll be sure to post documentation of the final results 

This Week On The Street (July 9 – July 16)

Some nice street art shows taking place around the world this week! Here are a few:

Thursday July 9

LA: Eine @ Carmichael Gallery, 7-10pm

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Paris: Group Show (featuring Barry McGee) @ Galerie Olivier Robert, from 6pm

Friday July 10

NY: Willoughby Windows presented by Ad Hoc Art (event takes place at 89-106 Willoughby), 2-7pm. Check out Gaia’s preview of this event.

Toronto: Steve Powers, Greg Lamarche, Greg Gossel @ Show & Tell Gallery, 7-11pm

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Berlin: XOOOOX @ Circleculture Gallery from 7pm

Saturday July 11

LA: Meggs Solo & Inkie-curated Group Show @ Cerasoli Gallery, 7-11pm

SF: Becca @ White Walls Gallery, 7-11pm

Denver: The Date Farmers and Albert Reyes @ Andenken Gallery

Brighton: Group Show presented by Prescription Art (event takes place at 115-116 Church St, Brighton)

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Buenos Aires: Group Show @ Casa L’Inc Gallery, 7-11pm

Thursday July 16

London: Summer Group Show @ Urban Angel, 6-9pm

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Hong Kong: Zevs @ Art Statements

Lucy McLauchlan at FAME Fest

I am going to presume that, as a reader of this blog, you are just as excited about FAME Fest as I am. For the second year in a row, Angelo Milano from Studiocromie has pulled together a lineup of some of the best street artists from around the world.

So far Conor Harrington and Lucy McLauchlan have hit Grottaglie with their work. Conor’s piece can be seen here. Take a look below at what Lucy did to a neighboring tower.

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Conor and Lucy also got busy with some pottery. I love this aspect of the festival; I think it’s great that Angelo is working so hard to promote the town’s historic ceramics district and merge this traditional urban art form with contemporary street art.

Conor Harrington

Conor Harrington

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Two more fantastic artists are about to make their mark at FAME starting tomorrow – more details soon!

Elisa

Last Weekend in London – Black Rat Press and Laz Rathbone

Let me be the first to acknowledge that, seeing as I spent the weekend in Los Angeles, I am the last person who should be writing this post. That said, RJ himself would have done a fantastic job covering the London shows that just opened so I feel there needs to be at least some mention of them on his blog.

Below are a handful of images from Ways of Seeing (Swoon, Matt Small, Brian Adam Douglas) at Black Rat Press and Scratching The Surface (Vhils) at Lazarides Rathbone. All photos come courtesy of Ian from Wallkandy.

I was very excited about the show at Black Rat, and, as expected, the three artists delivered a strong body of work. Matt Small’s multi-paneled piece is amazing (sorry, no picture! Go to Ian’s flickr!) and I’ve heard particularly good things about Brian’s pieces from those who saw them in person. My only disappointment was that, although the space was beautifully lit, the show lacked the installation component I had been hoping for.

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Matt Small
Matt Small
Swoon
Swoon
Brian Adam Douglas
Brian Adam Douglas

Now to Laz, where Vhils’ London solo debut simply looks incredible. As if it weren’t already obvious, Alexandre has now made it clear that he is going to be a very important artist for our generation.

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Elisa

Os Gemeos Mural To Hit New York

I’ve been thinking quite a bit about Os Gemeos recently, for various reasons, and was planning to write a general post about them. Rumors then began to surface that they would soon be painting the wall at the corner of Bowery and Houston Street in SoHo that was formerly home to a Keith Haring tribute mural. This rumor was confirmed as the twins were spotted beginning their work today.

For those who don’t know, the Haring mural, a recreation of one of the artist’s 1982 pieces in the same spot, was commissioned by the Keith Haring Foundation, Deitch Projects, and Goldman Properties, the wall’s owner, in honor of what would have been Haring’s 50th birthday.

Although the Haring mural was really nice, it’s going to be great to see what the twins get up there. In anticipation of it (but really because it was an excuse to sift through lots of pictures), I thought it would be nice to take a look at some of the great street pieces they have painted over the past ten years.

This first mural is from 1999, when people outside Brazil were really just starting to get to know who Os Gemeos were. You can definitely see the evidence of their hip hop/b-boy/graffiti roots in their use of shape and color. The piece is a collaboration with Vitche (most of whose work is actually captured in a second photo – it is a very long wall!) I’m not sure who took the picture, but it is featured on Art Crimes.

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This wall was painted in Porto Alegre in 2000. I really like the flow from figurative to wild style here. I connect with the character in the same way I connect with the characters in the work of Barry McGee, a great friend of the artists since 1993. Again, the photo is from Art Crimes.

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I recently visited Cuba, and although I saw very little Cuban street art there, I saw work by Os Gemeos and Nina everywhere I looked (a lot more than I saw in Sao Paulo, strangely enough). This fantastic photo, taken by Robin Thom in 2005, really illustrates how the artists can transform an entire environment with even the tiniest piece.

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This piece was painted in Shibuya, Japan in 2007. It’s a great example of the magical world Os Gemeos invite us to enter and indulge in. Photo by ae7c.

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Also from 2007, but painted in Sao Paulo, this depiction of pixacao writers offers a perspective on life in the twins’ native city. Nearly all Os Gemeos pieces contain an element of social commentary, which is heightened by their use of cultural emblems and fine attention to human behavior. Photo by ndrc.

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This is one of Os Gemeos’ most famous murals as it was painted on the Tate Modern back in May last year. Simple but very powerful, it is quite representative of their current style. Photo credit to Lois Stavsky.

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Now, after looking through at least two hundred amazing photos, I’m more excited than ever to see their new piece!

Elisa x

Aakash Nihalani at Arario Gallery, New York

While my personal taste in art is very much rooted in the figurative, the work of Aakash Nihalani is exciting me more than most these days. His street and gallery installations are not only aesthetically and conceptually powerful – their sophistication is growing at an almost startlingly rapid pace.

It is evident that Aakash has the ability to develop and adapt his work into countless creative avenues. For now, however, his work can be viewed in a three person group show at Arario Gallery, New York. What he has produced for this show is really quite fantastic. Here are some images of the installation.

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Aakash Nihalani

Aakash Nihalani

It is interesting to read some of Aakash’s thoughts behind the work.

“Since the show was titled Paraphrase, I took the opportunity to get into some text, tapeography. I did ubiquitous words that we all encounter in our daily  travels, especially as a New Yorker, but I wanted my paraphrase of the words to be aesthetically ‘better’ than their original. So the words pull, push, and exit are all written out in tape, as well as simultaneously being shown ‘acted’ out, or about to be (as in the exit piece). They were all a little bigger than human scale so as to more objectify their viewer rather than the usual other way around. I think these installations were particularly successful because they stayed true to the site specific nature of the work that got me the show in the first place (i.e. using the gallery’s door hinge to complete some of my lines), but also took on new levels of content in the figuration of the letters, and new concepts/processes of using the tape to express qualities like peeling and falling.”

These photos came from Aakash.

Elisa x

Born Under Punches – Case in Stuttgart

Case is currently showing in a three person exhibition called Born Under Punches at Galerie ABTart in Stuttgart. The work he has produced looks very strong and I really wish I could see it in person. Like so many artists whose pieces are charged with depth and texture, he is drastically diminished in jpegs.

Also wish I could see the work in color as Case’s masterful use of it is one of his greatest strengths as an artist. If I find any, I’ll add them to this post.

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This is just so cool. It is a collab between Case and Smash137.

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These images come via the Born Under Punches website.

Elisa x