Paolo Cirio is either a horrible person or a great conceptual artist

214 Lafayette Street, New York

Paolo Cirio is a self-described sculptor of data, or what many others would consider a hacker. On his personal website there is a list of “Key Facts” which are essentially a resume of scams, web disruptions and media subversions that include things like “hacked and stole digital books from Amazon.com and redistributed them for free. The firm had to give embarrassing explanations to the press,” and to greater extremes, “created an online platform to debug the script of Security Theater, the PSYOPS program for antiterrorism measures in international airports.” Paolo is well-spoken about his projects, which is important when you’re trying to pass off the theft of 1 million Facebook profiles as “art”. He seems intelligent, maniacally creative, and has a bizarre, semi-destructive sense of humor. I like him.

Why is he being talked about on a street art blog? His online subversion recently made its way into the real world when he pasted life-size printouts of people caught of Google’s Street View camera in the precise location their images were taken. He has dozens of these “Street Ghosts” in three different cities: New York, London, and Berlin.

Dircksenstraße / Rochstraße, Berlin

“This ready-made artwork simply takes the information amassed by Google as material to be used for art, despite its copyrighted status and private source. As the publicly accessible pictures are of individuals taken without their permission, I reversed the act: I took the pictures of individuals without Google’s permission and posted them on public walls,” says Paolo.

Ebor Street, London
80 East Houston Street, New York
12 Cheshire Street, London

For more photos and information on Street Ghosts go here.

Photos by Paolo Cirio

Wild Style Wednesday! Featuring Klughaus at Miami Art Basel

1-smart-klug
DCEVE Smart Crew

There’s something a little awkward about “graffiti” on canvas. The work may look great but it still feels like there is a crucial element missing or out of place…

New York City’s Klughaus Gallery wanted to showcase graffiti in Miami this year the way it was intended to be shown: outdoors on the side of trucks. The graffiti artists were forced into a “natural” state of mind since they went at it knowing that their work would be painted over in the next 24 hours and would be on display for less time than it took them to paint. The work was displayed while cruising down the main streets of Wynwood and around a lot of the Art Basel-gallery-action in Miami Beach. Awesome concept.

KAPUT & LARGE VTS
Kaput & Large VTS
OIL (RIP) by JUNE, DZEE character by OBLVN
OIL (RIP) by June, DZEE character by OBLVN
Topher BBT Smart Crew
Toper BBT Smart Crew
Vor138 DBI
Vor138 DBI
Stae2 GFR
Stae2 GFR

Photos by Klughaus Gallery

An update on ABCDEF

Last time we saw ABCDEF he was basically painting a lot of squares and, at the time, I was not sure what “cubism” was, but if I were talking to someone who I was pretty sure also didn’t know what cubism was, I would have called it that. These more recent works look like a gallery show waiting to happen. When is SMOA going to have a deliberately-abstract exhibition?

Photos by ABCDEF

Gaia and Nanook in Buenos Aires

This is possibly my favorite mural by Gaia in the last year. The piece was done in Buenos Aires for Meeting of Styles Argentina on a Ghelco factory had a part in Argentina’s Fabrica Recuperada, which was a worker’s authority movement. Gaia explained how his mural pays homage to the building’s history, “The cycle of neoliberalism is broken when in 2002 Ghelco was occupied by its employees during the Argentine financial crisis. The last chain link hand floats voting on the other side of the composition. There are 41 Ice cream cones for each worker in the occupied factory. One hand voting represents the democratic decision making process of the cooperatively run ice cream plant.

Click to view larger image

Photos by Gaia