The latest Judith Supine print

Last week, Paper Monster released the latest print from Judith Supine. It’s called “Give Up The Ghost And Put On Flesh” and like the other new piece we found from him recently, it seems that Judith Supine has been limiting the use of his formally trademark green tint. Each print in the “Give Up The Ghost…” series is unique. They are relief prints that have been individually handpainted with acrylic and watercolors. The series is an edition of 50 and they are available online for $625 each.

Photos courtesy of Paper Monster

More “art” from Lush

Lush is up to his old tricks at Backwoods Gallery in Melbourne, where he had his first solo show last year. Another shithouse “art” show opened earlier this month with a bang: At the opening, Lush held a “death match” between Jesus and Satan. And yes, it was captured on video. If you’ve been following Lush’s flickr lately, you’ve probably seen the sketches he has been putting up. Those are on display at the show and have turned into a zine that Backwoods is selling online.

Here’s part 1 of the fight videos, a bit of an introduction to the fight:

And here’s the fight itself (and yes, it’s violent, so be warned):

Here are a few shots from the show. You can find more on Backwoods Gallery’s facebook or at Arty Graffarti:

Photos courtesy of Backwoods Gallery

And one last thing about Miami

Jade. Photo by Jade

This is (probably) my last post about the outdoor work at Basel Miami 2011. Here’s a somewhat random selection of pieces that went up this year by Entes, Jade, Col, Anthony Lister, Free Humanity, Pez, Chanoir, How and Nosm, Greg LaMarche, Romi, Aeon, Haze, Aaron De La CruzJohn Wendelbo, Mare139, Gaia and others. Some of the walls are from Graffuturism’s In Situ project, and you can find a full set of those walls on their site along with an introduction to that project written by Haze.

Gaia. Photo by Mike Pearce
Haze. Photo by Clams Rockefeller

More after the jump… Continue reading “And one last thing about Miami”

Swoon in London, indoors and outdoors

Photo by Hooked

Right now, Londoners are fortunate enough to have both new work on the street by Swoon and her first London solo show, which is open at Black Rat Projects. Hooked have photos of most of her street work. Here are a few photos of her show, Murmuration. Hooked has plenty more photos of the show on flickr that are well worth checking out, as this post only provides a taste of what Swoon has done. While Murmuration is in a much smaller space than Swoon’s historic solo shows at Deitch Projects, it’s still installation-based and looks like a hit.

More after the jump… Continue reading “Swoon in London, indoors and outdoors”

Mad-talented ink, brush and pen artists tonight at Pandemic Gallery

Deuce Seven

If you can make it on such short notice (sorry, my bad), Pandemic Gallery in Williamsburg has what promises to be an impressive group show opening tonight, Saturday the 17th. Paranormal Hallucinations features a group of very talented artists known for their work with ink, pen and bush and is curated by Safwat Riad. Highlights should include the late Charlie Marks, Llewellyn Mejia (aka Peyote Party), Deuce 7 and Swampy. Since tonight is probably too much short notice, keep in mind that Paranormal Hallucinations will be open through January 7th.

Photo by Deuce 7

Temporary walls at Fountain Miami

Hugh Leeman

We’ve got more photos today from Mike Pearce‘s time in Miami. Today we’re focusing on the art installation at the Fountain Art Fair. As they have done in past years, the fair got some street artists to paint on temporary walls in an outdoor section of the fair. This year, the installation was curated by Samson Contompasis of The Marketplace Gallery and included Hugh Leeman, Sharktoof, Gilf!, Elle, Know Hope, Chris Stain, Joe Iurato, Overunder and White Cocoa. Mike has more from Fountain in this flickr set.

Overunder and White Cocoa
Joe Iurato
Chris Stain and Sharktoof
Know Hope
Gilf! and Elle

Photos by Mike Pearce

Christmas group shows that aren’t at POW

Sweet Toof and Mighty Mo. Photo by Alex Ellison

This week seems to be the week of pre-Christmas art sales in the UK, or at least attempts at pre-Christmas art sales. In London, there’s the Taking Liberty’s pop-up shop open now through the 21st with a great group of political charged artists and 10% of sales going to Reel News as well as Season Ticket an “underground art fair” in Shoreditch from High Roller Society and Alex Daw opening on Thursday. Over in Newcastle, Unit 44 have a big party planned to celebrate their 1-year anniversary, also on Thursday, with new work from artists including SheOne, Hush and Stormie Mills. With Pictures On Walls‘ annual Christmas show being cool (keep an eye on their homepage for print releases this week) but allegedly nothing like the “good old days” of their Santa’s Ghetto events (not that I would know, as I wasn’t there then and I’m not in London now), it seems that a few groups may be trying to rekindle those once warm and fuzzy feelings of Christmas cheer around street art, or they know that people like getting art for Christmas.

Here are fliers for all these show… Personally, I’m most excited about Season Ticket…

Photo by Alex Ellison

Living Walls hits Miami

Jaz. Click image to view large. Photo by Jaz

Even the Atlanta-based mural conference Living Walls managed to make it to Miami this year for Art Basel Miami. Partnering with Primary Flight, Living Walls organized spots for Jaz, Know Hope and Ever. Mike Pearce caught photos of the walls in progress and after they were finished, and here are some of his pictures:

Know Hope
Jaz working on a mural
Jaz working on a mural
Ever's mural in progress
Ever working on his mural
Ever
Jaz

Photos by Mike Pearce and Jaz

A successful Banksy (oh and Banksy updated his website)

At Vandalog, we try not to post every single Banksy piece that pops up. The reason for that is that not every Banksy piece is a work of genius or a complete flop. Some are just forgettable. Unfortunately, because Banksy is Banksy, his forgettable works get blown out of proportion and become tourist attractions. With one of his new pieces though, Banksy has used his fame and the addition of a small stencil to change something worth noticing but generally forgettable into something noticeable and memorable. The above photo is of Banksy’s latest work in Liverpool (and there was a similar piece in London, but it’s now buffed). Painting a heart with a fire extinguisher is something that anybody can do if they have the right materials, and it’s something that people might appreciate, if they notice it. But that heart alone could go unnoticed or a more callous person might view it as petty vandalism and quickly have it painted over (as the London piece was). With the addition of that airplane stencil and the claim that it was made by a famous artist, the heart becomes a landmark. In all likelihood, the work won’t be buffed and it will become a tourist attraction just like so many other Banksy’s pieces. And yes, it’s still pretty silly that people might drive for hours just to see this in the flesh, but the other consequence of the wall staying up is that now a simple positive message will be on that wall rather than nothing but a lot of greyness. Sometimes the Banksy pieces that get protected are little more than twice-told jokes, but this wall is actually sending out a positive message to thousands of people every day, so that seems worth protecting to me. Is it the greatest piece of street art ever? Hell no. Primarily, it’s just glorifying the sort of heartfelt and fun but poorly executed drunken amateur vandalism that bored teenagers get up to. But I do appreciate that Banksy has used his fame put up a positive, simple and imitable piece that would have probably been buffed if it were by any other artist or did not have the addition of a stencil at the end to turn it from “vandalism” into “street art.” For all the crap that street art gets, and often deserves, sometimes the public bias in favor of it can lead to good things. Or maybe Banksy is just being lazy and he couldn’t think of anything particularly complex to do.

PS, after I wrote this whole thing but before it was posted, Banksy updated his website. So I’m gonna contradict a bit of what I’ve just written and point out this update. There’s some new stuff including some outdoor pieces that are boring and some that are actually pretty good, plus an FAQ section.

Photos by nolionsinengland

Eine in Miami

Eine says, of painting this piece, "this time of year in Miami so many people are painting stuff on the street that the police turn a blind eye to you, which is nice."

Of course Ben Eine made his way to Miami this month, and he kept busy. Here are just a few of his new walls…

Eine and Above

Photos copyright Gareth Gooch