Brian Knowles on the hunt for The Reader in Oregon

Editor’s note: Earlier this year, Brian Knowles reached out to me in response to Ryan Seslow’s post about teaching a class on street art and graffiti. Brian also teaches about street art and graffiti at the university level. As it turned out, I knew Brian’s Instagram account and his flickr and he always seems to be catching great work that I don’t see elsewhere, so I asked Brian if maybe he would like to do a guest post highlighting street art and graffiti in Oregon. Of course, what I was really hoping for was a post about The Reader/Read More Books/Boans…, but I figured I’d give Brian the freedom to do whatever he wanted. He responded that he would love to do a post about The Reader’s work in Oregon, so that turned out perfectly. The Reader is one of my favorite street artists/graffiti writers/whatever working outdoors, so I couldn’t be happier for Brian to let us publish some of his photos of The Reader’s work in Eugene and Springfield, Oregon. – RJ Rushmore

Eugene and adjacent Springfield, Oregon straddle the main rail line and Interstate 5. Two hours south of Portland, it’s the last big stop before San Francisco. It’s a good resting place for travelers heading north or south. The graffiti artist Read More Books has been a frequent visitor, as evidenced by the number of his pieces in the area. I’ve been documenting graffiti and street art here for the last 5 years. Every year a few new pieces appear as Reader passes through. None are ever legal, yet they seem like they were always supposed to exist in that spot.

For me, Read More’s style has a timeless quality. His work feels like it could have existed for decades, and his skulls and books give his admonishments to ‘Read up!’ and ‘Read More’ an apocalyptic flavor.

Below is the classic Reader throwy of the open book. Here inverted black on white and white on black. These are from 2011.There used to be trees between the books, hence the spacing. Here is an earlier photo.

Click to view large
Click to view large

The black and white book below is from the end of this summer, and the double books on the semi are also 2013. There’s a shot from its original location, and then one from its new home behind a fence with other trailers. Whomever moved it to the new location did Reader a solid and made the rear book visible from a major street. The colored triangle shapes are actually by one of Reader’s friends.

book by river up close copy

Click to view large
Click to view large

double book on semi now moved copy

Higher than the rest, this Boans roller is all that’s left of a combo roller piece that Reader featured in his Label 228 zine. I never managed to see the wall before it had been dissed. The current graffiti underneath is better than the original diss, but not of the quality of that original epic piece. Here is a scan of that zine page.

Click to view large
Click to view large

Just down the tracks from that roller is “The Rapture”, a massively long spelling of the words with a still unfinished OYE drawn out in yellow lines at the far end. It’s visible from a local park and appeared around the time of those ‘end of the world/rapture’ predictions. Here is an earlier photo.

Click to view large
Click to view large
Click to view large
Click to view large

Continue reading “Brian Knowles on the hunt for The Reader in Oregon”

Banksy + 5: October 15th

Banksy in Tribeca. Photo from banksyny.com
Banksy in Tribeca. Photo from banksyny.com.

Update: As the New York Post notes (even though they reference the unverified and likely-fake Banksy twitter account), one interesting thing about this piece is the question of how long it will last before being vandalized.

For today’s Better Out Than In piece, Banksy has made a sort of 9/11 tribute or memorial. I suppose it’s interesting that Banksy is using a flower both as a memorial and to show an explosion, but I’m still not sure about this piece. Sidenote: Banksy has previously made at least two pieces referencing 9/11. And Gothamist reports that Banksy may have made two of this piece. There’s another similar stencil but sans-flower in Brooklyn Heights.

And for today’s + 5, there’s work by TrustoCorp (which is Banksy-themed, thanks to ANIMAL for the tip and the video), Kid Hazo (thanks to Streets Dept for the tip), Pablo Delgado, Poster Boy in collaboration with Bamn (referencing Rene Mederos) and one unknown artist edit: .frA*:

Kid Hazo. Photo by Kid Hazo.
Kid Hazo in Philadelphia. Photo by Kid Hazo.
Pablo Delgado. Photo by Boring Lovechild.
Pablo Delgado. Photo by Boring Lovechild.
Poster Boy and Bamn in Cuba. Photo by Poster Boy.
Poster Boy and Bamn in Cuba. Photo by Poster Boy.
Unknown artist in Berlin. Photo by duncan c.
.frA* in Berlin. Photo by duncan c.

Photos by Kid Hazo, Boring Lovechild, Poster Boy and duncan c and from banksyny.com

Banksy + 5: October 14th

Banksy in Queens. Photo by carnagenyc.
Banksy in Queens. Photo by carnagenyc.

One thing that I’ve been hopeful of since the beginning of Better Out Than In is that Banksy might put up work in every borough. With today’s piece in Queens, that hope is one step closer to becoming a reality. This piece also seems to have been Banksy’s closest call yet, with Gothamist reporting the story of a woman spotting a man leaving the site of the piece wearing construction gear (while there is no nearby construction) while the paint was still wet and there was still a blue tarp pinned up on part of the wall. It was been reported in the past that Banksy might use a tarp to cover up his work while it is in progress. But other than the location and that story, not a particularly interesting piece in my opinion, so let’s have a look at today’s + 5.

For this + 5, I’ve got work by GATS, Trollz, Syd and three unknown artists:

GATS. Photo by Jeremy Brooks.
GATS in the San Francisco Bay Area. Photo by Jeremy Brooks.
Trollz. Photo by Michael Verhoef.
Trollz in Melbourne. Photo by Michael Verhoef.
Syd in London. Photo by Boring Lovechild.
Syd in London. Photo by Boring Lovechild.
Unknown artists in Melbourne. Photo by 1llustr4t0r.com.
Unknown artists in Melbourne. Photo by 1llustr4t0r.com.
Unknown artist (although tagged as possibly by Peat Wollaeger) in St. Louis. Photo by Shawn Semmler.
Unknown artist (although tagged as possibly by Peat Wollaeger) in St. Louis. Photo by Shawn Semmler.

Photos by carnagenyc, Jeremy Brooks, Michael Verhoef, Boring Lovechild, 1llustr4t0r.com and Shawn Semmler

Banksy + 5: October 13th

Once again, people such as myself are the butt of Banksy‘s joke for a Better Out Than In piece (and once again I’m late posting about a piece). This may be my favorite work in the show so far. Banksy arranged for a man to sell original Banksy artworks on the street next to Central Park. The paintings weren’t labeled as Banksy pieces in any way, and were available for $60 a piece (although one woman haggled a bit and snagged 2 for $60). The obvious comparison is to Joshua Bell playing in the DC Metro, though the parallels are not exact.

This piece by Banksy is great because, like so much of Better Out Than In, it’s about the crowd that follows Banksy’s work and the system in which Banksy exists. Jeffrey Deitch recently called Banksy a conceptual artist, and I think he is spot-on. This piece, and so many others in Better Out Than In, are not the physical art objects themselves but about the relationships that people have with the objects.

Most Vandalog readers will have heard people complain, or have complained themselves, about how mediocre Banksy pieces can get covered in plexiglass and preserved while masterpieces just around the corner by any other artist can get ignored or painted over. Even work by Banksy has been accidentally painted over when not identified as his work. For 99% of street art and graffiti, the vast majority of people see it without the context of “This is a work by Artist X, whose history is Y. It is important because Z,” but fewer and fewer people see Banksy’s work in that random way, as just another artist among thousands, as just another piece of visual information on a crowded streetscape. For a brief moment this past Saturday, Banksy was just another artist, not a media sensation. Any hey, for just another artist, $420 isn’t bad for a day’s work.

Of course, now I’ve got friends and relatives emailing me asking why the hell I didn’t give them a heads up about this and asking how they can get a Banksy for $60 in order to quickly flip it and possibly make quite a few thousand dollars. But while the works at the stall were authentic, I wonder whether or not Pest Control will authenticate them. Without that authentication, even the people in the video can’t really be trusted if they attempt to sell their “authentic” artworks. Those stencils would be easily enough to fake. But who really cares if the works are real or fake, so long as you’re not paying more than $60 for them?

Speaking of street artists being unappreciated when their name isn’t Banksy, here’s our + 5. These five works that range from very big to quite tiny and are by Ludo, 616, UFO, Cane Morto edit: with Insurrectionize, Royce Bannon and Russell King:

Ludo in Paris. Photo by Carlos Ribeiro.
Ludo in Paris. Photo by Carlos Ribeiro.
UFO. Photo by Hrag Vartanian.
UFO in NYC. Photo by Hrag Vartanian.
616. Photo by Alex Ellison.
616 in London. Photo by Alex Ellison.
Cane Morto and Insurrectionize in Bergen. Photo by svennevenn. Click to view large.
Cane Morto and Insurrectionize in Bergen. Photo by svennevenn. Click to view large.
Russell King and Royce Bannon. Photo by Ellen King.
Russell King and Royce Bannon in Philadelphia. Photo by Ellen King.

Photos by Carlos Ribeiro, Hrag Vartanian, Alex Ellison, svennevenn and Ellen King

stikman solo show at Philadelphia’s Mural Arts Program

Photo by Steve Weinik
Photo by Steve Weinik

The elusive stikman is showing his artwork indoors right now at the offices of the City of Philadelphia Mural Arts Program. …in the house… is open now through November 13th, but there’s an evening reception this Friday evening from 6-8pm. Before that reception, I’ll also be giving a brief talk about the history of street art in Philadelphia and internationally. The reception on the 18th should be a blast, especially since we’ll be releasing a stikman sticker that will be available for free to anyone who stops by (the sticker will also be available if you come see the show after the 18th). This is also a great time to buy a piece of stikman’s original artwork since all of the work for sale at “…in the house…” is being sold to benefit Mural Arts.

Photo by Damon Landry
Photo by Damon Landry

Technically, I’m considered the curator of …in the house…, but I would say it’s more accurate to say I helped coordinate the show since I thought it would be more productive to give stikman as much free reign as possible. One of the things that makes …in the house… so interesting to me beyond it being a show by a great artist who doesn’t display his work indoors all that often is that it is being held at the Mural Art Program’s offices, which also happen to be the former home of artist Thomas Eakins. I interned with Mural Arts over the summer, and it’s a fascinating organization. If you’ve ever seen a mural in Philadlephia, chances are they were behind it. For this show, stikman has on drawn the history of the Mural Arts Program and the building in which it is based to create new work dealing with alternative forms of community engagement and the art of Thomas Eakins.

"On The Water" by stikman. Photo by stikman.
“On The Water” by stikman. Photo by stikman.

Mural Arts and stikman both want engage communities through public art, but they go about it in very different ways. Mural Arts shakes hands, holds meetings and encourages people to help paint murals, all with spectacular results that change the Philadelphia landscape. stikman goes for walks and installs his artwork where he pleases, each piece a temporary gift to the people who look closely enough, lasting only as long as nature and graffiti removal specialists will allow. Both stikman and Mural Arts are active in place-making. Mural Arts gives Philadelphia communal places, while stikman lets individuals discover small private, even secret, places in the midst of the urban jungle and make them their own. Mural Arts’ large-scale works of public art coexist in Philadelphia alongside stikman’s comparatively miniscule sculptures, stickers, tiles and installations, but if you look closely enough, they aren’t so different.

Photo by Damon Landry
Photo by Damon Landry

“…in the house…” is open now at the Mural Arts Program’s headquarters at 1727-29 Mt. Vernon Street in Philadelphia. It runs through November 13th, and while the show is in an office, it is open to the public and anyone can visit during Mural Arts’ normal business hours (9-5, Monday-Friday) or by appointment by emailing events at muralarts . org.

Photo by Damon Landry
Photo by Damon Landry
Photo by stikman
Photo by stikman
Photo by Damon Landry
Photo by Damon Landry
Photo by Damon Landry
Photo by Damon Landry
Photo by Damon Landry
Photo by Damon Landry

Photos by Steve Weinik, stikman and Damon Landry

Banksy + 5: October 12th

Banksy. Photo by carnagenyc.
Banksy. Photo by carnagenyc.

I’m late on this one, but hey, it was the weekend and I was in Little Italy watching this wall come together. Saturday’s Banksy, while a pretty standard stencil besides the great placement, continues on Banksy‘s theme for Better Out Than In of it really being about the crowd. Concrete Confessional is just perfect for photos like the one above, and really requires a fan to activate the piece.

Here’s today’s + 5 by Ntel, Frank Ape, La Ira, and two unknown artists edit: Cane Morto and one unknown artist:

Ntel. Photo by Bill Benzon.
Ntel. Photo by Bill Benzon.
Frank Ape. Photo by edenpictures.
Frank Ape. Photo by edenpictures.
La Ira. Photo by món mort.
La Ira. Photo by món mort.
Unknown artist. Does the signature say Mari?
Unknown artist. Does the signature say Mari? Photo by Beth M527.
M? Photo by svennevenn.
Cane Morto in Bergen. Photo by svennevenn.

Photos by carnagenyc, Bill Benzon, edenpictures, món mort, Beth M527 and svennevenn

Banksy + 5: October 11th

Today‘s Banksy for Better Out Than In was a pretty impressive production, a roving truck featuring what appear to be a combination of animatronic and human-controlled animal puppets. Good stuff.

And for our + 5, there’s work by Buildmore, Nether, edit: London Kaye (thanks to Daniel in the comments) and three two unknown artists:

Buildmore. Photo by Damon Landry.
Buildmore in Philadelphia. Photo by Damon Landry.
Nether. Photo by duncan c.
Nether in Berlin. Photo by duncan c.
Unknown artist in Berlin. Photo by duncan c.
Unknown artist in Berlin. Photo by duncan c.
Unknown artist in London. Photo by The Integer Club.
Unknown artist in London. Photo by The Integer Club.
Unknown artist in NYC. Photo by allan molho.
London Kaye in NYC. Photo by allan molho.

Photos by Damon Landry, duncan cThe Integer Club and allan molho

Live painting, new murals and music in Little Italy this Saturday

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As I mentioned yesterday, this Saturday we’re holding a party outdoors in Little Italy. Presented by Wix.com, the party is to celebrate all the murals that myself and others in The L.I.S.A. Project NYC have been organizing in Little Italy, particularly Tristan Eaton’s brand new Liberty mural. The party is also a chance to watch a brand new mural painted live as part of a Secret Walls competition.

I’m especially pumped for Secret Walls. Tristan Eaton and Jay Edlin aka J.SON/TERROR161 will be judging as Bishop203, Epic, SeeOne and Meres face off against Greg Mishka, L’Amour Supreme, Buff Monster and Jon Burgerman in an 90-minute live painting session just below Ron English’s Temper Tot mural.

So, come by Mulberry Street this Saturday afternoon for some art, drinks and music.

More info about the party here.

Flyer courtesy of The L.I.S.A. Project NYC

Banksy + 5: October 10th

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Banksy in NYC. Photo by carnagenyc.

Today‘s Banksy for Better Out Than In is nice and all, but the most interesting thing about it is these guys who covered the artwork with a piece of cardboard and charged for photos. Also, note, this piece is a beaver, not a rat:

Banksy. Photo by carnagenyc.
Banksy in NYC. Photo by carnagenyc.

For today’s + 5, we have work by Invader, Dain, Dee Dee, Mr. Toll and a few unknown artists (as always, let us know if you know the artists that we don’t):

Invader. Photo by Chris Christian.
Invader. Photo by Chris Christian.
Dee Dee and Dain. Photo by Jamie.
Dee Dee and Dain. Photo by Jamie.
Unknown artist in Chicago. Photo by Seth Anderson.
Unknown artist in Chicago. Photo by Seth Anderson.
Unknown artists in Beijing. Photo by Adrien Fauth.
Unknown artists in Beijing. Photo by Adrien Fauth.
Unknown artist. Photo by Chris Christian.
Mr. Toll in NYC. Photo by Chris Christian.

Photos by carnagenyc, Jamie, Chris Christian, Adrien Fauth and Seth Anderson.