Gaia Erases Revisionism in Woodstock

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A few weeks ago, Acrylic Walls shared photos of their mural residency in South Africa, which includes artists Gaia, Freddy Sam, Jaz, and Know Hope. Local Freddy Sam has brought together international artists for, what I termed, a love letter to South Africa. However, sometimes love bites back.

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One local took to Gaia‘s wall to voice his disapproval of the piece with not enough buff paint. Being an advocate for community and public space, Gaia used what some would view as heartbreaking into an opportunity to engage with the surrounding neighborhood. A hand erasing his Edwardian-animal hybrid has been accompanied by the phrase “revisionisme, uit te vee,” or “to erase revisionism” in Afrikaans. By commenting on the methodologies behind his piece, Gaia acknowledges the temporality of his work as well as its effects on those who, by their proximity to the piece, become forced viewers.

Photos Courtesy of Gaia

Banksy mourns Nekst and a community mourns a Banksy

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Screenshot of Banksy’s website

Banksy‘s website was updated recently with an animated tribute to Nekst, a very talented internationally recognized graffiti writer who died last year. The screenshot above gives you the basic idea of Banksy’s tribute, but you can see the piece in action on his website. This is the first update we’ve gotten from Banksy in a little while. I think the last street pieces he put on his site were the Olympic-theme pieces from last July.

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Banksy in London. Photo courtesy of Banksy.

In other Banksy-related news, the above Banksy piece was recently removed from the streets of London and put up for auction in Miami at Fine Art Auctions. The piece, of course not authenticated by Pest Control but is pretty clearly by Banksy seeing as it’s on his website. The BBC has more about the removal of the piece. At this point, the legality of the removal is unclear, but the community is certainly disappointed. That same auction also includes another street piece, Wet Dog, which was painted in Bethlehem and was removed a while ago (it was also featured at the Context art fair in Miami last year, supposedly not for sale at the time).

Screenshot and photo from Banksy.co.uk

Goal Crew: A way of life

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When I was first tipped off to Goal Crew’s work, I was told they were crushing the Buenos Aires subway and that I had to check it out. Scouring through their Tumblr archive I did find the kind of bold color blocky tags and characters that one would expect to see on a train. What I found even more attractive about their pieces is the precision timing and care taken into photographing each train.

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Rather than focusing on a perfect dead-on shot that would accurately show their skills at bombing, Goal Crew depicts each train as if it has its own personality. Light streaks and unamused passengers on their daily commute dot the backdrops of their trains. These happenstance occurrences during their photographs bring an atmosphere to the pieces’ vivid colors.

Continue reading “Goal Crew: A way of life”

Seimiek’s take on street art’s move out of the city

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Siemiek in Canta Gallo, Peru

I spoke briefly with Peruvian artist Seimiek about a trend in street art I’ve seen a lot of in the past 2 years, one that that extends street art outside of the city and interacts with a new audience; perhaps forming new intent and meaning behind the works done by artists who’ve started to put colors in forgotten towns.

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Siemiek in Canta Gallo, Peru

Laura Calle: I’ve noticed a lot of street artists have started to put up works outside the city, how do you think this changes the dynamics in your art?

Seimiek: I went outside of the city in search of new places to paint, in which case I did find new spots and the experience changed into something that gave me new ideas. New places, new ideas.

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Siemiek in Canta Gallo, Peru

Laura Calle: What was your initial reason or purpose that has influenced you to paint in places like Canta Gallo?

Seimiek: I wanted to find new spots. When I went to Canta Gallo for the first time, there was a reaction by people that made me want to continue working there. I think, that that is what has made the whole experience so awesome. People will tell you, “come here, paint this spot, here here!” and then you go and finish painting that spot and they tell you how much they like it or how why they aren’t into it. That’s what made me come back. The difference in painting in the city is that you will finish something, sometimes you finish it only half way, and you leave the spot to sometimes find it gone in a few days.

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Siemiek in Canta Gallo, Peru

Photos courtesy of Seimiek

Weekend link-o-rama

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Kid Acne at Village Underground in London

Sorry for the late link-o-rama. Caroline came to visit on Thursday, so I’ve been trying to stay offline.

Photo by HowAboutNo!