Rone’s “Darkest Before the Dawn” coming to White Walls Gallery

Rone (Everfresh) from Melbourne is having a show in September at White Walls Gallery in San Francisco.

His work just keeps getting better and better, I’m loving his new style.

From the press release:

White Walls is pleased to present “Darkest Before the Dawn,” the first SF solo show of Melbourne-based artist Rone to follow his successful San Francisco debut in the “Young and Free” showcase of Australian street artists at 941 Geary in 2011. “Darkest Before the Dawn,” will feature works on canvas, brick, and paper, varying in size from 3’x2’ to large-scale works measuring over 6’x6’. The opening reception will be Saturday, September 8th, from 7-11pm, and the exhibition is free and open to the public for viewing through September 29th, 2012.

With the face of the same wide-eyed and sharp-featured woman starring in each portrait, Rone creates a modern legend. Separately, each piece is an autonomous work, existing through its own beauty, but when viewed together a narrative is opened, leaving us to wonder what led to the birth of this icon. In “Darkest Before the Dawn,” Rone tells us that his feature character stands as a symbol for the possibility of assimilating our worst moments into a new strength.

By incorporating a variety of techniques, Rone deliberately infuses each piece with the textures he readily encounters when working out in the streets. The build-up and deconstruction of multiple layers is a fluid, free flowing way of revealing a composition by letting it come about itself. The medley of patterns and textures embody the continuity of time passing, while the woman in the midst of it all personifies grace overcoming deterioration.

From Rone:

We all have moments in our lives that make us who we are. These may be both tragedies and great moments that change the way we see the world. ‘Darkest Before the Dawn’ explores the concept of our darkest moments will eventually become our strengths, told through stylized portraits of a modern heroine.

I am trying to tell this story with the textures I see on the street, hand painted signage, torn bill posters and the deteriorating walls that look like they could tell their own stories. Using a palette of muted colours inspired by the fading colours I saw in Miami & Cuba, I am trying to create a sense of 80’s when style was all that mattered.

The show opens Thursday, September 8th, 7-11 pm and runs until September 29th, 2012

If you are anywhere neat San Francisco for this I highly recommend making the effort go and see this.

Photos courtesy of Rone

Meet the perfect couple… Dabs & Myla

A mural in LA by Dabs and Myla

You may have a partner with whom you get along very well. You and your partner may love each other as much as any two people have ever loved each other before. You and your partner may work together on projects all the time. But you are not Dabs and Myla. This is how perfectly in sync Dabs and Myla are as a couple and as artistic collaborators:

Photo by sabeth718

Via VNA

The Barry McGee retrospective in Berkeley, CA

© Gareth Gooch 2012

Barry McGee’s retrospective at the UC Berkeley Art Museum and Pacific Film Archive opened a couple of days ago, and damn am I jealous of pretty much anyone on the west coast right now. The show is open now through December 9th. Thanks so much to Gareth Gooch for all these photos of the show, which I’m just going to post without much further commentary, because they really seem to be enough. You either get it or not.

© Gareth Gooch 2012
© Gareth Gooch 2012
© Gareth Gooch 2012
© Gareth Gooch 2012
© Gareth Gooch 2012

More after the jump… Continue reading “The Barry McGee retrospective in Berkeley, CA”

LUSH Show at Klughaus Gallery NYC 

A note from RJ: Luke left the show before this stuff happened. If anyone knows more about what went on, let us know in the comments.

Lush a renowned “so called” graffiti artist from Melbourne, Australia, opened his show tonight at Klughaus Gallery in NYC.

As usual his work is controversial and rather obscene :)… Lush’s graffiti pieces combine his trademark lettering with often x-rated images of pornography and naked women posing alongside (and incorporated into) his pieces. I really like his work.

His illustrations (the feature of this show) provide a very apt commentary on the graffiti scene and all the associated traditions and beliefs.

Lush wasn’t at the show (maybe because he’s probably a wanted man haha), but, in what I thought was an innovative addition to the show, he appeared live on Skype from Melbourne (donning a bandana to cover his face) from his bathtub. This was an excellent addition to the exhibit as it allowed people at the show to interact with the artist. He was also live in twitter and @lushsux and the #lushsux hash tag were getting lots of attention. Both positive and negative.

The good thing about Lush is that he does not at all take himself seriously and his work completely “takes the piss” (an Australian saying meaning makes fun of) the whole graffiti and street art scene. A much needed viewpoint in my opinion.

The show opened tonight and runs until the 7th of September. Worth having a look at if you are in New York.

All photos by Lukey

Twoone solo show at Backwoods Gallery

TwoOne, another of Melbourne’s legendary street artists, is having his 6th solo show in September (amongst countless group exhibitions) at Backwoods Gallery in Collingwood, Melbourne. Seven Samurai opens September 14th at 6pm and run through the 30th.

From the press release:

What’s right? What’s wrong? Is the sacrifice of an individual worthwhile if it benefits the many?

Using Japanese filmmaker Akira Kurosawa’s Seven Samurai as a common cultural reference point, Japan-born Melbourne street artist TwoOne explores these questions at the exhibition of the same name at Collingwood’s Backwoods Gallery from Friday 14 to Sunday 30 September.

Seven Samurai is one of the most influential films of all time, with a major impact on American films in particular – from obvious tributes like the 1960s western The Magnificent Seven, which was a remake in everything but name and setting, to George Lucas paying homage to its dialogue and shot composition across his Star Wars saga.

The film continues to inspire nearly 60 years after its release, with TwoOne again drawing on Kurosawa’s 1954 masterpiece for his first solo exhibition of 2012. Each of the seven large works in this new collection is an exploration of the psyche of the film’s seven protagonists, approaching the heroes not as warriors, but rather culturally-significant character archetypes. These archetypes represent enduring perceptions of authoritarian figures in traditional Japanese society, and TwoOne’s analysis looks at them with contemporary insight.

TwoOne aims to bring both western and eastern philosophy together in his character portrayals, which are based on his own psychoanalysis of each of the samurai while at the same time drawing visual reference from the physical energy of Bushido and judo. “Within us all there is a battle,” TwoOne says. “The form of fighting and the ferocity is what defines us.”

With Seven Samurai, he creates a visual representation of that duality; of the forces, whether perceived or real, that pull Kurosawa’s characters (and, indeed, all of humanity) in different directions psychologically and the difficult decisions that must be made.

All photos courtesy of Alex Mitchell at Backwoods Gallery

Weekend link-o-rama

Sam3

Well, the big story this week was of course Hyuro’s wall under threat in Atlanta, but a lot more has been happening elsewhere on the web, plus I missed a week of link-o-rama when I was in Atlanta myself, so here’s what I’ve got to share:

Photo by Sam3

Made in Iran: Icy and Sot in NYC

This is a joint post by Luke McManus and Lois Stavsky

Icy and Sot have been doing lots of fresh pieces on NYC streets, so we were excited to check out Made in Iran, the first exhibit outside of their native country that they could attend. With influences ranging from Banksy to C215, they have created a distinct body of work including many pieces that reflect their unique political and social realities.

A particular favorite in the exhibit is an installation of old 12-inch vinyls that pay homage to deceased icons. We loved how the cuts in the vinyl mirror the hair of those portrayed.

Also impressive are a number of finely detailed stencils, including this one on an old Iranian packing box.

The exhibit continues through the 25th at 379 Broome Street in Manhattan’s Little Italy.

Photos by Tara Murray and Lois Stavsky

eL Seed paints the tallest minaret in Tunisia

Click to view large

French artist eL Seed recently painted this beautiful mural on the tallest minaret in Tunisia, in the city of Gabès on the Jara Mosque. On the whole, I’m a bit tired of all the giant murals going up over the last year or two, but this one really works. The piece reads, “Oh humankind, we have created you from a male and a female and made people and tribes so you may know each other.” The mural was funded by the Barjeel Art Foundation.

Click to view large

Photos courtesy of eL Seed

Détournement: Signs of the Times @ Jonathan LeVine has it all

Mike Osterhout

One of the many aspects of street art that I love is its amazing power to engage and challenge the public.  This is particularly evident in Jonathan LeVine’s current exhibit, Détournement: Signs of the Times. Curated by the noted critic Carlo McCormick, its works are provocative, often confrontational and visually appealing in their fusion of text and image. (And also impressive is how well they work together in this gallery setting). Here are a few more images:

Dan Witz
Mark Flood

 

Ripo
Zevs

The exhibit ends this Saturday, so if you are anywhere near NYC, this is a must!

Photos by Tara Murray and Lois Stavsky