So, I know that I haven’t seen too many shows in person this year, but of the ones I have, Ron English‘s Crucial Fiction show at Opera Gallery‘s New York location has to take the top slot. For most of the work in the show, Ron really does pop surrealism at it’s absolute best by creating pop-infuriated surreal scenes that draw you in and creep you out at the same time. The story behind Crucial Fiction is that the work is meant to be the result of a sort of dialog between Ron and his 8-year-old-self, the master now painting with impeccable technique what his childhood-self envisions. The paintings where this is most evident are some of the strongest pieces I’ve ever seen from Ron or any pop surrealist. Of the one piece in the show that was undoubtedly weak and out of place, all I’ll do is repeat what Caroline Caldwell once told me, “Glitter is the herpes of the art world.”
I’ve included a few photos here of some of my favorite pieces in Crucial Fiction, but Arrested Motion has a full set of photos from the show. Crucial Fiction is open now through November 29th, and it really is best experienced in person. And besides, I may not be the most trustworthy evaluator of the show since I went to the opening looking like this.
Photos courtesy of Arrested Motion