It’s not my intention to shame artists who collaborate with labels and “big brands” to support themselves, however I feel that there is a distinct line between using a brand’s notoriety to proliferate one’s own art and “selling out”. D*Face is an example of good corpo-collaboration as he seemed to have a lot of freedom when he worked with Smirnoff on a project which allowed him to do things he would have never been able to do on his own. By definition, selling out is what happens when an artist is willing to compromise their personal goals (i.e. propagating a message, promoting a distinct style, nurturing certain ideas/reactions, etc.) because of cash cash cash cash cash.

Louis Vuitton has invited Aiko, Os Gemeos and Retna to help design a series of scarves. Aiko refers to her work as having a graffiti influence and says ,”We break the law with wildstyle”, which seemed a bit ironic given that she is the only artist involved who does not come from a graffiti background and yet was the only artist to mention such things. As one commenter says, “Just waiting for Kidult to hear about this…” 12ozProphet has an interesting little read on some more examples of graffiti in couture, including a previous line from Louis Vuitton. Similarly, Krink and Coach will be releasing a collaborative line of bags this spring. That might just be coincidental timing or it maybe it was some Devil Wears Prada-esque trend carefully planned by the cigar smoking board members of some fashion-world back room.

Who do you think will buy these products?

Do you think they will know the significance or want to learn more about the artists?

Photo by Luna Park

For the last week or so until today, we’ve been in the process changing Vandalog’s web hosts. No need to get into the technical details, but now the site should run more smoothly and with less downtime. Unfortunately it means that we haven’t been able to write anything new on the site since that process began (everything that’s gone online was pre-scheduled). So this is a mega-link-o-rama combining the usual weekend link-o-rama content with stuff that I could have written about last week even if I’d had the time.

• Martha Cooper turned 70 this weekend, and the graffiti community came together at Bowery and Houston to give her a giant surprise birthday present (pictured above). How and Nosm told Cooper that they were planning to repaint their piece at Bowery and Houston and told her to come by at noon on Saturday, but they didn’t tell her how they were going to have to piece repainted. They brought together a bunch of new and old graffiti legends and painted a giant blockbuster tribute to Cooper. BSA has plenty more great photos of the piece in progress and a perfect shot of Cooper reacting to seeing the mural.
• WK Interact’s pop-up show in NYC is absolutely fantastic, a must-see show. Think it this way: This show, as I understand it, is a retrospective but it’s made up of the work that WK had in his studio, not work borrowed or on the secondary market from collectors, so this is a lot of unsold work. And yet, the show is still one of the strongest I’ve seen from any artist in quite a while, and the work holds up just fine next to anything else by WK. Even the work that has been sitting in the WK’s studio for a few years is just masterpiece after masterpiece. Good stuff.
• I love this t-shirt designed by Snoeman for Carnage (Snoeman is the zine’s featured artist in their latest issue).
• Sick new Dabs and Myla mural in Melbourne.
• Mr. Brainwash has lost another lawsuit by a photographer upset with MBW’s appropriation. Basically, it boils down to MBW’s work being too similar to the original photograph, with no original contributions to the work by MBW.
• Aiko’s installation at the Japan Society in NYC is beautiful. Can’t wait to see it in person.
• Sounds like Logan Hick’s show in LA was a big hit. Here are photos of the finished and installed work.
• Some crazy walls from Abik.
• This year’s OFFSET lectures in Dublin will include JR and Faile.
• NYC has some amazing graffiti on trucks.
• A quick Overunder tag.
• Os Gemeos talk about their show at the ICA Boston and their massive mural there from last summer (if you can spot me in the video, you have eagle eyes by the way).
• It appears that Phil Frost hit a massive billboard in LA, and then the billboard was stolen. But the whole thing seems like a shady PR scam for Ace Gallery. Melrose&Fairfax has the full story, but one point they don’t make is that Ace Gallery has a history of controversy, so that makes me even more doubtful that this billboard and its theft are real. Also, let’s face it, there’s a good chance that the billboard is illegal anyway since this was in LA, so who cares if the ad was stolen off of the billboard?
• Is this new David de la Mano piece a comment on the removal of Hyuro’s Atlanta mural?

Photo by Luna Park

From the great minds of The Heavy Projects and Public Ad Campaign, Re+Public has emerged as the collaborative effort to revision and “democratize” public space through the use of their Augmented Reality app. Two new videos have recently been released which show this technology in full effect: (above) the app reacts to preexisting murals by How & Nosm, Aiko, Retna, and Ryan McGinness at Miami’s Wynwood Walls by turning the murals into giant 3D animations, and (below) the app unveils the timeline of New York City’s Bowery and Houston wall, including the work of Keith Haring, Faile, Barry McGee, Aiko and others who have historically left their mark on the wall.

You can sign up to download the beta version of Re+Public’s Augmented Reality app on their website. Follow them on Facebook for updates.

Keith Haring’s wall depicted in place of How and Nosm’s wall at Houston and Bowery

How and Nosm

MOMO

Photos courtesy of Public Ad Campaign

Click to view large

Os Gemeos and Aryz are the latest artist to complete a mural in Lodz, Poland for the Galeria Urban Forms. Hopefully this piece doesn’t cause as much controversy as other recent works featuring nudity or Os Gemeos’ characters, because it would be a real shame if this piece had to be buffed.

Photo by Aryz

Don’t Fret in San Francisco

It’s back to school in a few days for the college-aged Vandalog bloggers. Caroline moving to New York City tomorrow, so say hello if you see her around.

• Shepard Fairey has a show of his printed works opening next month at The Public Trust, a gallery in Dallas.
• Although it frustrates me how Sever comes across as a graffiti writer who hates street art and also does street art, he actually makes some good work. Here’s a great piece from him about the Israeli-Palestinian conflict, as posted to his (I believe new) website.
• AEC of Interesni Kazki painted this mural for FAME Festival.
• This I’m pretty sure this or something similar has been done before, but I still like this Monopoly-themed street art in Chicago.
• In Myanmar, graffiti seems to be a sign of improvement and more freedom for the country’s citizens, even if the work is still technically illegal.
• More people need to do this. Looks like a really fun way to waste cops’ time.
• This mural by A.Signl does a really fantastic job of highlighting some issues with being a consumer who also cares about human rights.
• LA’s Corey Helford Gallery will be showing Giles Walker’s spectacular The Last Supper installation. The show runs September 8th-22nd.
• Looking at this new piece from Jade and comparing it to just a year and a half ago, it’s impressive how far he’s come.
• New York’s Moustache Man has a show at the UCB Theatre next month about his experience drawing moustaches on advertisements around NYC and subsequently getting arrested.
• Aryz and Os Gemeos are collaborating on this mural in Lodz for Urban Forms Gallery.

Photo courtesy of Don’t Fret

Stephen Powers, who has a show coming up at Joshua Liner Gallery

There are a lot of shows coming up soon worth checking out. Here are some of I wish I could check out in person…

• This week, the Iranian brothers Icy and Sot will have their first New York solo show, and it’s only open this Thursday through Saturday. Made in Iran will be at Openhouse, 379 Broome Street, New York.
• Lush also has a show opening in NYC this weekend. His will be a show of drawings at Klughaus Gallery. It opens on August 25th from 6-10pm. Lush’s show are practically a place to expect surprises, so best get their opening night before a blog like this one ruins the shock value for you on Sunday. If you do miss opening night, the show runs through September 7th.
• Next month, Stephen Powers aka ESPO will have his first New York solo show in over 7 years. A Word is Worth A Thousand Pictures opens September 7th from 6-9pm at Joshua Liner Gallery.
• Galo Art Gallery in Turin has a great two-man show coming up with Bue and Chase. Brothers from Different Mothers opens September 9th from 5:30-9pm.
• aMBUSH Gallery in Sydney, Australia has a big group show coming up with 67 artists including Anthony Lister, Askew, Does, Numskull, Vexta and The Yok. For Black and White All In Between, all the artists have painted on canvases of uniform sized and only used black ink. The show opens on August 31st from 6-9pm.
• Jonathan Levine Gallery‘s next three solo shows open on September 8th and you will not want to miss any of them: Judith Supine, Audrey Kawasaki, and Jeff Soto. All three shows open from 7-9pm on the 8th. And speaking of Levine, I caught their current show earlier this week and it is great. Go it see before it closes.
• Gold Peg’s Release The Wolves go-karting project in South London will have a gran-prix expo on September 1st. It’s gonna be some crazy and fun stuff. And art too, but I think that’s secondary.
• Shepard Fairey is finally showing those paintings he did for Neil Young’s latest album. The few pieces I’ve seen photos of are impressive. Americana opens at Perry Rubenstein Gallery (which recently moved to LA) on August 25th from 7-10pm.
• Finally, this last one is a mural festival, and it promises to be a big one… This year’s Urban Forms festival in Lodz, Poland includes Os Gemeos, Aryz, Inti, Otecki, Lump and Shida. Certainly the most-anticipated work of Urban Forms is the promised collaborative mural between Os Gemeos and Aryz. The events run from August 24th through September 30th and will bring the total number of murals organized in Lodz by the Urban Forms Foundation to 22. I can’t wait to see the photos of these pieces.

Photo courtesy of Joshua Liner Gallery

The Giant of Boston. Photo by Weeklydig. Click to view large.

Last week, a small show by everyone’s favorite set of identical twin graffiti artists opened at the ICA Boston. The show is not the massive, playful and immersive installation you might expect from Os Gemeos, rather it is a much more traditional show in a white-walled room. I went to Boston hoping for an installation to rival their museum shows in Brazil or at least comparable to their 2008 show at Deitch Projects. But, in its own way, a white-walled show makes sense.

Curator Pedro Alonzo described the show as an attempt to show that Os Gemeos’ work could hold up in a traditional museum setting with just a few paintings being hung on walls and plenty of space between each picture. Another person suggested to me that hanging a white-walled show is a way to prove that Os Gemeos’ work will continue to be interesting long after the twins are dead and no longer make new installations. I think they are right, but I just wished that Os Gemeos picked another time to prove themselves, perhaps a time when I wasn’t taking six hours of buses to see their show.

So I went into the show with expectations that could never be met, but I did find something else there. Alonzo’s bet has been proven right: As hundreds or perhaps thousands of collectors around the world already knew, now the world too knows that an Os Gemeos painting may look great when put into one of their installations, but it can be absolutely brilliant just hung on a wall by itself too.

The piece originally made for Viva la Revolución: A Dialogue with the Urban Landscape. Photo by Lois Stavsky

The two weakest pieces in the show are actually both pieces that are just the sort that might shine as components in an installation. One was made for Viva la Revolución: A Dialogue with the Urban Landscape, a show at the Museum of Contemporary Art San Diego also curated by Pedro Alonzo. The story that Alonzo told about the piece turned out to be a lot more interesting than the work itself. The twins were in San Diego prepping for the show when they saw a bunch of tablesaws and similar tools that aren’t as widely available in Brazil, and they were inspired to use material that would have otherwise been discarded (including bits leftover from Swoon’s installation) to make something. Only problem is, the result of their recycling just doesn’t look like much alone on a white wall and without the story.

Upside Down Sunrise. Photo courtesy of the ICA Boston.

Thankfully, most of the paintings work well in a traditional gallery, and a few are absolutely brilliant. In particular, I practically couldn’t look away from Upside Down Sunrise and an untitled painting of vandals on the New York subway tracks (which happens to be owned by Lance Armstrong). For any graffiti nerds out there, it is probably worth seeing the show just to see how many names you can recognized painted into the subway piece.

Photo by Lois Stavsky

Of course, there’s also the sound installation, a corner of the gallery filled with brown and yellow faces shouting and singing, if the right buttons are pressed on the accompanying piano. I just hope there’s someone there during the show’s run to play it, since I doubt that visitors will be allowed to.

Photo courtesy of Arrested Motion (more of their photos here)

And for those of us who wanted a little more, the twins did not disappoint outside. They painted two murals (and a van) in Boston.

The smaller of the two murals is on the Revere Hotel, and features two writers tagging the wall. It’s a great little piece to be surprised by. I think I overheard one man trying to contact the police about just what the hell was going on, but most of the people whom I saw come across the mural were loving it.

Os Gemeos at the Revere Hotel. Photo by RJ Rushmore. Click to view large.

Both in scale and awesomeness, the piece on the Revere is nothing compared to The Giant of Boston, Os Gemeos’ largest mural in the United States by painted surface area, but it’s been causing a bit of controversy. The Giant of Boston is located at Dewey Square, and you really can’t miss it. But just what it is has proven to be not very evident to people who are not already familiar with Os Gemeos. The masked is most likely a protestor or a vandal, as the twins have painted in the past, but at least hundreds of Boston residents have looked at The Giant and seen a “terrorist” or a “towel head.” A photo of the mural was posted on the Facebook page of a local Fox station, and literally hundreds of people have posted similar ignorant/racist responses. Bostinno has more on this controversy.

Photo by Lois Stavsky

I do not think that this show is what most Os Gemeos fans were hoping for, and it certainly wasn’t what I was hoping for, but damn it I couldn’t stop smiling the entire time I was in the gallery or looking at either of their murals. There’s some good work, and Alonzo isn’t wrong to want to show that the work can hold its own in a white-walled space or brighten up the streets of Boston. Now, I’m just hoping that both murals stay up for the full 18-months that they could potentially be around for. Os Gemeos’ show is open at the ICA Boston through November 25th.

Photos courtesy of Arrested Motion and the ICA Boston and by Lois Stavsky, Weeklydig and RJ Rushmore

FIGHT by Rub Kandy

I’m off for a few days of traveling. Expect lots of pictures. Here’s what we missed on Vandalog this week:

• Endless Canvas has organized a show of murals in an old factory in the Bay Area. They are using Kickstarter to get the show off the ground, and could use some help.
• These abstract pieces by 1010 and Bemie are pretty great.
• And more abstract work by Cron.
• The zine and print from Lush’s London show are now available online.
• Saber and Revok have shows opening Saturday evening at Known Gallery.
• A stellar new print from WK Interact is available at Jonathan Levine Gallery.
• The ATG crew will be showing at Stolenspace Gallery in August.
• Arrested Motion has a preview of the upcoming Barry McGee retrospective.
• Keep an eye on 12ozProphet’s Instagram for behind-the-scenes photos of the upcoming Os Gemeos show at the ICA Boston, opening next week.
• Some beautiful new work from MOMO in Spain and Rome.
• Something a bit different from Pixelpancho in Russia.

Photo by Rub Kandy

What is Sever trying to say with this piece? Honestly, I am confused. That Twist head in particular looks really well painted, but the actual meaning of the piece is unclear. Is he taking a shot at street art in general? If so, Vandalog readers know that I would be ready to listen and probably even laugh. But I’m just not sure what the joke is, or if Sever is making a joke at all. Maybe I’m an idiot and the meaning of this piece is apparent to everyone but me (maybe even because it’s aimed at bloggers like me), but I have some questions…

Did Sever intend this as a diss to all street art or just contemporary street art, and what does he think of the artists whose logos he included? Does he like them and just dislike the latest street art? Does he dislike all street art? Is this piece is street art itself? Does Sever do street art now too? If so, what does that mean? Is this not a diss about street art at all but rather just a bunch of iconic images mashed up together because such a piece would obviously go viral? Is street art dead?

I’m curious to hear what, if anything, Sever will say about this piece. He is a member of MSK. Some members of MSK have transitioned over the last few years into doing art that looks more and more like street art on an aesthetic level while still retaining their roots in graffiti. Sever has done some of that as well, not just with this piece, but also with these two and probably others. What differentiates members of MSK who are embracing the aesthetics of street art from the Johnny-Come-Lately street artists whom Sever seems to be bemoaning with this piece? Is it that the members of MSK have years of experience with illegal graffiti (they definitely have that experience)? Is it that the members of MSK are more skilled than other artists (they definitely are skilled)?

Pretty much all that I can say for sure is that Sever knows how to paint and knows some icons of street art/character-based graffiti. The rest of what I’ve got right now are questions. Does anyone out there have answers? If so, please leave a comment.

And if you’re looking for some art where street art is the butt of the joke and the joke is a bit more clear, try Lush, mobstr or Katsu.

Photo by Jsinghur

Photo by i_follow

Keith Haring. Daze. Os Gemeos. Barry McGee. All of these artists have painted murals at the same spot at Bowery and Houston in New York City. The Street Spot has a history of the spot over the last five years, but it’s been being painted since at least the 1980′s. This week, Retna became the most recent great artist to paint at Bowery and Houston. Unfortunately, I’m not on the east coast right now because I would have loved to have seen this mural being painted, but plenty of New York photographers have been over to document the new mural both in progress on Monday and Tuesday and as a completed piece. Check out some of my favorite shots by Matthew Kraus after the jump… Read the rest of this article »