CarnageNYC found this van painted by SNOEMAN and DCEVE in NY. Such a great concept. There are some great trucks and vans being painted in NYC, but this has to be one of my favorites. Plus, with a few days incorporated into the piece, the small amount of tagging that will inevitably occur will still fit into the work. Smart move.
For the last week or so until today, we’ve been in the process changing Vandalog’s web hosts. No need to get into the technical details, but now the site should run more smoothly and with less downtime. Unfortunately it means that we haven’t been able to write anything new on the site since that process began (everything that’s gone online was pre-scheduled). So this is a mega-link-o-rama combining the usual weekend link-o-rama content with stuff that I could have written about last week even if I’d had the time.
Martha Cooper turned 70 this weekend, and the graffiti community came together at Bowery and Houston to give her a giant surprise birthday present (pictured above). How and Nosm told Cooper that they were planning to repaint their piece at Bowery and Houston and told her to come by at noon on Saturday, but they didn’t tell her how they were going to have to piece repainted. They brought together a bunch of new and old graffiti legends and painted a giant blockbuster tribute to Cooper. BSA has plenty more great photos of the piece in progress and a perfect shot of Cooper reacting to seeing the mural.
WK Interact’s pop-up show in NYC is absolutely fantastic, a must-see show. Think it this way: This show, as I understand it, is a retrospective but it’s made up of the work that WK had in his studio, not work borrowed or on the secondary market from collectors, so this is a lot of unsold work. And yet, the show is still one of the strongest I’ve seen from any artist in quite a while, and the work holds up just fine next to anything else by WK. Even the work that has been sitting in the WK’s studio for a few years is just masterpiece after masterpiece. Good stuff.
Mr. Brainwash has lost another lawsuit by a photographer upset with MBW’s appropriation. Basically, it boils down to MBW’s work being too similar to the original photograph, with no original contributions to the work by MBW.
It appears that Phil Frost hit a massive billboard in LA, and then the billboard was stolen. But the whole thing seems like a shady PR scam for Ace Gallery. Melrose&Fairfax has the full story, but one point they don’t make is that Ace Gallery has a history of controversy, so that makes me even more doubtful that this billboard and its theft are real. Also, let’s face it, there’s a good chance that the billboard is illegal anyway since this was in LA, so who cares if the ad was stolen off of the billboard?