PUBLIC by FORM Gallery – Perth – Western Australia

ROA - Photo by ROA
ROA. Photo by ROA.

I’m back after a brief blogging hiatus. I’ve been meaning to post my review for this great event that happened back in April over in Western Australia for a while now…

Leaving a cold wet 17 degrees in Melbourne, I was pretty damn excited to fly to Perth on the 10th of April, right in time for the grand finale of PUBLIC by Form Gallery in Perth, Western Australia, which I posted a preview of a while ago.

I arrived to a perfect sunny 30 degrees and soon as I hit the ground, I had a good feeling about Perth, I hadn’t been before, but something felt right. I went straight to the hotel and dropped off my bags, and went for an explore. Within a few hundred metres of my hotel, I could see the amazing Phlegm and ROA murals in progress. I made a beeline straight for them. Upon entering the car park I also saw the work of many other great artists. The works were spread throughout the CBD and inner city suburbs. Here’s a selection of some of my favourite pieces from the event.

ROA - Photo by Bewley Shaylor
ROA. Photo by Bewley Shaylor.
Pixel Pancho - Photo by Dean Sunshine
Pixel Pancho. Photo by Dean Sunshine.
Pixel Pancho - Photo by Pixel Pancho
Pixel Pancho. Photo by Pixel Pancho.
Pixel Pancho - Photo by Pixel Pancho
Pixel Pancho. Photo by Pixel Pancho.
Phibs - Photo by Luke Shirlaw
Phibs. Photo by Luke Shirlaw.
Hyuro - Photo by Luke Shirlaw 2
Hyuro. Photo by Luke Shirlaw.
Hyuro - Photo by Luke Shirlaw
Hyuro. Photo by Luke Shirlaw.
Phlegm - Photo by David Dare Parker
Phlegm. Photo by David Dare Parker.
Alexis Diaz - Photo by Alexis Diaz
Alexis Diaz. Photo by Alexis Diaz.
Alexis Diaz (detail) - Photo by Alexis Diaz
Alexis Diaz (detail). Photo by Alexis Diaz.
Amok Island - Photo by Amok Island
Amok Island. Photo by Amok Island.
Ever - Photo by Ever
Ever. Photo by Ever.
GAIA - Photo by Dean Sunshine
GAIA. Photo by Dean Sunshine.
GAIA and Ever - Photo by Brendan Hutchens
GAIA and Ever. Photo by Brendan Hutchens.
Lucas Grogan - Photo by Dean Sunshine
Lucas Grogan. Photo by Dean Sunshine.
Lucas Grogan - Photo by Jean-Pierre Horre
Lucas Grogan. Photo by Jean-Pierre Horre.
2501 - Photo by Luke Shirlaw
2501. Photo by Luke Shirlaw.
Maya Hayuk - Photo by Jean-Pierre Horre
Maya Hayuk. Photo by Jean-Pierre Horre.
2501 vs Maya Hayuk - Photo by 2501
2501 vs Maya Hayuk. Photo by 2501.
Beastman and Vans the Omega - Photo by Dean Sunshine
Beastman and Vans the Omega. Photo by Dean Sunshine.
HEAVY Projects - Photo by Dean Sunshine
HEAVY Projects. Photo by Dean Sunshine.
HEAVY Projects - Photo by Dean Sunshine
HEAVY Project. Photo by Dean Sunshine.
HEAVY Projects - Photo by Dean Sunshine
HEAVY Projects. Photo by Dean Sunshine.
HEAVY Projects - Photo by HEAVY Projects
HEAVY Projects. Photo by HEAVY Projects.

While the event spanned over ~30 days, the main event was the painting of Perth’s 1st ever giant murals over the last 3/4 days of the event. In total there were around 30 murals painted for the event, spanning across the City of Perth. I was very impressed by the organization of the event by the FORM Gallery crew. With a logistical nightmare trying to coordinate over 45 artists, paint and equipment, all in 35 degree heat, the FORM Crew did an amazing job, Well done guys!!! A very friendly and hospitable crew. Thanks very much for taking such great care of us while we visited.

There was a great selection of artists from ac cross the globe representing all different styles and genres. Unfortunately there was no graffiti, but I suppose street art was a big stretch for conservative Perth, so graffiti may have been avoided for this reason. For a city not really known for street art, the public reaction was encouraging. People of all ages and walks of life filled the city over the weekend. I love walking around randomly and listening to some of the conversations and questions people ask each other. In particular I was really impressed by the public’s reactions to the HEAVY PROJECTS installations (interactive works of art that use Augmented Reality on smart phones and tablets). Here’s a short video the guys out together to document the event (plus some footage from a previous project).

Re+Public: Austin + Perth from The Heavy Projects on Vimeo.

On the Friday night there was also a great show at FORM Gallery – PUBLIC SALON showing off canvases from the contributing artists, some great work on display, check out some shots here.

And finally. This great video by Chad Peacock is a really accurate representation of the event and well put together. Damn it takes me back!!!


The FORM guys also took a number of artists to visit the Pilbara, a very special part of top end of Australia with breathtaking views and incredible nature (also sadly known for mining – the 2 don’t really go hand in hand). A few of the artists had a paint while there, I particularly like the piece by Remed.

Remed - Photo by Ben Fulton-Gillon
Remed. Photo by Ben Fulton-Gillon.
2501 and Remed - Photo by 2501
2501 and Remed. Photo by 2501.
2501 and ROA - Photo by 2501
2501 and ROA. Photo by 2501.
2501 and Alexis Diaz - Photo by 2501
2501 and Alexis Diaz. Photo by 2501.

After all of the above, any street art fan in Perth would have to be pretty happy, but it didn’t stop there. FORM has continued putting up murals in Perth, with Creepy (aka Kyle Hughes-Odgers) painting at Perth Airport (a sponsor of PUBLIC) and also Vans the Omega and Beastman’s new piece that went up last week.

Kyle Hughes-Odgers - Photo by  Kyle Hughes-Odgers
Kyle Hughes-Odgers. Photo by Kyle Hughes-Odgers.
Kyle Hughes-Odgers - Photo by Kyle Hughes-Odgers
Kyle Hughes-Odgers. Photo by Kyle Hughes-Odgers.
Vans the Omega & Beastman - Photo by Jarrad Seng
Vans the Omega & Beastman. Photo by Jarrad Seng.
Vans the Omega & Beastman (detail) - Photo by Jarrad Seng
Vans the Omega & Beastman (detail). Photo by Jarrad Seng.

What I loved most about the event wasn’t just the art, and was not unique to PUBLIC; is the sense of community I felt. This is something I really love about the street art scene. I got to catch up with some great old friends, and made some new ones who I will undoubtedly randomly catch up with again somewhere around the globe.

Fingers crossed that this event is on again next year. I will be there with bells on!

If you are in Perth, check out the full list of artists and the mural map. FORM has also put together this short book called PUBLICation available for Purchase at the Gallery and viewable online for free here. FORM have also started “PUBLIC Urban Art Walks” to give fans a guided tour of the city, well worth checking out.

Ok, so that’s enough, right? Actually no, there’s more. And it’s massive. Due to some logistical 😉 issues SANER was unable to make it over for the original dates. I was gutted to hear this when I found out, but when I found out FORM are still bringing him over in August to paint in Perth and also the Pilbara, I was pretty damn excited! I’ll make sure to cover this later in the month.

Photos courtesy of: ROA, Dean Sunshine, Bewley Shaylor, FORM, Pixel Pancho, Luke Shirlaw, David Dare Parker, Alexis Diaz, Amok Island, 2501, Ever, Brendan Hutchens, Jean-Pierre Horre, HEAVY Projects, Ben Fulton-Gillon, Kyle Hughes-Odgers, Jarrad Seng.

PUBLIC – Art in the City – FORM – Western Australia

A little while ago I heard whispers of something big happening in Perth, Western Australia. I usually only cover Melbourne based art and events, but this is an exception and needs to be shared. I’m heading over to Perth tomorrow so I will be covering the remainder of the event for Vandalog.

PUBLIC started on the 5th of April and continues through to the 13th and will feature street art, projections and installations across the city. 45 amazing artists will paint over 30 giant murals and walls over the fortnight.

The line up is mind blowing and an Australian first, with names like 2501, Phlegm, Yandell Walton, Hayley Welsh, Jordan Seiler, Jerome Davenport, Amok Island, Ian Mutch, Casey Ayres, Chris Nixon, Darren Hutchens, Martin E Wills, Paul Deej, Daek William, Stormie Mills, Hurben, ROA, Ever, Kyle Hughes-Odgers, Peche, Natasha Muhl, Phibs, Beastman, Lucas Grogan, Andrew Frazer, Hyuro, Mekel, Mow Skwoz, Drew Straker, Jaz, Abdul-Rahman Abdullah, Maya Hayuk, Reko Rennie, Pixel Pancho, Jetsonorama, Gaia, Alexis Diaz, Nathan Beard, Remed, Vans the Omega, The Yok and Sheryo and more.

Here’s a couple of work in progress shots I stole from Sam Gorecki via Invurt. More here.

Pixel Pancho - Photo by Sam Gorecki
Pixel Pancho
Phlegm - Photo by Sam Gorecki
Phlegm
ROA - Photo by Sam Gorecki
ROA
Phibs - Photo by Sam Gorecki
Phibs
The Yok and Sheryo - Photo by Sam Gorecki
The Yok and Sheryo
Maya Hayuk - Photo by Sam Gorecki
Maya Hayuk
Lucas Grogan - Photo by Sam Gorecki
Lucas Grogan

More to come once I get to Perth.

Photos by Sam Gorecki

Ladies Run Basel with Women on the Walls

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Maya Hayuk

This year Wywood Walls turned five and to mark the special occasion curator Jeffrey Deitch called on on the finest ladies in the field for Women on the Walls. International artists AikoMiss VanFafiMaya HayukLady PinkFaith47LakwenaKashinkSheryoOlekTooflyClaw MoneyJessie & Katey, Myla, and Shamsia Hassani all created murals or showed in the adjacent exhibition space. The participating artists have come from cities such as Cape Town, Paris, New York, and London. Part gallery part mural exhibition, the project acts as a history guide to the great presence of women muralists.

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Miss Van

Women on the Walls is a dream come true and also a proverbial screw you to people who say that the reason women artists are often overshadowed in the media is due to a dearth in street art. That, to be blunt, is bullshit. Older artists and the younger generation they inspired came together in the Wynwood district of Miami this Art Basel to prove their stronghold in the public art community. The scope of media alone proves their mastery of the craft as spray paint, yarn, text, stencils, and free handed characters all co-mingle to form a variety that has something to please most tastes.

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Sheryo

Not only is the perfect storm of artists curated in this year’s Wynwood Walls enough to be in awe of, additionally Martha Cooper has shared some breathtaking progress photos. As artfully as the walls are decorated, each image thoughtfully reveals the personas behind the iconography. Each picture displays the strength of these women, whether unveiling the sheer amount of effort behind a production to those who stand boldly in front of completed pieces. Cooper shows that these women are heroes, or warriors as Toofly depicts, taking on whatever challenges lay in their wake and simply killing it.

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Lakwena
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Aiko
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Kashink
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Fafi

All photos by Martha Cooper

King Brown issue 9 launch party

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NYC is having a good couple of weeks for magazine launch parties. Today was the Very Nearly Almost issue with Faile on the cover, and August 10th is the launch of King Brown issue 9. This issue comes in a bag with designs by Unga of Broken Fingaz and Ed Templeton and the magazine includes features on Ed Templeton, Unga, Nychos, Huskmitnavn, Dabs Myla, Ghostpatrol and others. Issue 9 will be launched at Schoolhouse Gallery (330 Ellery St Brooklyn – Flushing Ave stop off the JMZ) on August 10th from 6-10pm. The launch party will include music by Fake Hooker and live painting by The Yok, Sheryo and Nychos. All good things. Except that I won’t be there, so please have fun for me.

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Photos courtesy of King Brown

Pipe Dreams: Coded Meanings and Cartoons

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Pipe Dreams marks not only Sheryo and the Yok’s first exhibition together in the United States, but also a departure from what viewers have come to expect from the duo. As of late, the artists have been defined by their use of a red, black, and white palette to portray unique vision of reality. However, don’t be concerned that these changes mean that the work is missing the cartoonish, pop imagery seen in past pieces. The pizza, drugs, and other wild things are still present, just reimagined.

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During their travels to through South East Asia, from Sheryo’s native Singapore to Vietnam, the artists began to infuse their work with the surrounding culture. Now, geishas and dragons have become central characters alongside smoking pizzas and skateboards. While visiting Vietnam, the artists took advantage of the opportunity to begin painting pottery, starting with vases and later expanding in the States to plates. Initially, the work appears a light air blue, mimicking the smoke emanating from elongated cigarette holders. After three coats, the plates begin to don the cobalt blue associated with Eastern ceramics.

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Beyond these surface appearances, this influence extends to deeper meanings, including numerology. During the studio visit, patterns of 4 (4, 8, 12) began to emerge within the bodies of work, however intentional or not. Sheryo was quick to speak about the auspicious meanings of the numbers 4 and 8 in Chinese, representing wealth and death respectively. Other coded beliefs trace their way through the different media in the exhibition, including the Illuminati. The all-seeing-eye positioned atop a pyramid has become a widely recognized symbol for the alleged secret society. Through these allegorical codes, an air of mysticism is hidden within their playful cartoons. Continue reading “Pipe Dreams: Coded Meanings and Cartoons”

New films and a Kickstarter from Dega Films

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Brooklyn-based Dega Films launched a Kickstarter last week to fund their upcoming series of street art films, Wild In The Streets. To me, the series looks like Dega Films is trying to make street art videos in the style of skate videos. It’s a really cool idea. I’m not sure if it will work, but it’s definitely worth a shot. Obviously graffiti writers have been making bombing videos for decades that work on that same principle, but those were always circulated among other writers and not really made for the general public.

Here are two of Dega Films most recent videos:

ART POLLUTION: The Yok & Sheryo – 5Pointz – Queens, NY from DEGA films on Vimeo.

Wild In The Streets: Jilly Ballistic from DEGA films on Vimeo.

Coming soon: “Pipe Dreams” by The Yok and Sheryo

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Sheryo and The Yok painted the above piece in New York’s Little Italy earlier this week as part of the Little Italy Street Art Project that Wayne Rada and I have been organizing there.

The piece comes just a few weeks before the duo have a show walking distance away at Krause Gallery. That show, Pipe Dreams, opens May 16th from 7-9pm and runs through June 16th. The show center’s on the couple’s recent travels in Asia and includes ceramic work from them in line with what you might have seen at Krause Gallery’s booth at Scope NY earlier this year. Should be a fun one.

Photo by Wayne Rada

Sheryo and the Yok: Exploring histories at the Bushwick Collective – Part 3

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Note: This article is the third in a three part series that discusses how three artists dealt with the topic of histories within their Bushwick Collective murals. Check out part 1 here and part 2 here.

Recently, the Yok and Sheryo shared their “Pipe Dreams” with 5 Pointz in Long Island City. This past week, the duo chose to show the Bushwick Collective their present rather their future. Emblazoned with the locals of Bushwick, such as roaches, rats, pizza, and the devil, their composition contains memories of their travels as well as these traces of home. Titled “Road Trip,” skeletons can be seen surfing, which the Yok took in while in Australia, alongside various characters painting and drinking. Together, each of these cartoons rides an extended motorcycle, joining memories of home and far off excursions.

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The complex narratives in their collaborative walls often contain coded jokes as well as the dominant narrative; Ping Pong nicknames references to cartoons find their way into the descriptive elements of each figure. Most endearing of any character Sheryo has created was one that surfaced recently in the crew of cyclists. An alien with other worldly features and was placed between a bearded man and a surfing skeleton in the central part of the piece. The artist said that it represented herself as an illegal alien, going so far as to create a unicorn on the being to match her own clothing that day. This self-portrait sees the artist riding alongside representations of her travels and local friends, enjoying the ride.

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Photos by Rhiannon Platt

Returning Home: Sheryo and the Yok’s “Pipe Dreams”

The Yok and Creepy
The Yok and Creepy

For two years the wall shown above remained a fixture at 5 Pointz in Long Island City. Few artists see that amount of exposure on the building’s rotating facades. At the time that they were visiting, few walls were adorned with their signature characters, and even fewer pieces could be seen at this scale in New York. The combination of Creepy’s cute winged man combined with the Yok’s pensive owl made for a moving aesthetic combination that moved viewers to visit the work multiple times during its life.

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Sheryo
The Yok
The Yok

Since this piece came into realization, we have seen the Yok and Sheryo become regular painting partners as well as (semi)regular residents of New York City. It seemed only fitting that the long running Creepy and the Yok wall should come to an end in order to usher in Spring and with it the Yok and Sheryo’s return to New York.

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Sheryo
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The Yok

A constant fixture of last year’s warm weather, the return of the Yok and Sheryo signals the shape of things to come: warmer days, and of course more walls. That being said, a downpour postponed finishing the last fourth of the wall for a later day. It seems that the warm weather is just a “Pipe Dream,” like their wall. But it’s technically spring, right?

The Yok and Sheryo (Courtesy of The Yok)
The Yok and Sheryo. Photo courtesy of The Yok.

Photos by Rhiannon Platt and courtesy of The Yok