From Bogota “Este Territorio Tambien Es Nuestro”

In a city where public graphic expressions are defined as a symptom of low standards of living and education, the wave of redefining what it means to reclaim spaces through throw ups, bombing and large scale murals, continues to fortify a new sense of citizenship and belonging. Bogota carries a lot of burred histories and identities that are making their way toward becoming visible as efforts of expression geared to “include” rather than “seclude” become a higher priority in contemporary cities.

Last July, Bogota Street Art participated in the First Meeting of Writers and Urban Art in Bogota, as part of a public policy that aimed to change the perception of graffiti and street art in the city. This video shows the process of combing artists from Colombia and Peru in one strip of 26h Street, a highway that splits downtown Bogota in half and stretches all the way to the airport. Participating  artists include Guache (Bogotá), Toxicomano (Bogotá), Lesivo (Bogotá), Entes & Pesimo (Peru), and Elliot Tupac (Peru).

Video courtesy of Albeiro Toro Ayala

First Meeting of Writers and Urban Art in Bogotá (Part 1)

Elliot Tupac
Elliot Tupac

Last week, the First Meeting of Writers and Urban Art – 26th Street  – kicked off in Bogotá, brought you by IDARTES (District Institute of the Arts.) Participating in these interventions are groups that obtained a grant from the city to work on recreating new expressions in the urban space.

Participating  artists include Guache (Bogotá), Toxicomano (Bogotá), Lesivo (Bogotá), Perversa (Bogotá), Vertigo Graffiti (Bogotá), Entes & Pesimo (Peru), and Elliot Tupac (Peru), Jade (Peru).

Here are some process shots of the murals:

Guache
Guache
Entes & Pesimo
Entes & Pesimo
Lesivo
Lesivo
Vertigo Graffiti
Vertigo Graffiti
Perversa
Perversa

Stay tuned for more updates!

Photos courtesy of Camilo Ara

Calle Esos Ojos from “Bogota Street Art”

In Bogota, Colombia, the walls don’t talk. They scream. Featuring the artwork of Bogota Street Art, a collective of four of Bogota’s most active street artists – Dj Lu, Gouache, Lesivo and Toxicómano — the recently released Calle Esos Ojos testifies to both the visual and political impact of street art in Colombia’s capital. Here are some of the images from the book:

Dj Lu has for years been altering the visual landscape of his city with his satirical stencils, targeting a range of issues from consumerism to sexism to the military.

With asymmetrical rhythms and striking colors, Gauche celebrates Bogota’s distinct multicultural mix of everyday people.

Lesivo tends to focus on the darker — or more frightening — underside of the city.

And Toxicómano is on a mission to divert the attention of passersby from commercial ads.

Along with texts – in Spanish — by noted Colombian authors, Darío Jaramillo Agudelo and Antonio Morales Riveira, the book also includes four stencil templates and 15 embossed collectible stickers.

Photos courtesy of Bogota Street Art and special thanks to Marcelo Arroyave of the Colectivo Sursystem for getting this book over to me, reminding me how much I love and miss the streets and people of Bogota.