Placement makes perfect

Os Gemeos in Milan. Photo by Os Gemeos.
Os Gemeos in Milan. Photo by Os Gemeos.

It’s no secret that good placement can make or break a piece or street art or a mural. That can mean picking the perfect place to install an artwork, or responding to the space that’s available and making something that takes that space into consideration. Think of it this way: Site-specific should mean the work is in some way specific to a site, not simply located at a site. And when art is site-specific, it can make a big difference. Recently, some artists practicing good placement have really caught my eye. Here are a few examples:

1. Os Gemeos in Milan (above): Wow. Milan is a lucky city right now, with a spectacular new mural by Os Gemeos, facilitated by Pirelli HangarBicocca. Responding to the shape of the site, Os Gemeos took a drab building and transformed it into a massive subway car. Os Gemeos’ murals are always a treat, but they knocked it out of the park with this one.

Invader in London. Photo by Butterfly.
Invader in London. Photo by Butterfly.

2. Invader in London: Simple, but effective, placing his mosaics around a CCTV camera. In some ways, quintessentially London.

Biancoshock in Milan. Photo by Biancoshock.
Biancoshock in Milan. Photo by Biancoshock.

3. Biancoshock in Milan: This series form Biancoshock seems to have really caught people’s attention on social media. I’ve been seeing these photos posted everywhere, so if you’re reading this, they probably aren’t new to you. But why are they so popular? Yes, I have a tiny apartment and can appreciate the joke too. But I think it’s more than that. Placement is an essential part of these pieces. If Biancoshock had made small rooms as sculpture for a gallery, or painted a tiny apartment on a wall, it wouldn’t have worked quite so well. It’s that he took a space and make work inspired by the location that simultaneously transformed the location.

Elian
Exercise Of Anamorphosis #2 by Elian. Photo by Elian.

4. Elian in Ostend with Exercise Of Anamorphosis #2: What happens when you get to a mural festival and you’re told that you aren’t painting a flat wall, but rather two walls of a building without a lot of flat surfaces? For some artists, this could trip them up. Or they could still treat the surface like they are applying wallpaper, and it would probably work out okay. But Elian went a step further, creating an optical illusion that messes with your perspective. He took something that could have been a weakness (an odd wall), and he made it a strength.

eL Seed in Cairo. Photo by eL Seed.
eL Seed in Cairo. Photo by eL Seed.

5. eL Seed in Cairo, for his Perception series: eL Seed painted this mural across dozens of buildings in Cairo, Egypt. It’s painted in a marginalized neighborhood in Cairo, where the residents are written off by the rest of the city as dirty because many of them are trash collectors. eL Seed’s text reads, “Anyone who wants to see the sunlight clearly needs to wipe his eye first.”

Photos by eL Seed, Butterfly, Biancoshock, Elian

Calligraffiti 1984/2013 at Leila Heller Gallery with upcoming artist talk

eL Seed as seen from outside the Leila Heller Gallery
eL Seed as seen from outside the Leila Heller Gallery

A huge fan of Middle Eastern calligraphy and modern graffiti, I found much to love at Calligraffiti: 1984-2013 at the Leila Heller Gallery. And, not surprisingly, among my favorite works were those by artists with strong roots in graffiti who are — or who have been — active on the streets.  Here’s a sampling:

eL Seed
eL Seed
eL Seed on opening night
eL Seed on opening night
Keith Haring and LA2 collaboration
Keith Haring and LA2 collaboration
LA2
LA2
Niels "Shoe" Meulman
Niels “Shoe” Meulman

And for those who live in or near NYC, a Calligraffiti Artist Talk will be held in the gallery, 568 W. 25th Street, this Thursday evening at 6:30.  Featuring Ayad Alkadhi, Julien “Kaalam” Breton, Fab Five Freddy, eL Seed, LA2 and Rostarr, it will be followed by a site-specfic Light-Calligraphy performance by Julien Breton at 8 pm.

All photos by Dani Mozeson, except for eL Seed as seen from the outside the gallery by Lois Stavsky

Calligraffiti: Graffiti meets calligraphy meets Jeffrey Deitch (again)

El Seed
El Seed

Tonight is opening night for Calligraffiti: 1984-2013 at the Leila Heller Gallery. The show is interesting for two reasons:

  1. It examines connections between graffiti and calligraphy at a fancy gallery. Seriously though, this should be really fascinating. There will be work by El Seed, L’ATLAS, Jean-Michel Basquiat, Keith Haring, LA2, ROSTARR, Niels “Shoe” Meulman, Ramellzee and many more artists (including many with no history on the street or with graffiti, but rather with feet firmly rooted in more traditional modern and contemporary art).
  2. It marks the return of Jeffrey Deitch to New York City, basically. He didn’t curate the show, but he did curate a version of the show at the same gallery back in 1984, and the New York Times reports “Mr. Deitch served as Ms. Heller’s sounding board” for this version of the show. Deitch recently resigned as Director at the Museum of Contemporary Art Los Angeles after growing the museum’s endowment from under $10 million to almost $100 million, although it seems as though he is staying on at the museum just a little while longer, through the completion of that goal of reaching a $100 million endowment and the process of finding a new Director.

Photo by Public Art (QMA)

eL Seed paints the tallest minaret in Tunisia

Click to view large

French artist eL Seed recently painted this beautiful mural on the tallest minaret in Tunisia, in the city of Gabès on the Jara Mosque. On the whole, I’m a bit tired of all the giant murals going up over the last year or two, but this one really works. The piece reads, “Oh humankind, we have created you from a male and a female and made people and tribes so you may know each other.” The mural was funded by the Barjeel Art Foundation.

Click to view large

Photos courtesy of eL Seed