Street art tackles the crisis for migrants

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A still from DE-FENCE. Image courtesy of DE-FENCE.

Earlier this week, two very different pieces of street art landed in my inbox within half an hour of each other. That’s not so strange. Plenty of people send me photos and videos every day. What was strange is that both pieces aim to shed light on the crisis facing the thousands upon thousands of people in the midst of international migration, and that both pieces were installed without authorization.

The first piece is by two of my favorite artists: John Fekner and Fra.Biancoshock. “Family Portrait ” (Displaced And On The Run…) is the first time these two artists have collaborated. Fekner comes from the first generation of contemporary street artists, putting up his first stencil in 1968. Biancoshock is a young Italian street artist making some of the most exciting interventions in public space today.

"Family Portrait " (Displaced And On The Run…)
“Family Portrait ” (Displaced And On The Run…). Photo courtesy of Fra.Biancoshock.

Fekner and Biancoshock have intentionally avoided saying where Family Portrait is located, but they do have a bit to say about why they did it:

Drawing on the spirit seen in Dorothea Lange’s photographic portrait documentation of rural poor families and migratory farm workers during the Great Depression, the artists’ intent is to create an empathetic reflection of the plight of the migrant; an intimate portrait of a family “left hung out to dry” and on the run.

While Fekner and Biancoshock’s intervention is quiet and meditative, a group of artists and activists in the Czech Republic have responded to the plight of the migrant with a very different energy.

A still from DE-FENCE. Image courtesy of DE-FENCE.
A still from DE-FENCE. Image courtesy of DE-FENCE.

The DE-FENCE collective has made their presence felt at detention center (a former prison) in the Czech village of Drahonice. The detention center currently houses refugees that were caught by the Czech authorities. The refugees are incarcerated indefinitely and watched over by up to 100 guards, and each refugee is charged $275 a month for the privilege. On September 28th, Czech Statehood Day, DE-FENCE visited the detention center, which they compare to a concentration camp. DE-FENCE brought with them a can of paint and some bolt cutters. Here’s what happened:

Now, the heart-shaped section of fencing that they cut out of the detention center is going to be auctioned off, with all profits going towards “grassroots refugee aid activities.” The starting price is 10,000 euros. If you’re interested in buying the object, contact de-fence@riseup.net.

The  DE-FENCE object. Image courtesy of DE-FENCE.
The DE-FENCE object. Image courtesy of DE-FENCE.

PS, in case you missed it, Banksy also recycled materials from Dismaland for use in the camps in Calais, and then someone stole the sign.

Photos courtesy of Fra.Biancoshock and DE-FENCE