“Travel broadens the mind.” Well I really hope that’s true! I had the chance to spend a few days in the Bay area, which gave me another opportunity to continue my favorite activity: urban exploration. As a European, it’s a bit risky to show my own vision of America’s urban environment, and express feelings that could be misunderstood. This time, I had the chance to be guided through San Francisco and Oakland by one of the most talented Canadian street artists, Troy Lovegates, based in San Francisco for the last 2 years, and so have my point of view challenged by an insider of the Bay Area art scene. We left SF for Oakland, went through West Oakland, playground of graffiti writers, reached downtown, with its big murals, passed by Athen B. gallery (where Lovegates was showing in a collaborative group exhibition with Zio Zegler, Jaz and EverSiempre), and ended up in Chinatown. I unfortunately do not have photos of Lovegates’ pieces, as his street art pieces are usually buffed or cleaned super fast. And he still has not had the opportunity to legally paint a wall in the Bay area. But he does not despair! Lovegates had to wait years before getting a wall in Montreal, and finally managed to paint2 murals very late after he left Montreal for Toronto…
This link-o-rama is super helpful for me, because all week I’ve been working on my upcoming ebook instead of blogging. Hopefully the ebook will be out in November… Anyways, links:
I love that this show at LeQuiVive Gallery reframes a certain kind of work that often gets lumped in with street art or urban art as Neu Folk Revival, which describes the work much better than calling it street art or urban art or low-brow art. Some real talent in this show: Doodles, Troy Lovegates, Cannon Dill, ghostpatrol, Zio Ziegler, Daryll Peirce, Justin Lovato… It opens next month.
This piece by Part2ism needs to be seen. And look closely. That’s not just paint on the wall. Very interesting. I am glad to see Part2ism on the streets again, and I can’t wait to see what he does next. Once again, he has shown that he is ahead of the rest of us. This piece doesn’t look like graffiti. It doesn’t look like street art. It looks like art on the street, and that’s much too rare.Swampy has relaunched his website and posted a video diary sort of thing. I’m very curious what people think about it. Have a look and let me know.Check out this concept from Jadikan-LP: Art that only exists within Google Maps. Click the link. Explore the room. I normally hate lightpainting or “light graffiti,” but I absolutely love this piece. As far as I’m concerned, the internet is a public space and Jadikan-LP has invaded it with artwork, so this project is street art.
CDH wrote a really fascinating article in Art Monthly Australia about the commodification of street art. While I don’t agree with him entirely, I think it’s a must-read because at least it sparks some thoughts. It’s one of the best-written critiques I’ve read of the capitalistic nature of contemporary street art. Over on Invurt, they have posted CDH’s article as well as a response by E.L.K. (who CDH calls out in his critique). In his article, CDH called out E.L.K. for using stencils with so many layers that the work isn’t really street anymore, since stencils were initially used for being quick and a piece with 20 layers isn’t going to be quick. It’s just going to look technically interesting. Well, E.L.K. shot back in his response and made himself look like an idiot and seemingly declaring that all conceptual street art and graffiti is crap. There were arguments he could have made to defend complex stenciling or critique other points of CDH’s article, but instead E.L.K. mostly just attacked CDH as an artist. Anyway, definitely read both the original article and the response over at Invurt. The comments on the response are interesting as well.
Sorry for all the downtime on Vandalog this week. I dunno what’s up with Vandalog’s web host. If you have suggestions of a good web host that I could move to (even though I just switched to Gandi), let me know. Anyway, here’s what I’ve been reading:
Feral Child, Cannon Dill, and Zio Ziegler have been working together recently on some walls in Oakland and San Fransisco, California. The three of them seem to make a great combo, and I don’t think I’d seen Cannon Dill’s work before, so I’m glad Feral Child has introduced me to the work of such a skillful painter. Definitely make sure to check out all of these walls in large by clicking on the image.