UK travels link-o-rama

June 11th, 2014 | By | 1 Comment »
Paul Insect and Dscreet in London

Paul Insect and Dscreet in London

I’ve been traveling a bit and I’m in London at the moment, so here’s me playing some catch up:

  • There seems to be a big question mark on the freshly launched Street Art Project from Google. I’ve been getting friends outside of street art sending me links to the NYTimes article about the project and asking what the hell to think, and everyone within street art that I’ve spoken with seems unsure of what to think about the thing. I’m also unsure so far. On the surface, sounds great: A major institution offering to archive, tag, map and promote the best high-resolution photos of street art around the world. But the more I think about it, the less exciting it sounds: Only a select few contributors (from the amazing Living Walls to the questionable Global Street Art), essentially replicating the functions of flickr without the ability for anyone to participate, using art to whitewash the reputation of a controversial company… Honestly, if I had the opportunity to contribute photos to this project, I probably would just because of the possible selfish promotional value, but at the same time I’m not sure that this project is of any real worth the the street art or graffiti communities. I don’t know. I’m just not sold on the idea that this is the best strategy or documentation or archival. Anyone have any thoughts on this thing?
  • Banksy has updated (and upgraded) his website. Notable updates include the updates to the Q&A section and an embed of this video, titled “Better Out Than In – the movie,” which is essentially a slightly edited version of his Webby Awards acceptance video. The question now is whether that short video is really “the movie,” or a trailer for an upcoming movie. Street Art News seems to think it’s a trailer, but I don’t see Banksy having hinted one way or the other.
  • Ken Sortais aka PAL Crew’s Cony had a show on in Paris earlier this month. The show has closed now, but it’s worth checking out the photos. The sculptures are very George Condo-esque, but Sortais has some real talent. The work isn’t completely removed from his graffiti, but he’s certainly not using his graffiti reputation or skills as a crutch for these gallery works, something that happens all too often with less talented artists as they move from the street to the gallery.
  • All of London is talking about the Roa and Ripo shows opening today at Stolenspace Gallery. I’m looking forward to the opening: Two artists whose work I enjoy, and it will be my first time at Stolenspace’s new location.
  • Next week four of the great early photographers of graffiti will be on a panel hosted by Jay J.SON Edlin at the Museum of the City of New York as part of the City as Canvas show. That’s one event not to miss. I may even come up from Philadelphia for it, so if you’re in NYC, you have no excuse not to go. Use the discount code in this flyer to save a bit on tickets to the event.

Photo by RJ Rushmore

Category: Art News, Gallery/Museum Shows, Photos, Videos | Tags: , , , , , , , , , , , , ,

The Sincura Group is back, and stranger than ever

June 7th, 2014 | By | No Comments »

The former site of the “Old School” piece by Banksy that was in the “Stealing Banksy?” auction/event/whatever

The Sincura Group, yes that company led by the hilarious Tony Baxter and hosts of the Stealing Banksy? auction from back in April, announced that the point of the auction of former Banksy artworks (street pieces removed from their original locations) was not to sell the artworks, but really to start a street art museum in London. Here’s an archived copy of their post-auction statement. Apparently, people are taking them seriously, with a stories about the museum in The Art Newspaper and The Independent, plus Global Street Art’s Lee Bofkin being considered as a possible curator for the museum.

According to The Art Newspaper, The Sincura Group now says that they never meant to sell any of the Stealing Banksy? works at auction for charity, as they had initially claimed, and that the whole auction and media circus was really just to test the waters for a museum of street art, to open in London next year. The Sincura Group’s statement says that some of the works were for sale, but it is unclear which ones. This seems to contradict what Baxter said in an interview with Vandalog where he was quite clear that a portion of the sale of every piece advertised as for sale at Stealing Banksy? would benefit charity.

So, nothing was for sale, or at least some pieces advertised as for sale really weren’t. The Sincura Group spent months promoting an event that they said would benefit many charities, but it was a lie. And now they are promoting a new project based of that that first project, and we are supposed to believe them. Fool me once…

I think this latest twist adds a new layer of crazy to an already ridiculous situation. At best, it is, as a Time Out blogger wrote, “all an unfathomable mind game.” At worst, it is falsehoods and a lack of transparency piled on top of more falsehoods and a lack of transparency. Essentially, The Sincura Group said that they would raise a bunch of money for charity by selling Banksy artwork and then practically did a 180 to say, “Gotchya! It was all just a social experiment!” Maybe they got the idea from BNE. Why would anyone continue to take The Sincura Group seriously or associate themselves with people who do things like this? Does anyone actually think that all of this is a good, or ethical, idea?

Sorry for this somewhat long, probably confusing post, but this has proven to be a long, confusing series of events. Now, the question I have is this: Was a museum really in the cards all along, or was the auction a complete failure, forcing The Sincura Group to come up with a plan b for all of these street pieces? I don’t no whether to laugh or cry at the entire situation.

Photo by eddiedangerous

Category: Art News, Auctions, Gallery/Museum Shows | Tags: ,

Picking apart our interview with Tony Baxter of the “Stealing Banksy?” auction

April 19th, 2014 | By | 5 Comments »
The former site of Banksy's "No Ball Games" piece in London. Photo by Alan Stanton.

The former site of Banksy’s “No Ball Games” piece in London. Photo by Alan Stanton.

Yesterday we published an interview that Caroline Caldwell and I conducted with Tony Baxter, director of The Sincura Group. That’s the private concierge behind last year’s sale of the Slave Labour piece formally by Banksy and the upcoming Stealing Banksy? auction, which will have at least seven supposed Banksy street pieces up for sale. Not only do I disagree with a lot of what Baxter said in the interview, but I found many of his answers dodges at best and misleading or shady at worst, so, as promised, here are my thoughts on Baxter’s answers…

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Category: Featured Posts, Random | Tags: ,

An interview with man behind the “Stealing Banksy?” auction

April 18th, 2014 | By | No Comments »
The former site of the "Old School" piece by Banksy that is up for auction next week

The site in London where Banksy’s “Old School” piece, which is up for auction next week, was once located. Photo by eddiedangerous.

Back in February, there was an auction in Miami that included the sale of street pieces formally by Banksy. Shortly before that auction took place, Caroline Caldwell interviewed the auction house’s representative, a so-called “street art expert.” We decided that since the auction felt like a joke and the very claim of “street art expert” sounded like a joke, we didn’t want to ask serious questions, lest that might suggest that he was worth taking seriously. But we did see an opportunity to have a bit of fun at the expense of their “expert,” so Caroline interviewed him in a style befitting The Daily Show or The Colbert Report.

Not everyone agreed with our strategy. A few people criticized us for missing a chance to ask hard-hitting questions about an important topic. While we don’t believe that the salesman we were interviewing would have said anything insightful about the sale he was promoting, we do agree that it would be great to ask thoughtful questions of someone who facilitates the sale of street pieces. Recently, we had that opportunity.

Next week in London, The Sincura Group will be holding a similar auction of street pieces formally by Banksy. That’s the same company that last year successfully sold the Banksy “Slave Labour” wall at auction for just over $1 million. They’ve titled their auction Stealing Banksy? and it will include approximately 18 works, at least 7 of which are street pieces formally by Banksy that have been removed from their original locations, some of them specifically removed for this sale.

The difference between Fine Art Auctions Miami, the auction house with the “street art expert,” and The Sincura Group is that The Sincura Group does not come across as a complete joke. The Sincura Group has publicly tried to address some of the logistical and ethical issues surrounding the sale of street pieces. By titling their auction Stealing Banksy? and calling it a “project exploring the social, legal and moral issues surrounding the sale of street art” rather than just an auction, they try to position themselves as observers to a phenomenon that they want to see debate about, rather than facilitators and promoters of the ethically questionable market for street pieces. They have released statements about their work, making what they do appear to be a somewhat transparent, thought-out and ethically sound process while acknowledging some criticisms like rational people. If you’re just a casual observer, they do an alright job looking like the good guys, a group of people willing to engage in thoughtful debate.

That’s why we decided to interview Tony Baxter, Director of The Sincura Group, and this time, we thought it was appropriate to ask real questions to challenge the way The Sincura Group bills themselves. Caroline wrote the initial draft of our questions, which we then edited and added to collaboratively. Because our time is limited by the fact that we are not a professional news outlet but rather full-time students, we decided to conduct the interview over email. Email is not the ideal format for something like this, but it’s better than no interview at all.

Frankly, RJ finds some of Mr. Baxter’s answers misleading, but he’ll save more of my thoughts on that for tomorrow, when we will publish a response to this interview on Vandalog (UPDATE: Here’s RJ’s response). In the mean time, here’s the interview…

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Category: Auctions, Featured Posts, Interview | Tags: ,

The new Banksy(s)

April 17th, 2014 | By | No Comments »

Banksy in Bristol. Photo from

I don’t have much to add beyond what’s already been written elsewhere about the new Banksy pieces or pieces that have been all over the news in the last few days. But I do want to link to some of the best and most up-to-date articles I’ve seen covering these pieces.

In case you somehow haven’t heard, Banksy posted a new piece to his website earlier this week, shown above. Kinda looks like an old cover of The Atlantic, but it’s a well done piece and I imagine The Atlantic wasn’t the first to do something along those lines either. The manager of a financially struggling Bistol youth club located just down the road from where the piece was installed quickly removed the piece from the wall (which he does not own) in the hopes of selling it. Animal argues that this isn’t so bad. Then the piece was put on display in the youth club. The club’s CCTV cameras may have caught a really useless image of Banksy installing the piece. Then, the youth club manager started receiving death threats, so he worked with the city of Bristol to have the work removed by police and placed on display in the Bristol Museum.

Detail of Banksy's piece once moved inside the youth center. Photo by Banksy Locations & Tours.

Detail of Banksy’s piece once moved inside the youth center. Photo by Banksy Locations & Tours.

Police entering the youth club to remove the Banksy piece. Photo by Banksy Locations & Tours.

Police entering the youth club to remove the Banksy piece. Photo by Banksy Locations & Tours.

Another piece, a possible Banksy, has appeared in Cheltenham, near the headquarters of British NSA-equivalent GCHQ. While this piece hasn’t shown up on Banksy’s website, it looks like a Banksy to me. And I’m not the only person who thinks so. If we’re wrong and it’s not a Banksy, okay, but whoever the artist is is at least trying harder than most to emulate Banksy in concept, technique and placement. Given this piece’s proximity to the GCHQ headquarters, I really love the spy theme. Oh, and some people tried to vandalize the vandalism and then someone else washed off the paint… So begins the saga of this piece’s destruction.

Possible Banksy in Cheltenham, England. Photo by Kathryn.

Possible Banksy in Cheltenham, England. Photo by Kathryn.

Photos from and by Banksy Locations & Tours and Kathryn

Category: Art News, Photos | Tags:

BNE lies to his fans, sells a fake collaboration with Banksy

March 25th, 2014 | By | No Comments »


UPDATE March 29th: BNE has updated his website and posted a statement claiming that Banksy and he had communicated about a shirt release, but that BNE decided to announce the shirt and make it available for sale before getting confirmation from Banksy that the collaboration was on. That logic is about as reasonable as me emailing Banksy and asking him about doing a solo show in my bedroom, and then announcing the show without hearing from Banksy. Because, why wouldn’t Banksy want to do a solo show in a college dorm in suburban Philadelphia?

BNE continues to resist the use of the word “scam” to describe what he did, but he fails to acknowledge the numerous lies that he told over the course of this “product launch,” from saying that he was collaborating with Banksy, to saying that he hadn’t sold people something that he presented as BNE x Banksy t-shirt, to saying that this whole thing was a “social experiment.” BNE doesn’t seem willing to acknowledge that at best he messed up by jumping the gun and then he flat out lied, and at worst he orchestrated a massive scam.

He also claims on his site that nobody who picked up on this story requested a comment from him. That’s not true, which I know because I emailed him and requested an interview. Maybe he missed my email, or maybe he ignored it. I don’t know.

But now BNE is offering refunds for those who request them (although I’m not sure how that will work since his PayPal account is frozen). I hope this time BNE gets my email, since I’ve emailed asking for a refund. I’ll be donating a portion of my refund to Living Walls and Give Directly.

BNE also says that he’s working to start a company that will sell a variety of basic necessities like sustainably made shampoo and t-shirts, with a portion of the proceeds going to charity. That sounds like a great idea for a company. If I still trusted BNE, I would probably support that business. But it also sounds like a B-Corp, and there are plenty of B-Corps that I’m willing to put a lot more trust into than whatever BNE comes up with.

Saturday was supposed to be a great day. BNE, a graffiti writer who has been raising money for water-related charities (primarily Charity:Water) through since late 2011. Most of the money raised has been through the sale of products like t-shirts, lip balm, original artwork and stickers. Earlier this month, BNE released t-shirts by Invader, Shepard Fairey and Faile, some of the biggest names in street art. Shortly after all of those sold out, BNE announced that “a surprise from Banksy in support of our efforts to end the world water crisis” would be unveiled on at noon on March 22nd, and that people who helped spread the word of the announcement beforehand would be entered “to win a collaborative gift from BNE + Banksy.”

Well, that was all a lie. BNE was not working with Banksy, and the t-shirts (which cost $92 including shipping to the USA) that were released at noon on the 22nd on BNE’s website just a few pixels away from a large Banksy logo were not done in collaboration with Banksy at all. It was all a ploy, or as BNE called it “a social experiment,” to raise money for Charity:Water, relying on the idea that people would be more likely to contribute to charity if they get something like a t-shirt in return. People were understandably outraged when they discovered that they had not in fact bought the Banksy t-shirt that they thought they had paid for. There’s a lot more to this story and it’s all a bit crazy, but Animal New York have done some great reporting on it, and I highly encourage you to read their post about what happened.

As a fan of BNE’s charity work, someone who has supported in some small way just about every fundraising campaign BNE has organized and a victim of this trick, I’m pretty upset. I’m all for pranks in art. Hell, I’ve even fallen for some before and the responsible thing to do is laugh at yourself. But this was no prank. This was BNE turning on his supporters. He’s lost my trust, and I won’t be supporting his projects in the future (if he manages to get anything off the ground after this fiasco).

It’s unclear at this point what is going to happen to the money that BNE  got from his con. BNE donated the funds to Charity:Water almost immediately after the 500 t-shirts sold out, but it’s not clear that Charity:Water will be accepting his donation. At the same time, BNE promised Animal that he will be refunding every single buyer whether they specifically request it or not, but BNE’s PayPal account has been frozen.

While everything is in limbo for now, assuming that those of us who bought a shirt get our money back, I hope that a lot of it goes right back to charity. It’s easy to donate directly to Charity:Water, who were not involved in and are only the recipients of BNE’s donation, and if you do want some great art in return for helping to fund a water-related charity, try this auction that Juxtapoz is involved with. This might also be a good time to mention the current fundraising campaign for the 2014 Living Walls Conference, which includes a matching grant from Atlanta’s Office of Cultural Affairs so that your donation goes even further.

Again, this whole fiasco is fascinating and ongoing, but if you’re at all interested, you should read Animal’s post about what has happened so far, including exclusive comments from BNE.

Photo illustration by RJ Rushmore, original photo by troykelly

Category: Art News | Tags: , , ,

Results: Street works by Banksy, Kenny Scharf and more at auction

February 18th, 2014 | By | 1 Comment »
Do you have a bathroom in need of some "urban' decor? Look no further.

Do you have a bathroom in need of some “urban’ decor? Look no further. This piece failed to sell, so maybe it can still be yours. Photo illustration by RJ Rushmore using photos from Fine Art Auction Miami and by Leyla Arsan.

Fine Art Auctions Miami, the auction house that almost sold Banksy’s “Slave Labour” and “Wet Dog” pieces in 2013, is back at trying to sell street pieces. This time though, it’s not just Banksy’s whose street art and murals that they’ve put on offer. In an auction that took place this evening, FAAM have included cut up segments of concrete and metal that were removed from the street and contain what were once works by Banksy, Faile, Kenny Scharf, Bambi, Aiko and Terror161/J.SON. I say that these chunks of the street include what were once street pieces by those artists because the pieces have been removed from the street, destroying the context of the work. Kind of selling a ripped apart corner of the Mona Lisa. In Bambi’s case, it appears that she has given permission for the work to be removed and sold, so maybe that’s still her artwork. J.SON was unaware of the sale of the piece of metal containing his former artwork, but I do not have comments from the other artists, though I find it highly unlikely that they approved of the removal of those wall segments or this auction. Yesterday, Caroline posted an interview with FAAM’s resident street art expert, and today we have the auction results…

Below, I’ve got coverage of the street pieces that were up for sale, but it wasn’t just street pieces for sale. If you want to see more highlights, I was live tweeting the auction, so you can read some of the other results on my twitter or here.

Read the rest of this article »

Category: Art News, Auctions, Featured Posts, Photos | Tags: , , , , , ,

Interview with a “street art expert”

February 17th, 2014 | By | 6 Comments »
Banksy Bandaged

“Bandaged Heart Balloon”. Photo courtesy of FAAM.

On Tuesday afternoon, Fine Art Auctions Miami (FAAM) will be hosting an auction that includes pieces by BanksyFaileKenny Scharf, BambiAiko and Terror161/J.SON that have been pulled (sawed, ripped, unscrewed, hammered off, etc.) from the street and brought to the auction house in Miami. Two pieces from Banksy’s recent NYC residency “Better Out Than In” are up for auction, including a car door from the Crazy Horse installation, and the bandaged heart balloon. You can have a look at the full catalog here (warning: it’s a PDF) or go here to follow the auction live.

Some of you might be thinking “Hey, those were for the public to enjoy!” or “Why should an unaffiliated auction house profit from the work/legal risks of these artists?” Good questions. But consider this… Who wouldn’t want to enjoy a literal piece of New York City from the safety of their home?

Ethical qualms aside, FAAM contacted Vandalog with an opportunity that we just couldn’t pass up: An interview with the auction house’s official “street art expert” Sebastien Laboureau of Moonstar Fine Art Advisors. Since many published authors and curators with extensive knowledge of street art and graffiti still don’t consider themselves experts, I decided to see what I could learn from a real street art expert…

Caroline Caldwell: At what point would a street artist be considered a ‘sell out’? If possible, provide examples.

Sebastien Laboureau, Street Art Expert: Art has a market, and street artists also sell their works, as long as artists stay true to their personal style and create from their hearts the concept does not apply. Recently many works from street artists sell at auctions, and in galleries because this art is contemporary and talks to a wide audience and public. Banksy is the leading street artist, and he sells hundreds of works everywhere in the world every year at increasing prices.

CC: The Banksy’s “Bandaged Heart Balloon” from her residency in New York City is a portion of the wall that was physically removed and transported to Miami. How do you suggest or imagine people display large pieces like this in their homes?

Expert: Street art is amazing in the way that there is no set medium, street artists can work on canvas, metal, walls, doors. The beauty of it is to keep it in its original medium, we find that collectors enjoy buying and displaying street art because it feels like the work is created in their home.

What "" might look like in a home. Photo illustration by RJ Rushmore, using photos courtesy of FAAM and by Bart Speelman.

What “Crazy Horse Car Door” might look in a home. Photo illustration by RJ Rushmore, using photos courtesy of FAAM and by Bart Speelman.

CC: How much of the art available in this auction was actually relocated from the street to the auction house?

Expert: Quite a few came directly from the streets, including two Banksy walls, a metal roll down gate by Kenny Scharf, and another large security gate by Lady Aiko & Terror 161. The great thing about these works is most of them were created in the street and will live a second life now. They will be preserved for eternity.

CC: If a street artists paints work on a canvas, should it be considered ‘street art’ or just ‘art’?

Expert: I do not feel the need to differentiate between the two, all is art, street art is art regardless medium it is created on.

CC: What is the difference between a ‘street art’ and a mural?

Expert: Street art is a style of painting and a mural is large scale work done on a building, one is genre and other is a medium.

"Kissing Coppers"

“Kissing Coppers”. Photo courtesy of FAAM.

CC: Who was the first authentic street artist to refer to themselves as a “street artist”?

Expert: The reality is that street art has always been around us. Some say street art was born in the late 70’s in New York City through graffiti art in public places. Some called it vandalism, some are still calling it vandalism… THIS IS ART!

CC: Should street artists in New York have NYC at the end of their Instagram handle?

Expert: Street artists should have any handle they please, to show where they have come from or where they are working.  New York City is very active in street art, but Miami has also become a street art mecca, with so many murals painted over the past year with an incredible quality and concentration in the Wynwood District. Street art is everywhere, in the London suburbs, in Barcelona, Paris, everywhere! And even in museums now.

CC: Would it be advantageous for street artists to align their personal brands with current trends in urban wear?

Expert: Historically, street art has been linked to hip hop. Fashion has always been intertwined with art. There is no limitation into what can and should be done!

CC: Is illegal street art graffiti?

Expert: It is still illegal in many parts and areas of the world, but more and more artists have been granted areas where they can create their works. Art is above any law, as art is life! Art pertains to our everyday life, and everywhere I look when I see art I see beauty.

Screen Shot 2014-02-17 at 3.40.00 PM

Lady Aiko & Terror 161 on a metal gate originally located on the street in Wynwood, Miami. Photo courtesy of FAAM.

CC: Should there be a different word for street artists who are female?

Expert: There are more and more female street artists. We have great examples at our auction including Bambi and Swoon. Swoon has a museum show set-up in the Brooklyn Museum in April. Kazilla is a very talented street artist from the Wynwood who will be showing works and has brought local street artists together for the exhibition. There are many others! Once again, it makes no difference! ART IS ART!

CC: How long do you need to do the street arts before you’re considered a street artist?

Expert: There is no lead-time. A street artist is an artist that happens to use the streets as their canvas, there is no school. Some artists are better than others, but once again, there is no diploma to become a street artist!

CC: What’s the best city to get blog coverage in?

Expert: Miami is now becoming the street art mecca! But street art is everywhere in the world now.

Photos courtesy of Fine Art Auctions Miami (FAAM) and photo illustration by RJ Rushmore, featuring photos courtesy of FAAM and by Bart Speelman

Category: Auctions, Featured Posts, Interview | Tags: , , , , , , , , , ,

Viral Art is now available at

December 16th, 2013 | By | 1 Comment »


Two weeks ago, I announced that Viral Art: How the internet has shaped street art and graffiti, my new ebook, was set to launch on December 16th. Excerpts have appeared on Hyperallergic, and Brooklyn Street Art, I was interviewed over at Graffuturism and the book even got a shout-out from Shepard Fairey. Well, today’s the day. Viral Art is live and you can read it now at and download it as a PDF or find it in the iBooks Store now.

I want to thank everyone who has been sharing the news about Viral Art these last two weeks, especially everyone who supported the Thunderclap campaign. Just this afternoon, there have been over 200 posts about Viral Art across Twitter, Facebook and Tumblr. So, a big thank you to everyone who participated in that. Promoting this book is an entirely grassroots effort, and I’ll be forever grateful for your help.

In case you didn’t catch that last post or you’ve forgotten, here’s a reminder of what Viral Art is all about…

What is Viral Art?

It’s an ebook that you can read online or download to your computer or ereader. It’s full of text, hyperlinks, photos, animated GIFs and embedded videos.

What is Viral Art about?

Viral Art traces how the histories of street art and graffiti have been shaped by communication technologies, from trading photos by hand to publishing books to sharing videos online. It’s the most comprehensive look to date at how the internet has affected street art and graffiti. Conceptualizing the internet as a public space, I conclude the book by arguing that the future of street art and graffiti may lie in digital interventions rather than physical ones.

Why does Viral Art matter?

If you want to understand street art and graffiti, you have to understand how books, movies, magazines, photographs and the internet have affected artists and fans. Viral Art gets into all of that.

Today we live on our laptops and smartphones, so I argue that the best way for street art and graffiti to stay relevant is for artists to take over the public space of the internet. It’s a claim sure to cause controversy in the street art, graffiti and internet art communities.

Viral Art isn’t just another street art book cheer-leading the movement on. It’s history and theory with a critical stance, and my plea to keep the core values of street art and graffiti alive in a digital world.

What else is inside?

In researching for this project, I interviewed over 50 members of the street art and graffiti communities. In Viral Art, you’ll find brand new interviews, quotes and anecdotes from Banksy, Shepard Fairey, KATSU, Poster Boy, Ron English, Martha Cooper and many more.

Another cool touch is the cover, which you can see at the top of this post. It’s an animated GIF designed by General Howe, featuring artwork by Diego Bergia, General Howe and Jay Edlin, as well as photographs by Martha Cooper and myself.

What does this “book” cost?

Nothing. You can read Viral Art for free at There are also PDF and EPUB versions available for download.

How can fans support the book?

This book is the result of two and a half years of mostly-unpaid labor. It’s being self-published. My marketing budget consists of a few bucks for ads on Facebook. Major publishers spend thousands or even tens of thousands of dollars marketing everything they produce, but this project has no book tour or publicist or anything like that. There’s only your support. If Viral Art sounds interesting, or you read it and you think it is interesting, please tell your friends.

Where can people read Viral Art?

Just go here to read it online, or you can also download it to your computer or ereader.

Category: Books / Magazines, Featured Posts, Vandalog Projects, Viral Art | Tags: , , , , , , , , , ,

Melbourne Monthly Madness – October 2013

December 4th, 2013 | By | 2 Comments »

This post is super late but definitely worth sharing with you all. I have been flat out working on the 2nd and final installment of ALL YOUR WALLS (last Wednesday through Friday – which was a HUGE success, I’ll be doing a full post on that soon). October’s post is short and sweet with some amazing content. Take some time to watch the videos and check out some of the awesome pics below.

This interview from Upstart Magazine with Australian stencil artist Damien Mitchell is a great way to start (Damien now lives in Brooklyn NYC). Damien gives a good insight into Melbourne’s scene and some great shots of some of the city’s best spots for street art and graff. Being a dog lover I’m a huge fan of the story behind the dog stencil.

This great short doco reappeared on vimeo after a long time in hiding. Melbourne Ink was filmed back in 2008 by Julien Sena and Romain Levrault while visiting from France. The video features the work of and interviews with some of Melbourne’s best artists; right in the midst of the massive explosion of street art in our city. Big ups to Fletch for the link!

Melbourne Ink from romain levrault on Vimeo.

Seeing this music video was a great surprise. Australian band Spiderbait recently released the music video for the track ‘It’s Beautiful’ (from their self titled album). A great video showing off some of Melbourne’s best lane ways and featuring the work of many Melbourne street artists and some music by a rad band.

Miso’s latest show ‘Bright Night Sky’ at Backwoods Gallery was amazing to say the least! Each piece created with a series of intricate pin pricks that come together to form beautiful pieces. Sold out before it opened, nice! These great shots show off some of her work and the awesome installation (in particular the fish eye shot).

Miso - Photo by Dreaded Cat Studios

Miso. Photo by Dreaded Cat Studios.

Miso - Photo by David Russell

Miso. Photo by David Russell.

Miso - Photo by David Russell

Miso – Photo by David Russell

My friend Lou Chamberlin launched her new book “Street Art Melbourne” in Hosier lane. Lou has been collecting shots of Melbourne’s amazing street art in our streets and lanes for the last 6 years or so, and the result is this great new book, showcasing some of Melbourne’s best artists alongside interstate and international visitors. Lou also invited a bunch of artists down and provided some paint to help colour the lane. I was asked to write the forward for the book which I was happy to do. Check out some of the work painted on the day here. You can preview the book and grab a copy here.

Lou Chamberlin - Street Art Melbourne Launch

Street Art Melbourne Launch. Photo by David Russell.

Kirpy painted his iconic Metcard stencil at Revolver. A common sight around Melbourne a few years ago, before it was replaced by the latest ticketing system. If you don’t get why it’s ripped then you probably won’t appreciate the stencil as much 😉 I love the crispness of the stencil against the texture of the wall, it sort of looks like it’s floating.

Kirpy - Metcard - Revolver

Kirpy’s Metcard at Revolver

Reka painted this awesome mural in San Francisco – a mad piece. He also did a great interview on the local news.

Reka - San Francisco

Reka – San Francisco. Photo by Reka.

Reka - San Francisco

Reka – San Francisco. Photo by Reka.

He also painted in Portland this Autumn themed wall, titled “The Fall”. I’m really loving the direction James is taking with his work, to me it seems like he is incorporating more traditional shapes and objects meshed with his awesome style that we know and love!

Reka - The Fall - Portland

Reka – The Fall – Portland. Photo by Reka.

Reka - The Fall - Portland

Reka – The Fall – Portland. Photo by Reka.

This recap of Project 5 in Sydney, featuring Rone and Adnate from Melbourne. A great little project with Rone, Adnate, Numskull and Jodee Knowles. All proceeds from the works went towards supporting a great charity (ICE). A good close up of the live work and interviews with the artists.

David Russell’s “Through the Lens” for October brings the goods from around town, as usual. Here’s some of my faves.

RESUME - Photo By David Russell

RESUME. Photo By David Russell.

Facter - Photo By David Russell

Facter. Photo By David Russell.

Slicer - Photo By David Russell

Slicer. Photo By David Russell.

And to finish up a couple of rippers from Dean Sunshine’s Top Ten.

Taylor White - Photo by Dean Sunshine

Taylor White. Photo by Dean Sunshine.

Two One and Senekt - Photo by Dean Sunshine

Two One and Senekt. Photo by Dean Sunshine.

Adnate - Photo by Dean Sunshine

Adnate. Photo by Dean Sunshine.

Photos courtesy of Dean Sunshine, David Russell, Dreaded Cat Studios and Reka.

Video Courtesy of Ambush Gallery, Upstart Magazine, Romain Levrault and Spiderbait.

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