Anonymous Gallery is launching their permanent space in Mexico City with Fresh Kills, a group show opening this weekend. The artists in this show are purported to, in an effort for renewal, reuse materials that most would consider trash, so the name Fresh Kills comes from Freshkills Park, an upcoming park project in New York to redevelop a site that used to be a landfill. As usual, Anonymous Gallery have put together an impressive group of artists for this show: Aaron Young, Agathe Snow, Barry McGee, David Ellis, Greg Lamarche, Hanna Liden, Richard Prince, Swoon and Tom Sachs. Fresh Kills opens on the 17th, this Thursday and runs through January 15th.
Anonymous Gallery, the mostly New York-based pop up gallery, has put together a show that will open later this week at the Wooster Street Social Club, aka the site of the show NY Ink. Flash includes original artwork as well as designs by those same artists that people can get put on them by the tattoo artists at Wooster Street Social Club. Flash opens on September 17th, runs through October 29th, and includes Anthony Lister, Curtis Kulig (aka Love Me), Dan Witz, Eric White, Greg Lamarche, Kenji Hirata, Kenzo Minami, James Jean, Logan Hicks, Nick Walker, Ron English, Shelter Serra and Tristan Eaton.
This could be the best piece of street or public art ever to grace the streets of New York City. I guess we’ll see…
March 2-8 2010, during the Armory Arts Week and in addition to a booth at SCOPE Art Show, Anonymous Gallery collaborates with the Times Square Alliance to present a public installation from artists David Ellis and Roberto Lange. The kinetic sound sculpture, conceptualized by Ellis and composed by Lange, will be carefully positioned in the Duffy Square area of Times Square near 46th and Broadway.
The sculptures are made from scavenged refuse found on the street: buckets, bottles, trash cans, paper shreds, cardboard boxes that are syncopated using programming and player piano actuators to create percussive, rhythmic beats and tones. The installation, as only a collection of debris, plays on the public’s perception of trash. The placement, and more importantly the activation in the public arena, creates dialog with unassuming crowds that amass.
Although the public installation is meant for undiscerning spectators, similar works by David Ellis and Roberto Lange can be found in permanent collections including The Margulies Collection and most recently, through Anonymous Gallery, The Saatchi Collection.