Lazarides are headed back to The Old Vic Tunnels off of Leake Street in London, the site of last year’s Hell’s Half Acre show and Banksy’s launch for Exit Through the Gift Shop. If you thought Hell’s Half Acre was a bit of a posh haunted house, you ain’t seen nothing yet. From October 10th through November 4th, Lazarides are turning the tunnels into an art exhibition space, but also a Michelin Star pop-up restaurant. The show is called The Minotaur, after the Greek legend. The absurdity of the whole thing leaves me speechless. As for the art, there will be a labyrinth-esque installation with new work from a number of artists including Conor Harrington, Stanley Donwood, 3D and Lucy McLauchlan. Unfortunately, it will cost £5 to get in if you aren’t under 18. Entry is free to some, but by some I mean it’s free if you’re eating at the restaurant for £65 a head, haha. On the plus side, there’s a bar, so you’ll be able to drink away the pain of having spent £65 to eat in a dilapidated storage room.
I dunno. Maybe this will be fun and full of amazing artwork and food. It probably will be enjoyable for the select few who get to experience it, but The Minotaur still strikes me as absurd and way over-the-top. Kind of like a real minotaur.
Graffiti Analysis is an extensive ongoing study into the motion of graffiti. Custom software designed for graffiti writers creates visualizations of the often unseen motion involved in the creation of a tag. Motion data is recorded, analyzed and archived in a free and open database, 000000book.com, where writers can share analytical representations of their hand styles. Influential graffiti artist such as SEEN, TWIST, AMAZE, KETONE, JONONE, and KATSU have had their tags motion captured using the Graffiti Analysis software. All tags created in Graffiti Analysis are saved as Graffiti Markup Language (GML) files, a new digital standard used by other popular graffiti applications such as Laser Tagand EyeWriter. Graffiti Analysis 2.0 is an open source project that is available online for free in OSX, Windows and Linux. Graffiti writers are invited to capture and share their own tags, and computer programmers are invited to create new applications and visualizations of the resulting data. The project aims to build the worlds largest archive of graffiti motion, and bring together two seemingly disparate communities that share an interest hacking systems, whether found in code or in the city.