Cost and Set KRT

Set KRT and Adam Cost. Photo by Luna Park

Adam Cost KRT and Set KRT did these pieces recently in Brooklyn. They’ve put in the hours and the years, so there’s nothing wrong with going the legal route now that people want to see your name on their property. The Cost posters are the same design that he used last year when he was commissioned to be on the cover of ShowPaper. Very cool.

Photo by SMKjr
Photo by SMKjr

Photos by Luna Park and SMKjr

The Jellyfish

As someone who looks at street art every day, usually online through photos where I’m told or I already know pretty much exactly what I’m looking at as soon as I see it, it’s not often that I still get to experience the joy of randomly coming across street art that truly surprises me and shakes me out of my dreary existence. But someone in New York is doing that for me lately. When I was last in NYC, I couldn’t help but come across the drippy splotches of spraypaint that have begun popping up all over the city. When my friend Rhiannon pointed them out to me, she called them jellyfish. And that seems about right. So, who is Jellyfish? Nobody I’ve spoken with seems to know. And, like most street art, it’s probably more fun to keep that a mystery. Would these work well on a mural organized by MaNY? Probably not. But they are fantastic as a pseudo-tag and for reactivating boring walls. Who needs style? The Jellyfish boil street art and graffiti down to the core essentials of thrill and activation of spaces.

Here are a few more Jellyfish:

Photos by bitchcakesny

Dear Snyder, please be more creative

One of Snyder's recent pieces. Photo by Snyder

Update: This post should have been about Snyder’s lack of originality rather than a lack of creativity. As pointed out in the comments, Snyder has been drawing Doodle for many years. While perhaps creative, I still find much of Snyder’s work, particularly this piece, to be unoriginal. Maybe that’s worse.

From time to time, I have posted about Snyder. He seems like an enthusiastic artist, and that’s commendable. He also as a talent for finding good placement for his pieces.

Sure, Snyder’s best work was always a fair amount like something Banksy would or had come up with, but I tried to ignore that and find the positives about Snyder’s work. After all, how many contemporary stencil artists can say that they’ve never been a bit too inspired by Banksy at least once?

A classic Banksy. Photo by Wokka

And then Snyder introduced a character into his work whom he named Doodle. Okay, the character looks like a stenciled version of Dran’s character whom Dran named Scribble, and they are pretty much the same character. Both are slightly mischievous young artists. Again, this alone was frustrating, but Dran isn’t particularly well-known outside of Europe, so maybe Snyder, who is based in LA, hadn’t heard of him. Maybe it was just a coincidence.

Dran's Scribble character. Photo by Marie Aschehoug-Clauteaux

And then I saw the stencil by Snyder at the top of this post, which is actually one of at least two in a series of similar pieces. Again, I was reminded of Banksy and of Dran, even a specific piece by Banksy (the maid, shown above). But now another artist came to mind too: Saber. Revealing tags beneath the buff is pretty much exactly like Saber’s Ripped Tag series of canvases. Saber’s canvases are significantly better executed than Synder’s work, but the similarities are clear.

A painting from Saber's "Ripped Tags" series. Photo by Lois Stavsky

At first, I saw Snyder’s clear Banksy influence and I thought that it was a phase. I thought that he would eventually grow out of it and get his own style. Influences are one thing, but Snyder goes beyond that. As time has gone on, it is clear that Snyder has not only failed to develop a personal style, but he has perhaps even increased his reliance on the ideas of other artists.

This buff/zipper piece goes too far. It’s actually not a bad idea. But it is quite transparently 3 other artists’ ideas mashed into one with little original content added by Snyder.

As flattering as it may seem for artists’ to be inspired others’ work, at the heart of this issue is pretty simple: if you are going to take inspiration from others’ work or blatantly rip their ideas, then do it better and make it your own. Snyder has clearly done neither and that in itself is disappointing at best.

Photos Snyder, Wokka, Marie Aschehoug-Clauteaux and Lois Stavsky

Weekend link-o-rama

MOMO for Open Walls Baltimore

I think we actually did a pretty good job this week on Vandalog covering what needs to be covered, but here are the few things we missed:

Photo by MOMO

Sam3 collaborates with the buffman

Sam3‘s latest piece is this wonderful attack on buff. His forced collaboration with the graffiti removal squad/person re-energizes the wall and makes the mismatched buff into something to be noticed. I wonder what the next bit of buff on this wall will look like. Maybe this can be an ongoing collaboration, like this piece by Mobstr.

Photo by Sam3