stikman solo show at Philadelphia’s Mural Arts Program

Photo by Steve Weinik
Photo by Steve Weinik

The elusive stikman is showing his artwork indoors right now at the offices of the City of Philadelphia Mural Arts Program. …in the house… is open now through November 13th, but there’s an evening reception this Friday evening from 6-8pm. Before that reception, I’ll also be giving a brief talk about the history of street art in Philadelphia and internationally. The reception on the 18th should be a blast, especially since we’ll be releasing a stikman sticker that will be available for free to anyone who stops by (the sticker will also be available if you come see the show after the 18th). This is also a great time to buy a piece of stikman’s original artwork since all of the work for sale at “…in the house…” is being sold to benefit Mural Arts.

Photo by Damon Landry
Photo by Damon Landry

Technically, I’m considered the curator of …in the house…, but I would say it’s more accurate to say I helped coordinate the show since I thought it would be more productive to give stikman as much free reign as possible. One of the things that makes …in the house… so interesting to me beyond it being a show by a great artist who doesn’t display his work indoors all that often is that it is being held at the Mural Art Program’s offices, which also happen to be the former home of artist Thomas Eakins. I interned with Mural Arts over the summer, and it’s a fascinating organization. If you’ve ever seen a mural in Philadlephia, chances are they were behind it. For this show, stikman has on drawn the history of the Mural Arts Program and the building in which it is based to create new work dealing with alternative forms of community engagement and the art of Thomas Eakins.

"On The Water" by stikman. Photo by stikman.
“On The Water” by stikman. Photo by stikman.

Mural Arts and stikman both want engage communities through public art, but they go about it in very different ways. Mural Arts shakes hands, holds meetings and encourages people to help paint murals, all with spectacular results that change the Philadelphia landscape. stikman goes for walks and installs his artwork where he pleases, each piece a temporary gift to the people who look closely enough, lasting only as long as nature and graffiti removal specialists will allow. Both stikman and Mural Arts are active in place-making. Mural Arts gives Philadelphia communal places, while stikman lets individuals discover small private, even secret, places in the midst of the urban jungle and make them their own. Mural Arts’ large-scale works of public art coexist in Philadelphia alongside stikman’s comparatively miniscule sculptures, stickers, tiles and installations, but if you look closely enough, they aren’t so different.

Photo by Damon Landry
Photo by Damon Landry

“…in the house…” is open now at the Mural Arts Program’s headquarters at 1727-29 Mt. Vernon Street in Philadelphia. It runs through November 13th, and while the show is in an office, it is open to the public and anyone can visit during Mural Arts’ normal business hours (9-5, Monday-Friday) or by appointment by emailing events at muralarts . org.

Photo by Damon Landry
Photo by Damon Landry
Photo by stikman
Photo by stikman
Photo by Damon Landry
Photo by Damon Landry
Photo by Damon Landry
Photo by Damon Landry
Photo by Damon Landry
Photo by Damon Landry

Photos by Steve Weinik, stikman and Damon Landry

Banksy + 5: October 12th

Banksy. Photo by carnagenyc.
Banksy. Photo by carnagenyc.

I’m late on this one, but hey, it was the weekend and I was in Little Italy watching this wall come together. Saturday’s Banksy, while a pretty standard stencil besides the great placement, continues on Banksy‘s theme for Better Out Than In of it really being about the crowd. Concrete Confessional is just perfect for photos like the one above, and really requires a fan to activate the piece.

Here’s today’s + 5 by Ntel, Frank Ape, La Ira, and two unknown artists edit: Cane Morto and one unknown artist:

Ntel. Photo by Bill Benzon.
Ntel. Photo by Bill Benzon.
Frank Ape. Photo by edenpictures.
Frank Ape. Photo by edenpictures.
La Ira. Photo by món mort.
La Ira. Photo by món mort.
Unknown artist. Does the signature say Mari?
Unknown artist. Does the signature say Mari? Photo by Beth M527.
M? Photo by svennevenn.
Cane Morto in Bergen. Photo by svennevenn.

Photos by carnagenyc, Bill Benzon, edenpictures, món mort, Beth M527 and svennevenn

Banksy + 5: October 11th

Today‘s Banksy for Better Out Than In was a pretty impressive production, a roving truck featuring what appear to be a combination of animatronic and human-controlled animal puppets. Good stuff.

And for our + 5, there’s work by Buildmore, Nether, edit: London Kaye (thanks to Daniel in the comments) and three two unknown artists:

Buildmore. Photo by Damon Landry.
Buildmore in Philadelphia. Photo by Damon Landry.
Nether. Photo by duncan c.
Nether in Berlin. Photo by duncan c.
Unknown artist in Berlin. Photo by duncan c.
Unknown artist in Berlin. Photo by duncan c.
Unknown artist in London. Photo by The Integer Club.
Unknown artist in London. Photo by The Integer Club.
Unknown artist in NYC. Photo by allan molho.
London Kaye in NYC. Photo by allan molho.

Photos by Damon Landry, duncan cThe Integer Club and allan molho

Live painting, new murals and music in Little Italy this Saturday

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As I mentioned yesterday, this Saturday we’re holding a party outdoors in Little Italy. Presented by Wix.com, the party is to celebrate all the murals that myself and others in The L.I.S.A. Project NYC have been organizing in Little Italy, particularly Tristan Eaton’s brand new Liberty mural. The party is also a chance to watch a brand new mural painted live as part of a Secret Walls competition.

I’m especially pumped for Secret Walls. Tristan Eaton and Jay Edlin aka J.SON/TERROR161 will be judging as Bishop203, Epic, SeeOne and Meres face off against Greg Mishka, L’Amour Supreme, Buff Monster and Jon Burgerman in an 90-minute live painting session just below Ron English’s Temper Tot mural.

So, come by Mulberry Street this Saturday afternoon for some art, drinks and music.

More info about the party here.

Flyer courtesy of The L.I.S.A. Project NYC

Banksy + 5: October 10th

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Banksy in NYC. Photo by carnagenyc.

Today‘s Banksy for Better Out Than In is nice and all, but the most interesting thing about it is these guys who covered the artwork with a piece of cardboard and charged for photos. Also, note, this piece is a beaver, not a rat:

Banksy. Photo by carnagenyc.
Banksy in NYC. Photo by carnagenyc.

For today’s + 5, we have work by Invader, Dain, Dee Dee, Mr. Toll and a few unknown artists (as always, let us know if you know the artists that we don’t):

Invader. Photo by Chris Christian.
Invader. Photo by Chris Christian.
Dee Dee and Dain. Photo by Jamie.
Dee Dee and Dain. Photo by Jamie.
Unknown artist in Chicago. Photo by Seth Anderson.
Unknown artist in Chicago. Photo by Seth Anderson.
Unknown artists in Beijing. Photo by Adrien Fauth.
Unknown artists in Beijing. Photo by Adrien Fauth.
Unknown artist. Photo by Chris Christian.
Mr. Toll in NYC. Photo by Chris Christian.

Photos by carnagenyc, Jamie, Chris Christian, Adrien Fauth and Seth Anderson.

Tristan Eaton’s “Liberty” mural in Little Italy

Liberty 2

Earlier this week, Tristan Eaton completed this mural, titled Liberty, in Little Italy in New York City. Liberty is just across the street from Ron English’s Temper Tot mural from last October. I helped a little bit with organizing Tristan’s mural as part of my work with Wayne Rada at The L.I.S.A. Project NYC, but this mural had been in the works since before I got involved or The L.I.S.A. Project even existed, and it was the planning of this mural that resulted in the creation of The L.I.S.A. Project. I am so happy to finally see Liberty up on the wall, visible from Mulberry Street and Canal Street, adding something really special to the area. From the moment I saw Tristan’s first mock-up, I thought, “This is going to be iconic,” but Tristan has really outdone himself. Liberty is beautiful and iconic, but it really is Tristan’s interpretation of the Statue of Liberty and American ideals, rather than just a straightforward depiction of an already-iconic image.

If you want to check out the mural in person, I suggest coming down to Little Italy on Saturday afternoon when we’ll have five hours of events planned around Liberty and the other murals on Mulberry Street, including the live painting of a new piece as part of a Secret Walls competition. Bishop203, Epic, SeeOne and Meres will be competing against Greg Mishka, L’Amour Supreme, Buff Monster and Jon Burgerman, with Jay Edlin aka Terro161 aka J.SON (author of the book Graffiti 365) and Tristan Eaton as judges. More info on the Facebook event page.

Lastly, I want to thank Wix.com and all the individual supporters who have sponsored the mural. Hopefully, this is just part one of two, with Tristan adding Justice to Mulberry Street soon.

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Photos courtesy of The L.I.S.A. Project NYC

Banksy + 5: October 9th

Banksy. Photo by carnagenyc.
Banksy. Photo by carnagenyc.

First of all, I’ll quickly note that Banksy did an interview with The Village Voice and Banksy made two covers for the issue, both collaborations with Os Gêmeos.

On Wednesday, Banksy unveiled this installation on the Lower East Side, the latest from his Better Out Than In show/series. According to Hyperallergic, the area had been covered with a tarp recently, hiding any potential work Banksy was doing. It’s not Banksy’s best work from a technical standpoint, but hey, it’s a complicated piece that was presumably executed illegally. One thing that became very clear during our Illegal August experiment (in case it wasn’t clear before) is the pretty obvious point that a mural an artist can spend a week on is usually going to look more visually stunning and well-executed than something done illegally in the dark. Even with the tarp, this installation was risky. So I certainly can’t fault Banksy for the execution.

The piece reminds me of something like Goya’s The Disasters of War series, although maybe that’s just because horses make me think of classical painting… Anyway…

What really strikes me about this piece is the “audio description” component of this installation. Instead of the funny museum-style audio descriptions that have accompanied about half the works in Better Out Than In, today’s was just a snippet of the audio from the Collateral Murder video that was leaked by Chelsea Manning through Wikileaks in 2010. The video shows US Army airstrike that kill Reuters journalist Namir Noor-Eldeen, his driver Saeed Chmagh and at least others (the airstrike also wounded two children). Here is the full Collateral Murder video (warning: this video is quite graphic and potentially  disturbing):

A few days ago, I raised some questions about Banksy appropriating audio of an by Syrian rebels that brought down a Syrian military helicopter in his video where rebels shoot down Dumbo the elephant. I’m still not sure what to think of that appropriation, but I think here Banksy did a great job. He isn’t using death to make a joke (even if that joke has a serious point). This installation is a sort of anti-war memorial, and the Collateral Murder audio makes the piece even more powerful.For today’s + 5, we have work by stikman (whose show I just organized at the Mural Arts Program in Philadelphia), Jace, Saki and Bitches and two artists that I’m not sure about:

stikman in Philadelphia. Photo by Damon Landry.
stikman in Philadelphia. Photo by Damon Landry.
Jace in La Reunion. Photo by Philippe Vieux-Jeanton.
Jace in La Reunion. Photo by Philippe Vieux-Jeanton.
Saki and Bitches in London, UK. Photo by Chris Beckett.
Saki and Bitches in London, UK. Photo by Chris Beckett.
Unknown artist (Kame?) in Normandy, France. Photo by Michel Alessandrini.
Unknown artist (Kame?) in Normandy, France. Photo by Michel Alessandrini.
Unknown artist. Photo by Chris Christian.
Unknown artist (Vicky?) in NYC. Photo by Chris Christian.

Photos by carnagenyc, Michel Alessandrini, Chris Beckett, Philippe Vieux-Jeanton, Chris Christian and Damon Landry

How and Nosm’s visit to Palestine

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Today we have a guest post from William Parry about How&Nosm’s recent trip to Palestine to work with the charity Medical Aid for Palestinians. Parry is the communications officer at Medical Aid for Palestinians and it’s certainly a bit atypical for a communications officer to write a guest post for Vandalog about a project they are in charge of, but Parry is also the author of Against the Wall: the art of resistance in Palestine (2010), which was reviewed on Vandalog a while back, so he’s also uniquely qualified to write about graffiti writers and street artists working with Palestinians and painting on or near the separation wall. I also had to privilege of seeing Parry speak at Haverford College last year, and it’s clear that improving the lives of Palestinians is his passion as well as his job. Also, if you want to read more about How&Nosm’s time in Palestine, Brooklyn Street Art also have a great post about the experience. – RJ

Sometimes you take a chance and it pays sweetly. Bringing How&Nosm to Palestine over the past two weeks was one of them, and I believe they feel the same, as they also didn’t know exactly what they were setting themselves up for.

Almost a year ago, I first met the Perré twins, Raoul and Davide, while doing an article about Prague’s ‘Stuck on the City’ street art exhibition. We got talking about politics and the Palestinian-Israeli conflict, and I eventually asked whether they would ever consider collaborating with the UK-based charity I had just begun working for, Medical Aid for Palestinians (MAP), doing art workshops with MAP’s local partners in Palestine. “Sure,” they said. It would give them a chance to also do their own artwork on walls around Palestine.

A year on and countless emails later, I was anxiously waiting for them at the airport in Tel Aviv, wondering if the Immigration officials had caught wind of the project and would send them back to NYC. The heavily tattooed, stencil-and-cap-carrying twins said they were here for a 10-day organized tour. Nosm appeared after some time and said his brother had got stopped. “They didn’t believe we were here for the tour and asked us who else was on it,” he said. “How should I know, I told them, maybe just us for all I know! What could he do?” Another 10 minutes went by before How walked through the sliding doors, straight-faced, then he cracked a smile. “They went through my photos on my camera, asked why I was here of all places. I said: ‘I’ve been to 60 countries but not here yet. I want to tick Israel off the list.’”

Within minutes we were in the car for central Tel Aviv to get them a pre-order of cans in their signature colours. Three young guys running the shop were clearly honoured to have How&Nosm on their turf and volunteered to guide them to the best places to bomb. “What have you got planned?” one asked. “We’re here for some work,” said Nosm, keeping schtum. They clearly wanted to paint with them but Nosm took their numbers and said they’d be in touch. We filled the trunk with boxes of spray cans and headed for occupied Palestine.

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Split Identities

Their natural environment is the street so I shouldn’t have been surprised that How&Nosm were keen to check into their East Jerusalem hotel, grab a quick shower and then head immediately to Bethlehem to sort out more paint, rollers, ladders and walls to paint – despite having travelled for about 20 hours by this time. We met a Palestinian street artist who goes by the name ‘Trash’ – he worked with Banksy to sort out his 2007 Santa’s Ghetto project in Bethlehem, and has also helped JR with several local projects. As dusk fell, Trash gave them a quick tour of ideal spots to do murals and arranged to meet the twins the following morning.

While Drinking Tea
While Drinking Tea

Over the next two days they produced three murals around Bethlehem – the largest ‘Lost Conversation’, as well as ‘In Mother’s Hands’ and ‘While Drinking Tea’ – and one in East Jerusalem, ‘Split Identities’. Locals would stop and talk to them, as usual, asking where they’re from, why they’re here, what the intricate images mean. But with four murals done, it was down to other serious business.

More is Not Enough. Click to view large.
More is Not Enough. Click to view large.

What How&Nosm witnessed for themselves as we drove through the occupied West Bank – scores of illegal Israeli outposts and settlements built on Palestinian land, the scandalous route of Israel’s illegal separation wall, seeing the freedoms that Israelis enjoy at the expense of Palestinians’ human rights, and hearing of Palestinian homes being demolished or taken over by Israeli settlers, shocked them deeply. They spent one day with a former Israeli military commander, Yehuda Shaul, who co-founded an Israeli human rights organization called ‘Breaking the Silence’. He drove them to the southern point of the West Bank and, throughout the journey, gave them a clear understanding of the layers of Israeli occupation and their intended impact on Palestinian communities – ethnic cleansing. I spent many days in the car with How&Nosm, talking about the situation among other things, and you could see their frustration and outrage growing with every mile covered as the occupation unfolded before their eyes.

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In Mother’s Hands

Continue reading “How and Nosm’s visit to Palestine”

Banksy + 5: October 8th

Photo from Banksyny.com
Photo from Banksyny.com

Kinda a funny one from Banksy today. As Hrag notes though, even though the intent is different, it’s definitely going to remind people of Elbowtoe‘s street poetry. Still, not a bad piece.

For today’s + 5, we have work by Ever, Never, Clet Abraham and two unknown artists edit: Earth Crusher and Yarbs (thanks to everyone who let me know about Earth Crusher and Yarbs):

Ever. Photo by Ever.
Ever. Photo by Ever.
Never. Photo by This is Awkward .
Never. Photo by This is Awkward.
Clet Abraham. Photo by Larry Carr.
Clet Abraham. Photo by Larry Carr.
Unknown artist. Photo by Andre Vandal.
Earth Crusher. Photo by Andre Vandal.
Unknown artist. Photo by
Yarbs. Photo by Seth Anderson.

Photos by Ever, This is Awkward, Larry Carr, Andre Vandal, Seth Anderson from Banksyny.com

Banksy + 5: October 7th

Saki Waki with Banksy's latest piece. Photo courtesy of The L.I.S.A. Project.
Saki Waki with Banksy’s latest piece. Photo courtesy of The L.I.S.A. Project.

Today for Better Out Than In, Banksy revealed the above balloon piece in Brooklyn. The photos on his site look a bit better, but I have used the above image of my friend Saki Waki because I want to show how this piece is really about audience interaction. On the first day of the show, I wondered if Banksy was maybe using the individual works in this show as props to make a larger point. If we look at the works so far, with this one and the box truck being prime examples, Better Out Than In seems to be at least in part about the spectacle and the crowds that Banksy’s work attracts. The box truck was meant to be a display of calmness, but this is what it looked like once people found out where the piece was parked. Today’s piece is of course reminiscent of Banksy’s classic Balloon Girl image, but now the girl is missing and the audience has to participate to complete the work (the balloon reference also lends credence to Hrag Vartanian’s idea that the show might be Banksy’s version of a retrospective). Other works in Better Out Than In point to the show being about crowds in less obvious ways. With the Random graffiti given a Broadway makeover series, Banksy drew out massive crowds to look at what was essentially the crappiest graffiti in New York City. So, that’s my current theory: The show is about the spectacle that Banksy can create and the crowds (including bloggers like me) that he can manipulate.

For today’s + 5, we have work by ASVP and some unknown artists:

ASVP and others in Zurich, Switzerland. Photo by Bernard Oh.
ASVP and others in Zurich, Switzerland. Photo by Bernard Oh.
Unknown artists in Zurich, Switzerland. Photo by Bernard Oh.
Unknown artists in Zurich, Switzerland. Photo by Bernard Oh.
Unknown Artist in Nottingham, UK. Photo by KylaBorg.
Unknown Artist in Nottingham, UK. Photo by KylaBorg.
Unknown artist in New York City. Photo by Hrag Vartanian.
Unknown artist in New York City. Photo by Hrag Vartanian.
Unknown artist in New York City. Photo by Hrag Vartanian.
Unknown artist in New York City. Photo by Hrag Vartanian.

Photos by Bernard Oh, KylaBorg, Hrag Vartanian and courtesy of The L.I.S.A. Project