Aint Goin Home Soon: Chris Stain and Leon Reid IV

It gives me great pleasure to share with everyone that artists Chris Stain and Leon Reid will be exhibiting at the  Creative Alliance right here in Baltimore. The exhibit opens Sat May 8 at the right by Patterson Park from 7-9pm, On view May 8-29 Free. Opens w/ From Mountains to Maryland at 5:30pm, and FUSION: Hip Hop on the Mountain at 9pm

As every schoolchild knows, John Henry was a giant of a man, who wielded a 20 pound hammer as though it were nothing, and won an epic contest against a steam engine, only to die on the spot. Henry was a slave, or former slave, and the battle that cost him his life is said to have taken place in Talcott, West Virginia on the Chesapeake and Ohio Railroad. Built from found materials by Leon Reid IV, a statue of John Henry towers over this Main Gallery installation, amidst Hoovertown shacks made of wooden pallets and railroad ties made of cardboard. Giant stenciled murals by Chris Stain form a backdrop melding WPA-era social realism and urban graffiti, expanding on the themes of John Henry’s story—struggle and pride, race and dislocation in the face of technological and economic change. In this way, their installation serves as an ideal introduction to Urban/Appalachia, Creative Alliance’s series examining the long and complicated relationship between Baltimore and Appalachia, from past generations seeking work in city steel mills, to a generation today shipped to prisons in the mountains.

Born in 1972 and raised in East Baltimore, Chris Stain is a New York-based, self taught print maker and stencil artist inspired by NYC subway graffiti and poster design. His work has shown in museums and galleries internationally, and been published in books, magazines, and websites about street art and urban contemporary culture. Leon Reid IV was born in Virginia and raised in Ohio, an African American public artist who manipulates urban spaces, monuments and architecture with sardonic visual puns. He received his M.A. from London’s Central Saint Martins School of Art and Design and recently completed a public commission titled The Great Recession in Stavanger, Norway.

May Day!

May 1st was the opening of what may surpass Banksy’s Exit Through The Gift Shop as the street art event of the year so far: Shepard Fairey’s May Day show at Deitch Projects. Because the opening evening was open the public instead of simply a guest-list-only affair, it got a bit mad. I’ve heard that lines were 7 blocks long just to get in. And a friend tells me that the after-party was one of the best parties of the year. It’s taken a few days, but some photos of the artwork have finally come online.

The largest piece in the show (pictured above) is a 4-part series of canvases similar to the mural that Shepard has at Houston and Bowery. No doubt it will end up in a museum. The question is, which one? Perhaps more importantly, should it end up in a museum? It is really Shepard’s strongest work to date, or just his largest?

Capitalizing on the popularity of the Obama HOPE poster, Shepard has almost definitely made more than his usual number of portraits for this May Day, so that’s too bad.

Shepard’s flag is probably the most visually arresting and art historically significant newish image in May Day. Shepard no doubt owes a lot to Jasper Johns, particularly Johns’ use of newspaper and other materials collaged together as a base for his paintings, so it’s interesting to see Shepard’s take on the American flag (I should probably remind people that no, I don’t study art history or whatever, this is just my take on things, so no need to get all pissy – though I wouldn’t mind hearing if I’m totally wrong). Probably my favorite pieces in the show.

Two of my favorite classic Shepard Fairey images in the photo below: The OBEY printing press and Never Trust Your Own Eyes.

And of course, plenty of smaller stencils and rubyliths.

Is there a lot of not-so-amazing stuff in May Day? Of course. Is there some amazing artwork too? Of course. Shepard has always produced so much that it’s all a bit hit or miss, but those hits are more than worth wading through the misses. I wish I could see May Day in person. Looks like the must-see art event in New York right now. May Day runs through May 29th and then Deitch Projects closes down for good as Jeffrey Deitch takes up his new job as director of The MOCALA.

Photos by Incase, who have a flickr set with more photos from the show

Some new art at Oakland Museum of California

Barry McGee

Oakland Museum of California has just opened a group show with artists like Barry McGee, Date Farmers and Emory Douglas in their Gallery of California Art. So cool. Oh and for those who aren’t familiar with Emory Douglas’ artwork (as I was until recently), Douglas did much of the artwork for The Black Panthers and is one of Shepard Fairey’s most clear influences.

Emory Douglas
Date Farmers
Barry McGee
Barry McGee
Barry McGee

Plenty of more photos can be found on fresh888’s flickr.

Via Arrested Motion and Hi-Fructose

Photos by fresh888

The Great Outdoors

The Great Outdoors is a kick-ass-sounding group show that opens at Woodward Gallery in New York City this weekend.  Some of my favorite artists like Swoon and Neckface are involved, as well as some other talented people like Darkcloud, Michael de Feo, Royce Bannon and LA II. It’s kind of an odd mix of artists, but not really that odd at all. Stylistically different, but all cool in their own ways I guess. Should be good. The show opens on May 8th.

Michael de Feo
LA II

Photos from Woodward Gallery

Faile/Bast Deluxx Fluxx Arcade comes to NYC

Faile and Bast have once again teamed up to put on their Deluxx Fluxx Arcade show/experience. Last time, it was in Lazarides’ Greek Street location in London. Now, the arcade has been built in New York City. The arcade opened this weekend and will be open at 158 Allen Street through May 27th. If you’re in town (and especially if you didn’t see this arcade while it was in London), I can’t recommend it highly enough. It’s quite an experience.

Arrested Motion has pictures from the arcade’s setup and Gothamist has an interview with Faile.

Photo from Arrested Motion

New Lucy McLauchlan print

While I was always a Lucy McLauchlan fan, I’ve really come to love her work. BLK/MRKT has just released this new print, titled From Every Angle, by Lucy. It’s classic Lucy McLauchlan goodness and yet quite affordable. The print is an edition of 150 and measures 18 x 24 inches. It’s available online for just $110.