Ema and Kid Acne worked together on an installation that is running right now in Niort, France. Unclear ground/ Terrain vague is put on by Winterlong Galerie is open at the Pilori Museum now through October 29th. Here are some photos, but you can find even more here and here. The installation also includes this video by JiPÉ Corre.
Little over a week ago I was watching Word to Mother painting his outdoor piece for Moniker Art Fair. Allocated one of the 3 by 4 metre recesses he took to the piece with gusto. Layer after layer of tag and dub was laid down and a day later, a final coat of white was rollered onto the wall.
Appropriately dubbed, “The Wall”, the expanse of brick along Great Eastern Street has played host to a variety of artists, both local and international. Dabs & Myla, Best Ever and Malarky followed Word to Mother, but I could also name drop Steve Powers, Herakut, Nychos, SheOne, Shep Fairey and Know Hope among others. However soon after an artist completes a piece it is buffed or covered by another artist, pretty much like any wall I suppose.
But Village Underground hope this will all change following a Kickstarter fundraising project. Their aim is to raise enough funds to design, build and install bullet proof metal and glass frames over the recesses to protect the art work from theft and vandalism. In essence this will allow for artists to produce work in a variety of methods and on a mix of mediums. And with the addition of a digital wall and 10 million passing cars a year, “The Wall” will become London’s most public art gallery.
In a way I feel its a bit of a shame that the wall will be covered, but I’m sure you will agree that the project will certainly be interesting. Plus Village Underground, despite indicating that the artists will now obviously be able to sell their work, maintain they are working on a not-for-profit basis. It’s good to see that this project isn’t just about making money for them then!
For more info, including a nice little video, and to donate head here.
The UK’s Paul Insect has a show, Triptease Revue, opening next month at Post No Bills in LA. While he might be best known in some circles for reportedly selling a boatload of art to Damien Hirst, Paul Insect has had a presence on the street on and off for years, even collaborating with Sweet Toof on a number of occasions recently. Paul Insect is one of those artists that I’m constantly going back and forth about. I’ll see one piece and love it, and then see another and thing it’s way too obvious, but at least that means he is constantly changing his style up and not getting stuck into one thing. I’m curious to see just what he’s come up with for Triptease Revue. Here are a few teaser shots:
Triptease Revue opens on November 2nd and runs through December 1st.
Very Nearly Almost issue 16 has been out for about a month and a half now, so I’m a bit late on this one. Issue 16 has Invader on the cover, a must-read interview with Kid Zoom, photos from the streets of London, Paris and Melbourne and much more. The stand-out of this issue is definitely that interview with Kid Zoom, and if you’re a fan of his, I’d pick up VNA16 just for that piece alone. It’s one of the most honest and mature interviews I’ve read from any young artist. That dude is going places.
Usually I have something to say here about my week, but it’s all kind of a blur and I’ve been struggling to find any words to describe what’s been going on or excuses for not blogging about everything interesting I’ve seen this week. So let’s skip the pointless pleasantries and here’s the stuff I missed:
Some thoughts from Alone One on graffiti and street art coexisting (and the inherent superiority of graffiti, according to the author). While I agree with the author that, in the case pictured, Aakash Nihilani and Posterboy did the smart and respectful thing by utilizing a piece of graffiti in their street art rather than covering it unnecessarily, the all-to-common argument that graffiti is always always always superior to street art really upsets me. Is there something beautiful/powerful about a tag that street art cannot capture? Sure. Are there street artists (and young graffiti writers) who stupidly go over important graffiti? Definitely, all the time. But warning that street artists can never go over graffiti under any circumstances is narrow-minded and naive, especially today when so much work blurs the line between street art and graffiti. It’s too bad when such a talented writer has such a narrow view of things.
When I was in Lima in 2009, I was captivated by Faber’s lyrical portraits on the walls of his city. Since, his work has been featured in both MUEVO MUNDO: Latin American Street Art and GRAFFITI 365. Continuing to paint in public spaces, Faber is now preparing for his first solo exhibit in Lima. Below are examples of his work on the streets:
In a few hours, Roa’s first solo show in Australia opens in Perth. The show, Paradox, is being put on by Skalitzers (a Berlin-based gallery) and FORM and will take place at FORM’s space at
357 Murray Street in Perth. Opening at 6pm today, Paradox will then run from 22 October through 13 January, 2012.
Word to Mother’s show Essence of Adolescence opened last week at Stolenspace in London. S.Butterfly and Paul Nine-O took some photos. Here are some of my favorites, and they each largersets on flickr.