I would like to comment on this by way of two photographs of murals that seem to me to be obviously by the same artist. One of these appears in the Fifth Wall TV video at around 5:00 in. Here is the first photo, posted by my friend Franke four days ago while visiting the Aida Palestinian refugee community. She is a professor of Political Science at Montana State University, the former chair of the Montana Human Rights Commission and a former Democratic party State Representative. She is in Israel/Palestine now where she “came to study nonviolent resistance/peace movements that work with both sides.”
The second photo is simply identified online as being a shot of a mural in the “West Bank” but it is so similar that I can’t imagine it isn’t by the same artist that created the art in Franke’s photo. Can anyone identify the artist? More to the point, why is that information seemingly less important than identifying Blu’s work?
While the video questions whether “another video ” or “another artist coming and making a big statement” is what people want, there is image after image that is anonymous (at least to me). My question is why? I went to Shankill Road in Belfast years ago and saw the Ulster Defence Force & UVF & IRA and Sinn Fein murals. They were all signed and even muralists on different sides of the political divide recognised each others work. Isn’t there a value in trying to understand these works as individual statements as well as ideological symbols? To me it humanises the struggle. So maybe what the people going to Banksy’s Walled Off Hotel might consider doing is taking a closer look at the human stories that surround the art created before Banksy, Blu etc got there or created independently of such collectable and curated artisits, and the “why” and “how” of its creation. I am not encouraging a “turf war”or getting into the questions of authenticity. I am really concerned about how the audience receives the work, not jut the relative status of the artists themselves, and how people form a conceptual gestalt from the representations.
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