Recently, a number of very small pieces have been popping up around London and they are being attributed to Pablo Delgado (if anyone knows who first figured that out or who Pablo is, let us know). Here are some of my favorites:
Photo by unusualimagePhoto by unusualimagePhoto by HowAboutNo!Photo by unusualimage
Wow, last week went by quickly. And Steph moved in with me today, temporarily. Should be a crazy few weeks. Here’s what I’ve been meaning to write about:
Faile’s new print with Paper Monster could have been great, but I think they picked such a weak image to work with. Oh well. I’m sure there will be more and better Faile prints in the future.
I’ve never heard of Anton Steenbock, but I want to see more like this.
Glen E. Friedman has won his lawsuit against Mr. Brainwash for using Friedman’s iconic photograph of Run DMC. I still say I’d rather have seen MBW win this case. Not because I think MBW’s work based on that photo looked good, but because I’d rather see more room for artists to re-appropriate content and less restrictions on copyrighted material. What MBW did to Friedman’s photograph was transformative. The original photo is a great photo and an iconic one. What MBW did was make it look totally silly. And that should be covered by fair use, for the benefit of better artists.
I’d always identified Logan Hicks with meticulously stenciled urban landscapes. I was awed by his pieces that I saw at London’s Cans Festival in 2008 and at Brooklyn’s Willoughby Windows in 2009. It was only earlier today at Opera Gallery in SoHo that I discovered his stunningly-crafted portraits, including of the lovely Monica LoCascio.
Back in April, weposted about my friend Keith Schweitzer’s mural project at Coney Island with No Longer Empty. Well he isn’t done with Coney Island just yet. There have been more additions to this series of walls by OverUnder, Veng, Radical and ND’A. Here’s Radical‘s section. For photos of the rest of the wall, check out Amusing the Zillion.
Generally when a new street art/graffiti book surfaces, I buy it, skim it and put it into my “to read” pile. Not the case with Maximiliano Ruiz’s NUEVO MUNDO: Latin American Street Art (Gestalten, 2011). A survey of Latin American street art has been long overdue, and I find myself savoring it — reading and rereading it. Here’s a brief preview of the book:
By Bastardilla from Nuevo Mundo, Copyright Gestalten, 2011By Onesto from Nuevo Mundo, Copyright Gestalten, 2011By Danata from Nuevo Mundo, Copyright Gestalten 2011Nuevo Mundo, Copyright Gestalten 2011
More about some of the other artists in upcoming posts–
You know what’s weird? Hanging out with all your friends from high school and then actually seeing current high school students from your school. Those kids are so young! While I was freaking out about no longer being a teenager and enjoying the beautiful London weather (I’m serious about this one), here’s what I almost missed this week:
The full Da Mental Vaporz crew (Dran, Bom.K, Sowat, Brusk, Lime, Kan, Iso, Blo and Jaw) put together a show in Toulouse. The crowds look massive and the art looks great. S.Butterfly has all the photos you need here and here.
Sometimes Every time I think about it, I get annoyed by the close relationship of Juxtapoz and Upper Playground (Matt Revelli is editor-in-chief at Juxtapoz and founder/creative director at Upper Playground). Not so much because of any “journalistic integrity issues,” but because Juxtapoz gets lots of great exclusive Upper Playground related content. This time, they have photographs from a trip on freight trains with Swampy, and they’ve interviewed Swampy for the July issue of Juxtapoz. Definitely check those out. Swampy of course has a show opening next week in San Fransisco at Upper Playground’s Fifty24SF.
If you’ve spent time in Williamsburg, you’ve seen that pink cloud and lightening bolt logo around and probably wondered about it. Well, it’s by Abel Macias, and he’s got some really nice Pink Cloud shirts available.
In a scene that seems like it is getting more depraved every day (I guess you could blame Los Angeles for that phenomenon), its nice to see someone putting up some quality work in America, let alone Baltimore. Mataruda has started getting busy in this town and its always a welcome pleasure of having more company in the streets here. To see more work visit matastreeart.blopgspot.com
I’m a fan of Chor Boogie’s artwork– its blazing colors and visual rhythms. Although his style is a bit gimmicky, it works for me. Seeing his work on the streets is always a treat. I stopped by Mallick Williams & Co at 150 11th Avenue in Chelsea to check out its current show Spectrum before it closes tomorrow, as Chor Boogie is one of its featured artists. While still delightful, his artwork’s impact was nowhere as strong as when seen on the streets.
In Philly, 2008, close-upIn Beacon, NY, 2010, close-up@ Mallick Williams & Co, close-up@ Mallick Williams & Co