Faile… I mean Greg Gossel

Okay I really hate these posts, so I avoid them as much as I can, but I just have to write how I feel about Greg Gossel. I’m sure he’s a great guy, but his work is just too much like Faile‘s. Today, Arrested Motion posted an interview with Gossel, and Gossel even addressed this concern of mine, so I must say that’s nice of him.

Here’s what was said:

AM:  While I don’t take chat room bickering and pigeon-holing seriously, you have been referred to as “the poor man’s Faile”, what are your thoughts on this comparison and on artistic influences in general?

GG:  Yeah, to be honest, that’s something that definitely bothered me when I initially heard things like that, but these days I really try not to pay too much attention to a lot of that stuff. Those guys do great work and have been very successful with a really recognizable style. I understand that there are some obvious stylistic similarities between their work and my own, so I see how the comparison is made. I think it’s human nature to make comparisons, whether it be art, music, or anything else. I’m the same way when listening to an album, or checking out a new artist, so I think it just kind of comes with the territory that if you’re creating work and putting yourself out there, you’re always subject to those types of comparisons and criticisms. There are some people out there who spend a bit of time online checking out my work, and would rather label me as some sort of imitation of Faile, rather than take the time to learn much about my past work or how I got to where I am today. But ultimately, I know that my own work will continue to change and evolve over time as it has over the past 5 years, so I really just try to stay focused on continuing in my own direction, and not worry too much about some of the negativity and criticisms that are floating around out there.

So that’s Gossel’s view of the situation. I’m going to assume most readers are familar with Faile’s work. Otherwise, you can look here. Now, Faile’s influences aren’t that hard to spot either, but just have a look at Gossel’s work:

Greg Gossel

Okay, so that piece is pretty influenced by Faile, but his latest work, which can be seen in that Arrested Motion interview, is the sort of thing that could actually be mistaken for early Faile work. I really don’t like the idea that this guy’s work is looking more and more like Faile. Maybe that’s just me though.

Upfest in Bristol

This past weekend, the UK played host to two big street art and graffiti festivals. I’ll do a post on each. First, Bristol’s Upfest. This event is more street art focused. Probably the biggest named involved was Hush. Here are a few of the highlights…

Painting and photo by Blam
Painting and photo by Blam
Work by Hush. Photo by Rusty Sheriff
Work by Hush. Photo by Rusty Sheriff

More after the jump… Continue reading “Upfest in Bristol”

New work from Klone

I’m a sucker for a. animal related street art and b. art made with a black spray can, which is why I like Klone‘s horse.

Klone Horse

Also, Klone’s recently released a screen print, “Dual Identity”, which is a simple and fairly cheap edition of 45 for $50 each direct from Klone.

Klone Print

M-City Goes 11 Stories Tall

M-City was one of the highlights of last year’s Cans Festival free stencil area, so I’m always on the lookout for their lastest work. Although not my favorite piece by M-City, it’s got to be their biggest yet, and as the saying goes, “Go big or go home.”

M-City Huge

Via Sabotaz

Photos from Venice

It is 2am right now in Venice, so I’ll leave the text describing all of this for another day, but here are my photos from the trip. A few of the photos are of work from Shepard Fairey, 2 are of a random stencil I found, a few are of the band Dark Dark Dark performing, and the rest are of The Swimming Cities of Serenissima.