Broken Fingaz, beef and lady parts

(Click here for the original)

A few days ago, an anonymous person painted over two new walls by Broken Fingaz Crew in Hackney Wick, London. Both walls featured curvaceous women engaging in sex with skeletons, which the person buffed black and brandished with the words “Kill all men”. BFC responded to the defacement by altering it to read “Kill yourself” and adding “Why so mad? Give smile pussycat!” Broken Fingaz then shared the incident on their Facebook, sparking a surprising and intense response from their fans that has me questioning Broken Fingaz, their art and the people who enjoy it.

(Click here for the original)

I have been a huge fan of Broken Fingaz for a while now. We’ve covered their work on Vandalog over the last few years and I cite them as a personal inspiration for my own art. Skeletons interacting with the living and sexualized women have been two prominent (although mostly separate) themes in BFC’s body of work. Over the last several months, Tant and Unga of BFC have developed a new, highly sexualized body of work. With their SuperSex series, BFC painted people having sex with various animals and a skeleton (which I covered for Vandalog here). The SuperSex series was predominantly women and animals, however they also included Unga’s fat male character, which led me to believe that the series was coming from a place which was inclusive of both men and women. In their more recent series, the crew has been painting women copulating with skeletons in massive colorful orgies. There’s one fat male figure slipped into one of the pieces in the series, but spotting him is like a game Where’s Waldo. My issue with this more recent work is not that it is sexual (though I could see why people might find it problematic in public spaces), but rather that it portrays only women as sexual and never shows women in a non-erotic manner. It’s a simple matter of equality.

I would be open to the idea that these images were painted in an effort to honor the feminine figure, not to merely objectify it. After all, the women are whole people and the men are depicted as skeletons, arguably neutered objects. Yet within the context of their larger body of work, these latest images emphasize BFC’s unequal portrayal of men and women. When men appear in their work, they are typically clothed in formal attire, or are humorously unattractive on the few occasions they are naked. Women are rarely shown in any other setting than a sexual one. Their fans and this anonymous protestor are not interpreting this as honoring women, and BFC’s comeback to the protestor doesn’t support that idea either with dehumanizing jibe “Give smile pussycat!”



I’m not saying it’s wrong to show women in a sexual setting, but to only ever show them in such a way reduces their role to merely erotic creatures. One very easy solution to this: paint women in formal, non-sexual settings every once in awhile. Might not be the perfect portrait of equality, but it’s one way to show that they hold men and women with equal respect.

Defacing two walls and writing “Kill all men” over BFC’s work is not a route I would promote, but the dialogue it provoked is important. Much like the commenters on BFC’s Facebook, my knee-jerk reaction was to write this act off as an overly-aggressive reaction from a radical feminist. In all likelihood, “Kill all men” is a derivative of the Twitter hashtag that was turning heads last month, which feminists were using as a space to vent their experiences with misogyny. Yet in closer consideration of this particular incident, this person isn’t saying anything that BFC didn’t say themselves first. Why should we take offense from the statement “Kill all men” when this was written on top of a BFC mural that literally depicted a group of dead men having sex with women?

To this act of vandalism, BFC’s responded with “Kill yourself!” and “Why so mad? Give smile pussycat!” Even if we give them the benefit of the doubt and say that this response is comedic ribbing and graffiti bravado in response to being capped, their response incited a slew of sexist and objectifying responses on Facebook, with commenters calling the anonymous vandal(s) a “fucking slut”, “stupid hoe”, “fags”, etc.; which is all a bit ridiculous when you consider that these terms being used as insults are in defense of an artwork depicting women in a way that fits stereotypes of whore-ish/slutty behavior. One commenter said, “Must be one of them ‘broken-b**ches’ … Doesn’t shave under the arm-pits, yet goes to pole dancing class every monday and thursday…”. A female commenter said, “I guess they don’t like drawings of girls fitter than them”. This is exactly why portraying women (and only women) in an exclusively sexual manner becomes problematic. These comments were not made by BFC, but some their supporters, yet would these comments have been made if these fans had felt that BFC were strong supporters of women’s rights?

Curious how our readers feel about Broken Fingaz’ response to this protester and their fans’ subsequent response to the back and forth.

Photos by Broken Fingaz Crew

  • Erica

    I really appreciate your post. Not many guys would be willing to share these thoughts, and I agree with everything you said. Kill All Men is extreme, and most feminist don’t feel that way. As a woman, I agree that many of us are tired of seeing women sexualized constantly. If men were equally sexualized, or women were shown in different roles, it wouldn’t be so tiring or discouraging to see this kind of work. But this just makes me bored. Like, here we go again, more naked chicks getting f*cked.
    I wish people would do something original for once.

  • Peggy Mitchell

    I’m glad I found this as i was raging yesterday after reading the comments on the broken fingaz Facebook page, right after a friend of mine posted this:

    As a father of two girls I hope that men will stop being such fucking arseholes in the future but sadly I think it’s actually getting worse

  • The post was written by a woman, but thanks for your thoughts.

  • Margin Walker

    I really appreciate your post too.
    And: i guess many guys are willing to share these thoughts.
    it might be easy to criticise from a distance, not beeing affected by the act of crossing as we might be ourselves, if it was a piece of our work.
    Nonetheless its essential to regularly discuss the topics of men creating works of art, affected by their socialisation vs. the amount of awareness of these artists about their affections and authority and finally the reactions of the environment, ranging from beeing aroused or tired to censorship.
    Sadly, i can see no discussion about it. You have not posted a comment on the mentioned BF-commentary sections nor have u shared this article on your own facebook wall.

  • But Caroline did post a brief comment on Broken Fingaz’ photo (, Broken Fingaz posted a link to this article on their Facebook page (, and (can’t find a link to it at this second) I am 95% sure that not only did I post a link to this post on the Vandalog facebook page, but I think I took out a small ad to get the link shown to more people on Facebook. Plus the post has over 1000 shares on Facebook…

  • Margin Walker

    seems there was no need to talk ´bout it.
    im just surprised how little stir it caused.

  • That’s the world we are in. When it comes to street art and graffiti, people are happier to say “this is cool this is cool this is cool” 100x over than to actually have a critical discussion about what is cool and what is not (and why). We try to spark a bit of a discussion here on Vandalog, but it’s an uphill battle sometimes.