Brazilian artist Kboco brings his street art-infused global vision to Lu Magnus

I discovered Kboco’s work in 2007 at Jonathan LeVine’s groundbreaking exhibit, Ruas de São Paulo: A Survey of Brazilian Street Art from São Paulo.  Since, Kboco has exhibited internationally in galleries. museums and biennials.  (I’m not certain just how much he continues to create on the streets; I certainly hope he does.)  This past month he covered the entire walls of Lu Magnus, a  wonderful art space at 55 Hester Street on Manhattan’s Lower East Side, with a mural installation and paintings. Its multiple layers, intricate details, subtle colors and global graphics fuse to create an alternate reality. Entitled Efeito Esquimó (Eskimo Effect), it continues through October 23.  Here’s a brief glimpse:

photo by Genevieve Dimmitt
Mini Pulpo, mixed media on canvas, photo by Jason Lewis

 

Peat Wollaeger on the job

Eyez on the Job…in these Modern Times! is a video of Peat Wollaeger putting up a stencil. So you’re probably thinking, “Oh great, another pointless time lapse of street art that probably should have just been shared as a quick photo on twitter, but instead I have to wait 2 minutes to see this finished product while the artist tries to look all cool and rebellious when the whole thing is actually sponsored by a major shoe manufacturer.” Luckily, Peat has a sense of humor, and that’s not what this video is like at all. Instead, it’s Peat’s humorous view of what it’s like to be “a professional street artist” today.

Eyez on the Job…in these Modern Times! from Peat Wollaeger on Vimeo.

Photo courtesy of Peat Wollaeger

TT Underground Presents New Works by GHOST

Originally focused on bombing trains back in the late 80’s, GHOST has developed into a first-rate painter. I love his spirited work on exhibit through Sunday at TT Underground (91 Second Ave. in the East Village): its zany characters, brilliant colors and synthesis of styles. Here’s a sampling:

For a historical perspective on the graffiti of GHOST’s era and GHOST’s personal and artistic evolution, Ket’s book GHOST RIS CREW (published by From Here to Fame) is worth a read.

Photos by Lois Stavsky

Brad Downey verus(?) Banksy – “What Lies Beneath”

While some lazier blogs have been misreporting things (as the media notoriously does), here’s what really going on at a gallery in Germany where an artwork by Banksy has been “rediscovered” and uncovered beneath layers of paint. While one might initially suspect that this is a publicity stunt by a gallery (my first thoughts were: the piece could be a fake, or even if it’s real, it’s most likely a ploy by a crass gallery owner to get people in the door, and the wall will quickly be sold like so many Banksy street pieces and the gallery had just been waiting for the right time to do this), it’s not that simple. In fact, the room is installation by Brad Downey, titled What Lies Beneath.

Here’s what is known about the artwork: The Banksy piece seen the above photo is real and was painted in 2003 for the Backjumps Live show, Brad instructed art restorers to uncover the piece which was hidden beneath years of paint, Brad got the rest of the walls painted red, Brad got sections of the other walls in the room removed, Brad lists the materials as “restored/extracted ‘Banksy’ Installation (originally painted in 2003 for the exhibition Backjumps- Volume:1), red paint,” the piece is part of a show curated by Adrian Nabi called Do Not Think! and Adrian Nabi curated the Backjumps show.

That said, Brad Downey is a clever artist. In fact, one of the only street artists that I suspect might be more clever than Brad would have to be Banksy. For that reason, I suspect that there is some mystery yet to be uncovered about this installation. Especially given Brad’s use of the word “extracted” in the description of What Lies Beneath and also the text on Banksy’s piece, “Every picture tells a lie!”, I’m curious to know more about those segments that Brad has removed from the room. I’d say there’s definitely more to this story than meets the eye (maybe Brad has extracted a few Banksy’s to throw up on eBay), but maybe the installation is telling a lie. While of course many blogs and newspapers seem to be excited about the new (to them) Banksy, according to one German newspaper, “[Brad’s] work was not primarily about Banksy’s work, but to criticize the art market.”

You can see What Lies Beneath for yourself at the Kuenstlerhaus Bethanien gallery in Berlin through October 29th.

Photos courtesy of Brad Downey

WK Interact’s Project Brave mural

The other day, I mentioned that WK Interact was collaborating with New York firefighters on a mural in Brooklyn. The Project Brave mural has been installed at 149 Kent Ave and North 5th St in Brooklyn and is scheduled to stay through October 11th. Matthew Kraus made this video of the mural:

WK Interact. Project Brave. 2011. from Matthew Kraus on Vimeo.

Matthew also has an extensive set of photos of the mural on his flickr.

Photo by Matthew Kraus

Poster Boy Show Cancelled / Censored

Hi Vandalog readers, it’s Elisa here (yup, it’s been a while). Just wanted to update you all, in case you hadn’t heard yet, that Poster Boy‘s upcoming show at Trinity College in Hartford, CT, which was set to open on September 15, has been cancelled/censored due to the illegal nature of his street work. I hung out with PB recently and know that he was not only looking forward to this opportunity, but was working very hard for it. I don’t know about you, but I don’t have much respect for censorship in the art world, no matter what the reason is. Not only has there been too much of it recently, it only seems to be getting worse and to put it crudely, makes this whole business, world or whatever you want to call it, look ridiculous.

Galleries, museums, institutions, general public: don’t say you want art if you’re just going to turn around and try to pretend it doesn’t exist, simply because you have an issue with it. Nobody can possibly like or approve of the work of every artist in the world – I certainly don’t – but that’s no reason to invite one to present what they do and believe in, then whitewash their wall, cancel their show, or attempt to stifle their voice. On the upside, of course, with people like Blu, Poster Boy, Ai Weiwei and the countless other artists who have suffered from this treatment recently or in the past, all it does is strengthen and help to spread their message.

Poster Boy is an interesting case when it comes to institutional censorship as he doesn’t often exhibit his work indoors and when he does, the focus is on spreading his views on the advertising industry, rather than profit off the artwork itself. Here are his thoughts on the situation, via the Hartford Courant:

“The main point of the show was to reach people and to bring awareness to the sort of visual pollution we see advertising to be and the whole hypocrisy behind being able to put advertising up yet street art and graffiti is illegal,” he said. “When the media gets a hold of it the fact that this was censored and cancelled, more people will hear about it, more people will be forced to think about what the work stands for and what Poster Boy stands for. Whether they agree with it or not it will definitely reach a lot more people.”

He said he had been looking forward to the show because “it’s a controlled setting, without someone looking over me or having to look over my shoulder for police officers. … That gives the artist involved a little more time to showcase maybe some flair or go in a little more depth than is usually gone into with subway pieces, which are completely improv with only a razor.”

Anyway, like everything else in life, this is open to interpretation and I’m sure everyone here at Vandalog would be interested in your opinion. Personally, I find it a bit hard to understand why  an artist’s show would be cancelled due to the illegal nature of some of their work. Last time I checked, a lot of graffiti and street artists have had gallery shows. Conservatism like this makes me sick.

– Elisa

Image via Poster Boy’s Flickr

New work by Phlegm

Photo by Hooked

One of my favorite British street artists now, Phlegm, has been around London recently putting up some great pieces. His latest is on the Zetfield House in Shoreditch courtesy of Signal Gallery. More pictures can be seen by Mark over at Hooked who was there to watch the artist paint.

Below are two new pieces Phlegm did on The Foundry in Old Street a few weeks ago. I walked past on one of my street art tours and was more than excited to see these here. I also have a feeling no one is going to mess with them for awhile. They look great next to ROA‘s squirrel, older Invader and Ben Eine x Part2ism collaboration. After so much work buffed on that building, it is nice to see it turning into a go to spot for street artists once again and aren’t just painting in the parking lot behind it.

Photo by Street Art London
Photo by Street Art London

Photos by Hooked and Street Art London