Pipe Dreams marks not only Sheryo and the Yok’s first exhibition together in the United States, but also a departure from what viewers have come to expect from the duo. As of late, the artists have been defined by their use of a red, black, and white palette to portray unique vision of reality. However, don’t be concerned that these changes mean that the work is missing the cartoonish, pop imagery seen in past pieces. The pizza, drugs, and other wild things are still present, just reimagined.
During their travels to through South East Asia, from Sheryo’s native Singapore to Vietnam, the artists began to infuse their work with the surrounding culture. Now, geishas and dragons have become central characters alongside smoking pizzas and skateboards. While visiting Vietnam, the artists took advantage of the opportunity to begin painting pottery, starting with vases and later expanding in the States to plates. Initially, the work appears a light air blue, mimicking the smoke emanating from elongated cigarette holders. After three coats, the plates begin to don the cobalt blue associated with Eastern ceramics.
Beyond these surface appearances, this influence extends to deeper meanings, including numerology. During the studio visit, patterns of 4 (4, 8, 12) began to emerge within the bodies of work, however intentional or not. Sheryo was quick to speak about the auspicious meanings of the numbers 4 and 8 in Chinese, representing wealth and death respectively. Other coded beliefs trace their way through the different media in the exhibition, including the Illuminati. The all-seeing-eye positioned atop a pyramid has become a widely recognized symbol for the alleged secret society. Through these allegorical codes, an air of mysticism is hidden within their playful cartoons. Read the rest of this article »Category: Featured Posts, Gallery/Museum Shows, Studio Visits | Tags: Krause Gallery, sheryo, The Yok