Maya Hayuk, who will show at New Image Art Gallery's booth

The SCOPE art fair’s Miami iteration should, as always, have a few booths of interest to Vandalog readers to year. SCOPE opens on the 29th and runs through December 4th. Make sure to stop by these booths: Mallick Williams for Skullphone and Love Me/Curtis Kulig; Jonathan LeVine Gallery for Olek, WK Interact and Aakash Nihilani; Dorian Grey Gallery for Richard Hambleton (and maybe LAII); and New Image Art Gallery for Maya Hayuk and Retna. Of course, all those galleries will be exhibiting other artists as well, those are just some highlights. And there should be plenty of else of interesting. For the last two years, SCOPE has been where I’ve seen some of the most interesting indoor art in Miami.

Maya Hayuk, who will show at New Image Art Gallery's booth

Photos courtesy of New Image Art Gallery

Interior Mural

As RJ mentioned a while back, the Neck Face/Fuck This Life show opened at New Image Art on September 18th, a few doors down from its old location.

The new space is deep and somewhat narrow, and feels a bit like being in a giant service hallway. Up the right wall, Neck Face’s work progressed from sketches to ink and gouache, while the left wall included the show’s mural, a series of Fuck This Life’s collages, and two large collaborative pieces.

Ranging from playful (a piece featuring wigged and rouged demons) to ultra-grime (a skeleton peppering a grave with feces and a demon vomiting colorful chunks into a toilet), Neck Face’s pieces delivered the skeletons and demons aesthetic that owes much to heavy metal–with plenty of pentagrams to spare, and even a detailed disemboweling piece–but what I particularly liked about Neck Face’s demons was his attention to detail in their tattoos.

The artist seemed to be suggesting that humans can be demons as well (or at least act that way from time to time), and although this isn’t an earth-shaking statement, it did add another layer of a meaning to a series of pieces that read like one-frame cartoons and featured a few dull jokes, like the exchange in “Untitled 7″.

Having only previously seen his lines in aerosol, I was impressed by Neck Face’s purposeful chaos in his sketches, especially in “Untitled 2″. The heavy charcoal mixed with scraggly fissure-lines of pencil skillfully evokes a creeping decay.

For his part, Fuck This Life created a series of rectangular collage works on white backgrounds with layouts reminiscent of Internet image searches. The artist could easily have created these by digital means, but the smaller images were clearly cut from newspapers and glossy magazines, and had a zine-like feel as a result.

The imagery most frequently tackled in each collage revolved around sex and death, with occasional appearances by hip-hop icons (Jay-Z, Chuck D, Little Wayne), celebrities (mostly women), and the odd transformation sequence from film or television (e.g. Bruce Banner becoming The Incredible Hulk or Michael Jackson becoming a zombie from the “Thriller” video). When mixed in this way, it was easy to wonder what kind of search word (or words) could create each grouping.

The two collaborative pieces were the most interesting part of the show. Done on square board, each featured Fuck This Life’s collage work, Neck Face’s character sketches, spray paint, and deliberate burn marks. “Lights Out!!!” was the stronger of the two.

The series of portraits that anchors its lower right corner–and rises up the right edge with Neck Face’s signature, hairy-clawed hand–appeared to be still frames of security camera footage (the lone color image in this grouping appears to show a defenseless man getting punched in the back of the head), mugshots, and police sketches.

This grouping was unsettling enough on its own, but when surrounded by Neck Face’s trademark imagery, it seemed as though both artists were unified in pursuing a visual representation of evil. The combination truly worked. It was haunting stuff and the highlight of the show.

Yet, I couldn’t help thinking that–rather than relating to the artists–this was a better expression of “Amerikas Most Wanted” in the show’s title, and perhaps even a missed opportunity for a stronger overall concept.

Neck Face/Fuck This Life, “2 of Amerikas Most Wanted”, runs through October 14th at New Image Art, 7920 Santa Monica Blvd., West Hollywood, CA 90046.

Neck Face, "Untitled 11"

Neck Face, "I Shit On Your Grave" & "Wrong Lamp Little Nigga"

Neck Face, "You Look Like I Need Another Drink" (detail)

Neck Face, "Untitled 7"

Neck Face, "Untitled 2" (detail)

Fuck This Life, "Untitled 8"

Neck Face x Fuck This Life, "Lights Out!!!"

Neck Face x Fuck This Life, "Lights Out!!!" (detail)

Photos by Ryan Gattis

Neckface

New Image Art has a two-man show opening on September 18th with Neckface and Weirdo Dave/Fuck This Life. 2 of Amerikas Most Wanted sounds like the perfect name for a show including Neckface. Neckface is one of my favorite writers and sticker artists and a great artist indoors as well. He makes things that appeal perfectly to the misbehaving 12-year-old boy inside all of us and disgust our mothers. Also, he was just on the cover of Juxtapoz. Fuck This Life is a zine that I frankly don’t know much about, but now I’m curious. Vice did an interview with Dave about it a couple of years ago, which is worth checking out.

Photo by Lord Jim

Last week I had the chance to check out Judith Supine’s solo show at New Image Art. While it probably doesn’t quite live up to the hype, Ladybody is definitely worth checking out. Supine’s head is a mysterious cacophony of strangeness, and the installation mostly left me confused, but I’m not sure if that’s my fault or Supine’s. Either way, it was interesting to see his art in the environment that he seems to prefer showing it. One part of the installation which is an exception and a highlight is this sculpture:

Smoke creeps out of the baby’s open mouth, and when you look inside, this is what you see:

Photos can’t really do justice to the creepiness of this piece and it is worth checking out Ladybody for this sculpture alone.

And then there were the more traditional pieces:

Whoever has the balls to hang the image of a doughnut dripping syrup onto a waffle in their home has my respect. It’s one of my favorite images from Supine in a while, but it’s definitely one of his most difficult to hang.

Oh and be sure to check out some photos of the crazy opening.

Photos by Sonja Teri

Judith Supine is one of my all-time favorite street artists, both for his indoor and outdoor work, which is why I am overjoyed to write this post. Supine has a solo show opening next week at New Image Art in LA. I’ve never been to a Supine solo show before, but by all accounts they have been something very unique. I expect this to be the case once again. Ladyboy opens on April 13th and runs for a month. While most people will say that the highlight of art in April will be MOCA’s street art show, I think Ladyboy may turn out to be almost equally unmissable.

Last time I was in NYC, I had the chance to speak with Supine, and he’s definitely got a few things up his sleeve for this event… One thing I saw when I met with him was an unfinished work that had me simultaneously laughing my ass off and absolutely disgusted, but in a good way. Arrested Motion has a preview of Ladyboy which I highly suggest checking out in full, but I’ve taken one image from their post because it is the completed version of the image that I found so interesting. It’s called “Cream Pie in the Sky”…

Photo coutesy of Arrested Motion

Photo courtesy of Arrested Motion

David Ellis has a solo show, Mona Salsa, opening this Saturday night at New Image Art in LA. There are 15 new works, many of which look like a completely new direction from Ellis’ many-year-long artworks based on sound and painting sound. Should be an interesting show for sure. Check out more of the new work over at The Citrus Report.

Photo courtesy of New Image Art

Escif. Photo by Escif

Escif painted that mural outside of Graffiti Gone Global’s Fresh Produce show in Miami last week. While Basel Miami and the associated events aren’t all about money, it’s certainly on everyone’s minds. That doesn’t mean that the shows were bad though. There was actually a lot of great art on display for those who took the time to look. Here are some of the indoor highlights (unfortunately, I didn’t have a camera with me besides my cameraphone, so I have to link to other peoples’ coverage of everything):

• Amazingly, Sanrio’s Hello Kitty show was, by all accounts, actually pretty good. I stuck to my vow of not checking out the show myself (okay, actually, once I changed my mind and wanted to see it, the show was close both times I tried to stop by). Of course it looks like there was some crap and boring pandering to the brand, but there seem to be a few decent paintings in there too. Also, it was super crowded every time I walked by, so hopefully those visitors who were there for Sanrio’s show also saw some of the other great shows nearby.
• Hi-Fructose and Arrested Motion have some good photo-summaries of the main fair, Basel Miami.
• Retna‘s solo show, Silver Lining, at Primary Projects was his first show since being on the cover of Juxtapoz. After landing in Miami last Thursday evening, I went to straight from the airport to Primary Projects to catch the end of this opening. There was a little bit of something for everyone: installations, canvas, monotype prints, work on old doors and more. Oddly enough, it was the more refined work that didn’t appeal to me. For me, the canvases seemed to be lacking that spark that makes Retna’s work so amazing. Everything else was a real treat though. The watercolors and monotypes in particular were beautiful. This show is still running, so any Miami residents who haven’t seen it yet really should stop by. For the rest of the world Arrested Motion took photos.
• Jonathan LeVine Gallery put on a solid group show. The standout piece was a new artwork by Judith Supine. Unfortunately, Hi-Fructose’s picture of the standout piece is blurry (the super-glossy varnish must have confused the camera) and the gallery’s photo doesn’t show the glossiness of the piece. HF have photos of the rest of the show though.
• While it was technically mostly a mural project, I’m throwing Wynwood Walls into this post because the vibe was like a gallery show. Hrag and I are pretty much in agreement on this one. Although I’d give Logan Hicks’ mural more credit than Hrag.

Lastly, I want to mention New Image Art‘s pop-up show. There was some new artwork by Judith Supine, Os Gêmeos, Bast and others, as well as a bunch of photos by Neckface and his friends, which are 100x more interesting than I had expected them to be. Here are a few photos from that show:

Os Gêmeos

Bast

Judith Supine

This is probably most, if not all, if the coverage I’ll be giving to indoor things at Basel Miami, but I’ll be posting a lot more about the murals and other outdoor events in the coming days.

Photos by Escif and courtesy of New Image Art

The Lost Ones is a group show opening this week at Fifty24MX, Upper Playground’s Mexico City gallery. The show is being curated by New Image Art Gallery‘s Marsea Goldberg and features some great street artists like Retna, Shepard Fairey, Judith Supine and Neck Face.  The Lost Ones opens on Friday. I wonder of Arrested Motion will have photographers there, because I certainly don’t know anybody who will be there taking photos and I’d like to see this once it’s open.

The Creative Lives‘ latest video profile is of New Image Art Gallery‘s Marsea Goldberg. Marsea is a low-brow and street art legend for the work she’s done at New Image. She’s worked with countless amazing artists and brought them into the limelight. Good stuff.

New Image Art Gallery Feature from The Creative Lives on Vimeo.

A very exciting show opens at New Image Art in LA next week. “American Realities” opens March 28th and is a group show with Clare Rojas, Andrew Jeffrey Wright, and Lydia Fong.

From New Image Art’s blog:

Opening reception Saturday, March 28,
7 to 10pm
Musical performance by Peggy Honeywell and comedic act by Andrew Jeffrey Wright

Clare Rojas, Barn with ghost

Clare Rojas:
San Francisco painter, singer, and filmmaker Clare E.Rojas is not a folk artist. In Clare Rojas’ works, women, men, nature and animals are strong and weak caring and connected to one another in their struggle to find harmony and balance. She celebrates women for their traditional and most basic differences and strengths. While the characters are often imbued with feelings of loss and nostalgia, one gets the sense that they will not back down. They will ultimately beat their predators at their own game.

Rojas’s appropriation of folk imagery addresses contemporary female social concerns “The feeling of loss in my work, is my feeling of loss of hope. The struggle to find the good and the beautiful and represent it is my challenge. Understanding the ugliness that finds its way into our culture is crucial.” Rojas’s beautiful uses of allegory and of an imagined cultural landscape in her paintings act to subvert our current accepted perceptions of women. It allows the spectator an engagement with an alternate evocative world that is both funny and sad and that points to the complexities of being a resilient female in the twenty-first century. Rojas often depicts women alone, standing amid a flattened forest landscape, but this is not to suggest that they are lonely. No, Rojas’s women exist in their own reality, feeling peaceful, protected, and quiet.

Selected exhibitions include a group exhibition with the Luggage Store, San Francisco in 2003 for which she won a Louis Comfort Tiffany award. In 2004 Rojas had a solo show at the San Francisco Art Institute and at the Belkin Satellite Gallery in Vancouver. Her work was included in the travelling exhibition, Beautiful Losers. She has exhibited at the CCA Wattis Institute for Contemporary Arts, and was most recently a featured artist at the Prospect.1 New Orleans Biennial.

*Partial Text Credit to : Dietch Projects, and Katie Geha Curator of Modern and Contemporary Art.

AJW, triangles

Andrew Jeffrey Wright:
Andrew Jeffrey Wright is a current and founding member of Philadelphia’s Space 1026 art commune. He has a BFA in Animation. The collaborative animation “the manipulators”, which he made with Clare E. Rojas, has won the top prize for animation at the New York Underground Film Festival and the New York Comedy Film Festival. Wright’s highly limited edition handmade books have gained an international following. His works include painting, animation, drawing, collage, photography, sculpture, video, installation, screen printing and performance. He has shown at Lizabeth Oliveria(LA), New Image Art(LA), Spector(Philadelphia), The Luggage Store(San Francisco), Lump(Raliegh), The Pennsylvania Academy of Fine Arts(Philadelphia), ICA(Philadelphia), Giant Robot NY(NYC) The Corcoran(DC) and Foundation Cartier(Paris). He has shown with Barry McGee, Paper Rad, Leif Goldberg, Clare E. Rojas, Marcel Dzama and Michael Dumontier.

Lydia Fong
Lydia Fong is a multi-disciplinary artist
from Shanghai.