Forged artworks, silly exhibitions, and the Banksy market

Banksy

Melbourne’s controversial Banksy exhibition, curated by Steve Lazarides and unaffiliated with the artist, has been the target of much criticism since it opened last month. The exhibition has a ticket price of $30, was organized without the artist’s permission, includes a gift shop full of un-authorized Banksy merch, and just generally smells of slick businessmen trying to make a quick buck off of Banksy’s name. But don’t take my word for it… just ask the artist who was commissioned to paint a mural outside of the show, or Australian street art critic Alison Young who noted that, at best, the show takes great work and installs and displays it poorly.

Then again, who wants to read, when you can watch a video that explains it all? CDH‘s latest installation, FAKESY, sums up everything that’s wrong with The Art of Banksy (the exhibition I mean, not Banksy’s art) and the art market in general. For the performance, CDH set up a stall selling fake Banksy art outside of the Melbourne exhibition. Watch what happens next…

Did you catch that? The part where CDH is told that he can’t be selling his Banksy forgeries because it’s not good for business at the Banksy exhibition… At least the exhibition organizers seem to be admitting that their gift shop is also full of forgeries. That’s progress, sort of.

Bless you, CDH, for perfectly capturing this ridiculousness.

Photo by Duncan Hull

Weekend link-o-rama

Lady Liberty at Pedro Reyes' Doomocracy
Lady Liberty at Pedro Reyes’ Doomocracy

Between two projects launching at Creative Time and preparations underway for two major personal projects (more on one of those in just a moment), Vandalog has been pretty quiet lately. Taking a step back has allowed me to get excited about all the good things happening in street art, graffiti, and public art over the last month or two, and there’s lots more goodness still to come in through the fall. So here’s a bit of a round up of what I’ve been working on, the great things some friends of Vandalog are doing, and all the interesting stuff that people who I were were my friends are doing.

Photo by RJ Rushmore

Sunday link-o-rama

Jaz, drawing entirely with charcoal.
Jaz, drawing entirely with charcoal in Buenos Aires.

Had a quick holiday in New York City combined with a nasty cold to delay posting this link-o-rama, but I’m back so here we go…

  • Dave aka nolionsinengland has been a friend and also one of my favorite street art/graffiti photographers for many years now. I’m very excited to see that he’s now offering street art tours of London in addition to his street art photography workshops. There aren’t too many people who can take me on a graffiti or street art tour of London, but Dave has shown me around before and he still schools me every time we meet up. This guy knows his stuff, and regular reads of this site have seen his photos on here for years. I haven’t taken this tour of course, but from every experience I’ve had with Dave over the past 5 or so years, I cannot recommend him highly enough.
  • Another longtime friend whose work I’ve admired is Know Hope, so I’m overjoyed to see him getting some serious recognition in the UK with a solo show coming up at Lazarides Gallery’s Rathbone Place location. Like Os Gemeos, Know Hope make work that grabs me and sucks me in to his world, and that’s a rare and beautiful experience. The show opens August 2nd.
  • Banksy’s No Ball Games street piece in London has been removed from the wall and is due to be sold next year. The profits from the sale will be going to charity, but I’m curious if that means the profits for person who owns the wall, or if the group organizing the removal and sale are also forgoing any profits. The company that removed this wall is the same one that managed the sale of Banksy’s Slave Labour street piece earlier this year.
  • Very nice NSA-theme ad takeover.
  • Gold Peg and Malarky are showing together in Stoke on Trent in the UK on August 3rd. It’s not often that Gold Peg shows her work indoors, so this is a really special treat.
  • Faile are on the cover of the latest issue of Very Nearly Almost, so there will be launch events in both NYC and London. The NYC launch is July 31st at Reed Projects and the London launch will be 8th August at Lazarides.
  • This year’s Living Walls conference/festival line up has been announced. The festival (my personal favorite in the USA) will be August 14th-18th in Atlanta. Caroline and I will be there, as well Steve and Jaime of Brooklyn Street Art. I highly encourage you to make the trip out if at all possible. Artist painting this year include Jaz, Inti, Know Hope, Freddy Sam, Trek Matthews and many more. More info about the conference (including all the things planned besides the murals) here. Also, you can donate to the conference here.
  • Remi/Rough recently put together a book of sketches that you can read online. Most artists who have met me know that I’m always carrying around a blackbook, and that I love to collect sketches, so this project of Remi’s was a real joy for me. It’s really fascinating to see what’s going on behind the scenes with this work.
  • Caroline and I went to this show in Brooklyn on Saturday night. I was really impressed with EKG’s drawings. A few of them definitely reminded me of Rammellzee. Col’s screenprints on wood were also interesting as a change of pace for someone who I’ve always known as a master with spray can.
  • Have I missed something? These new Titifreak works for his upcoming show at Black Book Gallery look very different from the Titifreak I remember. Still great though. I hope I get a chance to see this show while I’m in Denver next month.
  • Surreal awesomeness from Dome.

Photo by Jaz

Todd James at Lazarides

World Domination

Todd James‘ latest solo show opens this week at Lazarides Rathbone Place in London. The show, World Domination, will of course have some new works on canvas and paper, but the really exciting bit is that it will include a recreation of The Vandal’s Bedroom, part of James’ contribution to Street at Art in the Streets at the LA MOCA in 2011 (Street was a collaboration between James, Stephen Powers, and Barry McGee).

World Domination runs March 6th through April 11th.

Photo courtesy of Lazarides Gallery

Weekend link-o-rama

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As I tweeted the other day, my mind is kinda stuck on how much I wish the Parra show at Jonathan Levine Gallery opened today and not on Saturday so that I could go see it. So while I’ve been distracted by that point, here’s some of what I almost missed this week:

  • KATSU’s April Fools prank is a bit early, but still pretty funny.
  • The Outsiders / Lazarides has some really nice prints by Ron English. They are variations on his Figment image, aka Andy Warhol wig and a skull.
  • Barry McGee, Chris Johanson and Laurie Reid are showing together at City College and SF starting today.
  • Here’s a new piece from the always-interesting 0331c, but if you don’t know 0331c’s work, here’s an introduction.
  • Nice video of Eine updating one of his walls in London from saying PRO PRO PRO to PROTAGONIST. Interesting comment about street art being a thing that “looked like it would offer what graffiti promised but didn’t deliver.”
  • Nychos x Jeff Soto = Yes!
  • New work from Isaac Cordal.
  • Woah. Nice work from How and Nosm in San Fransisco.
  • Jonathan Jones is up to his old tricks of dissing Banksy to get more hits for his column, and I’m biting. He writes, “Banksy, as an artist, stops existing when there is no news about him.” Even if that is the case, is that the end of the world? Does that relegate Banksy to “art-lite”? No. Banksy is one of the most talked-about artists in the world. I would bet that the same criticism was leveled against Warhol, who I believe Jones likes. Banksy’s manipulation of the media, playing it like a damn violin sometimes, is some of his greatest artwork of all. He manipulates the media to spread a message. The best example of this was probably him going to Bethlehem to paint on the separation wall because he knew that the media would cover it. He was able to play the media to draw attention to an issue that he felt strongly about. Banksy’s paintings are sometimes great and sometimes not. But his ability to make people fascinated with him and his paintings is just as much of an art, and that shouldn’t discredit him.

Photo by Luna Park

Weekend link-o-rama

Ankles
Ankles

Back to school on Tuesday. Actually, I’m okay with that. And of course, it means more time blogging because it means more time procrastinating. Here’s some of what we missed this week while Caroline and I were on vacation:

Photo by Ankles

Nina Pandolfo show at The Outsiders in Newcastle

I Know One Incredible Secret

On January 18th, Lazarides is re-opening Nina Pandolfo‘s show from last year “Feelings”. Same work in their newly “refurbished” gallery, The Outsiders, in Newcastle. That’s weird. This is nothing against Nina, but if Laz is holding an exhibition which is obviously to show off their renovated space, why not put in new work? This relaunch of the show months after it was taken down points out that the initial show must have failed to sell well, which does not seem to be in Nina’s best interest to point out. Anyway, if you didn’t see it last spring, here’s your second chance to check out Nina’s show.

Feelings

Feelings

Photos courtesy of Lazarides

Weekend link-o-rama

Hyuro

Happy reminder that we’re less than a month from Christmas…

Photo by Hyuro

Two show in the UK from Anthony Lister and lots of walls

Anthony Lister has a show opening this week with Lazarides / The Outsiders spanning both of The Outsiders’ locations (London and Newcastle). While in the UK for the show, titled Unslung Heroes, he’s stayed busy by painting a bunch of walls. They can all be seen, along with a few older Lister pieces, on Ian Cox’s fickr. Unslung Heroes opens on Thursday in both London and Newcastle.

Photo by AdversMedia