The Grey Revolt: Blu and friends return Bologna’s walls to the public, with buff

Blu's work being buffed in Bologna, Italy
Blu’s work being buffed in Bologna, Italy

Fuck the buff! Fuck the theft, love the buff!

Because Bologna’s wealthiest citizens and the powers-that-be cannot be trusted with street art, Blu and a crew of volunteers are in the process of buffing all of his murals in Bologna, Italy. Next week, a detestable exhibition opens in Bologna that will include chopped up murals by Blu and other street artists. The artists did not consent to the removal of their work, and, at least in Blu’s case, they are not happy about having it mangled and exhibited out of context. It also doesn’t help that the exhibition is backed by a large bank and shady Bologna power-brokers. In response, Blu has organized a mass buffing to remove all of his work, 20 years worth, from Bologna’s streets.

Blu has buffed his own work before, when property developers in Berlin were using his mural to sell condos. That was one mural. This time, it’s every one of his murals in an entire city. And it makes sense. Blu’s murals art anti-state, anti-bank, environmentalist, anti-capitalist, pro-activist… certainly not made to make bankers and career politicians look good. To remove these murals and exhibit them in this exhibition is to completely upend their meaning and importance. It’s a disgrace.

The must-read full story of what’s happening in Bologna, as well as the political context of the mural and the exhibition, including the can be found here. A few choice quotes from that article:

This exhibition will embellish and legitimise the hoarding of art taken off the street, which is only going to please unscrupled collectors and merchants.

This “street art” exhibition is representative of a model of urban space that we must fight, a model based on private accumulation which commodifies life and creativity for the profits of the usual few people.

After having denounced and criminalised graffiti as vandalism, after having oppressed the youth culture that created them, after having evacuated the places which functioned as laboratories for those artists, now Bologna’s powers-that-be pose as the saviours of street art.

The people who take this action don’t accept that yet another shared asset is appropriated, they don’t want yet another enclosure and a ticket to buy.

On his blog, Blu has written a brief statement about the buffing: “In Bologna, there is no more Blu, and there will be no more while the tycoons speculate [on street art]. For acknowledgments or complaints, you know who to contact.”

Online, the international street art community has largely been echoing Blu’s statement and supporting the mass buffing:

  • Andreco, who helped buff Blu’s murals, said, “Deciding which wall to paint or not paint has always been one of our free choice. This operation, to uncork the walls and move them elsewhere, oversteps this freedom.”
  • Living Walls’ Mónica Campana said, “It’s been a fun ride y’all, but this is over.”
  • Nuart’s Martyn Reed said, “Go Blu,” and called the action “one of Street’s Art’s most audacious and important moves in recent times.”

Blu’s mass-buffing is unfortunate, but admirable and necessary. The murals will be missed, but his action helps ensure that Bologna’s public spaces are for the people of Bologna, not the profit of Bologna’s elite. Bologna’s curators and elites deserve only grey walls. Bologna’s people deserve this massive reset button, which returns public space to the public and creates an opportunity for the next generation counter-cultural content.

As fans, the only respectable action is to support Blu and the people of Bologna by boycotting the Museo della Storia di Bologna’s “street art exhibition.”

Photo by Andreco

In Paris, Andreco illustrates the science of climate change

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Detail of CLIMATE01 by Andreco

Andreco completed a beautiful mural in Paris in the run up to the COP21 conference on climate change, which starts next week. Painted on a wall outside of the Richomme Primary School, the mural depicts the water cycle and the carbon cycle. Andreco has definitely given a major upgrade to the whiteboard doodles that high school Environmental Science teacher used to draw. He calls the piece CLIMATE01.

Continue reading “In Paris, Andreco illustrates the science of climate change”

The two sides of Nuart

Maismenos
Maismenos

This year was my third time visiting the Nuart Festival. I went first in 2009 as a tourist, returned in 2012 to participate in Nuart Plus (the conference portion of the festival) participant, and finally this year participated in and helped a bit to plan Nuart Plus. I have a lot of love for Nuart. For me, the three models of muralism festivals that I look to most often are Nuart, FAME and Living Walls. But, out of the three, Nuart has always confused me the most.

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John Fekner

FAME is (or was, since it’s no longer active) perhaps the only no-holds-barred street art festival. It can be difficult to tell what’s been painted legally and what’s been painted illegally, and festival organizer Angelo Milano doesn’t hide his face. In the small town of Grottaglie, Italy, it would be easy for anyone to track down Milano and confront him about painting on their home. Still, Milano never seemed to care. He just wanted to invite amazing artists to town to paint walls and maybe make a print or two at his studio. Grottaglie now has one of the finest collections of murals, graffiti and street art in the world.

Living Walls is one of the most professional DIY outfits I’ve ever encountered. They are the model of a well-run muralism conference with next to no budget, sometimes stumbling but always trying to do something great for Atlanta. Living Walls has the uncanny ability to launch or at least predict the impending launch of a muralist’s career. They produce some blockbuster murals, but usually not from the artists you would expect.

Martin Whatson at Stavanger's Scandic Hotel. His art also decorates the inside of the hotel.
Martin Whatson (with BON and Alex Face) at Stavanger’s Scandic Hotel. Whatson’s art also decorates the inside of the hotel.

Nuart is a brilliant schizophrenic beast, oscillating between Martyn Reed’s seemingly dueling interests of creating a spectacle of corporate art and disrupting The Spectacle. That was more true than ever this year, with an artist line up including Martin Whatson, SpY, Tilt, Fra.Biancoshock and others. What I mean is, there are artists who were invited to paint murals that function as billboards for print releases and decor for posh hotels, and artists who are invited to install “interventions” (Nuart’s euphemism for illegal street art). Even Nuart Plus was split (and this is an idea I agreed to when we were planning the conference so if this is a problem, I’m as much at fault as anyone) into one day about “activism” and one day about “muralism.”

Maismenos
Maismenos’ intervention for an existing public sculpture

Sometimes, this schizophrenia results in beautiful things that few other festivals would be able to facilitate. Maismenos‘ mural, indoor work and outdoor interventions this year are a great example. Reed isn’t afraid to let artists get political, with their topic of choice typically being oil, since Nuart takes place in the oil city of Stavanger, Norway. And maybe he’s only able to get away with that because he also brings in artists like Tilt and Etam Cru.

Continue reading “The two sides of Nuart”

A mural that reduces air pollution

This new mural by Andreco is more than just a nice painting of a tree in Bologna, it actually helps the environment by reducing air pollution. Andreco used a special kind of photochemical paint that reduces the amount of nitrogen monoxide in the air. Andreco’s mural is part of the Frontier project, curated by Claudio
Musso e Fabiola Naldi and coordinated by the City of Bologna.

Click to view large

Photos by Andreco