Real talk with LNYLNYLNY

April 19th, 2012 | By | No Comments »

Have you ever seen a street piece that, for whatever reason, made you really wonder “What kind of person does this?” Not everything I walk by captures me like that, but on rare occasions, something will be so provocative, unusual, outstanding, or even awkward, that I’m lured deeper than just what I’m looking at, toward piecing together the person behind it and what they’re all about. It’s pretty rare that I actually get to ask.

LNY is one of these artists where the back-story is as enticing as the art. While I cannot promise that this interview makes him any less of a curiosity, I can say that this is one guy worth checking out.

1. Describe one of your first experiences with street art.

I fondly remember getting buffed for the first time because It made the whole experience of working in public space come to life. Having someone buff your work is like a pat in the back begging you to keep going, like “try again man, try again”… that buff is still running to this day in Weehawken, New Jersey.

2. One reason you do it.

Easy; because I believe art is a powerful vehicle for change and a practice that can positively impact the world, myself, and those I work with. There is nothing else I would rather do with my life than this, there were never other options just random distractions. In the end I don’t really define what I do as street art or inside art or what not because the work sometimes doesn’t fit those categories so I don’t bother, and defining something does more to constrict than expand. Anyway, I’m just doing me.

3. Current muse.

Coffee. Read the rest of this article »

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Kickstart the Shepard Fairey biopic – OBEY THE GIANT

April 19th, 2012 | By | 6 Comments »

Remember that film about Shepard Fairey that was on Kickstarter last year for about a day before the project disappeared? It didn’t actually disappear. Actually, a crew went and filmed the damn thing. Now they are back on Kickstarter looking for some funding to finish post-production. The film, OBEY THE GIANT, is directed by Julian Marshall, a 21-year old student at Shepard’s alma mater RISD. OBEY THE GIANT tells the true story of Shepard’s first major billboard takeover. It was an assignment for a class at RISD where he had to illustrate the words from a fortune cookie. His fortune read “TO AFFECT THE QUALITY OF THE DAY IS NO SMALL ACHIEVEMENT.” So he took that and ran with it. I could say more, but the trailer is one of the best things I’ve seen all year and so I don’t want to spoil it anything.

Julian is looking for another $30,000 to finish OBEY THE GIANT. The entire thing has already been shot. It would be a shame if the project never left the editing room. Can you help? As usual with Kickstarter projects, there are some great prizes in it for you if  do. Click here to visit the Kickstarter project page to learn more about the film and pledge your support.

Here’s the trailer along with some words from Julian and the film’s producer:

Looks awesome. Doesn’t it? I cannot wait to see the finished product. Go here if you’d like to support these young filmmakers and help make OBEY THE GIANT a reality.

Photo courtesy of OBEY THE GIANT

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Completed G40 murals in Richmond, Virginia – Part 1

April 17th, 2012 | By | No Comments »

Pixel Pancho. Photo by Bill Dickinson

Art Whino‘s G40 Art Summit resulted in almost two dozen new murals for Richmond, Virginia this month. Congrats to Art Whino. It looks like they have put together a really amazing festival and transformed at least a part of the city. Starting with this post and continuing for one or two more, I’ll be trying to show all of these new murals. First up, we have work by Pixel Pancho, Roa, Gaia, Aryz, Jaz, Lelo and Scribe.

Aryz. Photo by Marc Schmidt

See more after the jump… Read the rest of this article »

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Everything Ever & Nothing Never at Needles & Pens

April 6th, 2012 | By | 1 Comment »

Read More Books

This weekend Needles & Pens in San Fransisco has what looks to be a particularly cool group show opening. Everything Ever & Nothing Never, curated by Austin McManus, includes work by Read More Books, Deuce 7 and many others. The show opens this Saturday from 7-9pm and runs through May 27th. Seeing work made for indoors by either Read More Books or Deuce 7 isn’t too common, so seeing the art of these two very talented artists together in the same show is a rare opportunity. Don’t miss this one. Check out our exclusive preview of Everything Ever & Nothing Never after the jump…

Read the rest of this article »

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HowNosm’s “Reflections” installation

March 31st, 2012 | By | No Comments »

HowNosm have just finished an installation, called “Reflections,” at the Andrew Freedman House. What is that building? Until the mid-1980′s, it was a poorhouse for the formally rich. Basically, the functioned as a place where those who used to be rich and had fallen on hard times could live with the comforts that they had grown accustomed to (like servants). Definitely strange, but that idea was put into practice for decades at this mansion in the Bronx. Now it is about to be used for a show of 20-some artists organized by No Longer Empty and curated by Keith Schweitzer. This Side of Paradise looks to be a fascinating show with a great space and great artists including Daze, Crash, Cheryl Pope and others. The show opens next week.

After the jump, check out more photos of HowNosm’s installation as well as a video of “Reflections” coming together. If anyone out there was worried that HowNosm might be one-trick ponies with their quite distinctive style, I think this should convince them otherwise… Read the rest of this article »

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So much love for Espir

March 27th, 2012 | By | 2 Comments »

Somehow I’ve only just come across Espir QFK, an awesomely fun and exciting artist out of California doing work which is a sort of back-to-the-basics street art/graffiti combo along the lines of guys like Swampy, Neckface, ORFN, You Go Girl and Ludvig. I’ll be the first to admit that I don’t know much about graff, but I know what I like: Espir. Here’s an interview with him. Check out a bunch more of Espir’s work after the jump… Read the rest of this article »

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[Spoiler alert] Film Review: How to Sell a Banksy

March 26th, 2012 | By | No Comments »

What an authenticated Banksy looks like, but not what it costs

Okay, so you’ve seen Exit Through the Gift Shop, right? You probably laughed at those IDIOTS paying boatloads for Mr. Brainwash pieces, the ridiculousness of MBW’s operation, and the complete sheep that art-lovers can be. Because YOU ARE SMART. You don’t like MBW. And you’d never fall for something like that. Exit was safe, and that made it entertaining.

But the real world is not safe, and as it turns out, you probably aren’t safe either. How to Sell a Banksy is the unofficial Banksy movie. The film tells the relatively honest (as far as I can tell) story of Christopher Thompson’s efforts to try to sell one of Banksy’s street pieces that he ripped down off a wall in London back in 2007. The piece at the center of the film are some very poorly salvaged scraps of paper that were once a poster of Banksy’s smiling cop in Shoreditch. Thompson starts out with a pretty limited knowledge of both Banksy and the art world, but since he hope to sell his scraps of paper for tens of thousands of pounds, he sets out to learn. Read the rest of this article »

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New in The Vandalog Shop – Special edition Underbelly Project book

March 21st, 2012 | By | No Comments »

Rizzoli recently published the official book documenting The Underbelly Project, We Own the Night: The Art of The Underbelly Project. If you haven’t heard of The Underbelly Project, check out my firsthand account. Basically, over 100 artists were taken down to an abandoned subway station beneath New York City to put up artwork and explore hidden depths of the city. Artists involved in the project include Revok, Roa, Anthony Lister, Faile, Ron English, Dan Witz, Gaia, Know Hope, Haze and many others.

In December, a collector’s edition of the book was sold at The Underbelly Project’s show in Miami. Until now, that show was the only place to pick up a copy of this special edition of We Own the Night. The collector’s edition version includes a hardcover copy of the book, nine photographic prints from the project, and comes in a handcrafted and laser-engraved oak box. This package is an edition of 100, plus 10 APs, and a handful were held back in Miami to be sold later. Now, the remaining collector’s editions are available online for the first time exclusively at The Vandalog Shop.

The Underbelly Project is one of the most fascinating projects to ever happen in the street art or graffiti worlds. While there are photos all over the web showing what the project looked liked, reading We Own the Night is just about the only way to get a sense of what it was actually like to participate in The Underbelly Project. I saw The Underbelly Project in the flesh, but hearing other people’s stories shed new light on it even for me. I’m extremely pleased that The Vandalog Shop will be selling the collector’s edition of We Own the Night, giving people who couldn’t make it to Basel Miami a chance to pick up a copy. My copy of We Own the Night was the best thing I’ve received under a Christmas tree in years, and I hope other people will enjoy the book and the photographs as much as I do.

Here are a just a couple of the photographs included in the set:

Photo by Emile Souris

Kid Zoom. Photo by Ian Cox

Other images include work by Roa, Anthony Lister, Skullphone, Kid Zoom, Revok, Ceaze and Jeff Soto.

Only a few of these collector’s editions are remain, and The Vandalog Shop is the only place you’ll find them online. They are available for $250.

We Own the Night is also available in a regular paperback edition.

Photos by Ian Cox, Emile Souris and The Underbelly Project

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Two reasonable people amicably resolve a potential dispute

March 20th, 2012 | By | 1 Comment »

A scan from Banksy's book "Cut It Out," click image to view large

You know what’s awesome? When things work out nicely and people don’t freak out. Last week, Hurt You Bad ran a post called “Banksy Plagiarism” claiming, as usual, something along the lines that most Banksy fans are idiots and that Banksy himself is a scumbag. And perhaps they are right, but at least this time they took their evidence entirely out of context and neglected to tell the full story.

Hurt You Bad pointed out that Banksy’s well-circulated “Brandalism” quote is largely based on a piece that Sean Tejaratchi wrote in 1999 for Crap Hound, a zine. Version of the “Brandalism” piece appeared in two books by Banksy: Cut It Out and Wall and Piece (which is essentially bits of Banksy’s previous three books mashed together). Both times, it is fair to say that most people reading “Brandalism” would assume that Banksy is the author of the text. There is no attribution in Cut It Out or Wall and Piece directly linking “Brandalism” to the original essay, Crap Hound or Tejaratchi. The only things pointing to Tejaratchi at all are the thank-yous toward the end of Cut It Out and Wall and Piece. In both books, Banksy vaguely credits a number of people for either assisting him the book or for inspiring some of the content and Crap Hound is mentioned in that list. Certainly, Banksy could have done a better job citing Tejaratchi and this has led to people quoting Banksy when they probably should have been quoting Tejaratchi, but I’m not sure that this incident makes Banksy an outright plagiarist (something I’m sure my professors would hate to hear me say).

A scan from Banksy's book "Wall and Piece"

Recently, Tejaratchi noticed that “Brandalism” was attributed to Banksy but based on his own work, so he blogged about it. In the post, he lays out exactly what Banksy borrowed from his text and explains his feelings on the incident. Basically, Tejaratchi’s issue was not that his words had been used, but that his words were essentially attributed to Banksy without any heads up from Banksy. Here’s some of what Tejaratchi wrote:

It’s hard to know how to feel about this. My first thought was, “Hey, Banksy reads Crap Hound!” Then, “What the fuck is going on?” Then, “Am I a real person? Am I actually happening?” And finally, “Am I a beautiful flower angel sent from heaven to inspire Banksy?”

As problems go, it’s a pretty nice one to have. I like Banksy’s art and ideas. I’m flattered he liked my writing and my sentiments, and I’m happy others liked the quote enough to post and forward. I’ve seen forums where people are debating the passage, including rebuttals from ad-agency twats. It’s on wikiquotes and a hundred blogs. My essay never would have had that impact on its own.

The downside is that Banksy’s name is always on it. Seeing my writing credited to someone else makes it a little less magical. Same with knowing that one day (maybe soon, since the issue in question is being reprinted), I’ll get to hear how I ripped off Banksy.

Tejaratchi used the post and a few connections to reach out to Banksy without anger or ill-will, just a desire to get to the bottom of things and set the record straight. Within a few days, Tejaratchi heard from man himself and things have been resolved. The details of the resolution can be found here. Basically, it came down to two guys (Banksy and Tejaratchi) who both made some careless choices and now the truth is out and future reprints of Wall and Piece will have the words attributed correctly. Here’s Tejaratchi’s conclusion of his dealings with Banksy:

I realize “Banksy stole the quote!” is much more dramatic and satisfying than “Banksy made a poor stylistic choice in his book layout, causing confusion years later! He attempted to inform me but had the wrong address!” The man’s not an imbecile. This would have been an absurdly clumsy and doomed attempt at plagiarism. I will also say that in my recent, limited contact with Banksy, he’s gone out of his way to be clear, kind, and genuine, in every way the exact opposite of a twat.

I’m very grateful to everyone who wrote, posted, and tweeted about this. The quote will remain out there with Banksy’s name on it, but the source is now established online (and in future reprints) for anyone who looks deeper. Likewise, no matter what your opinion of Banksy, it’s important and fair to establish that this was not a case of plagiarism. Lack of foresight, yes. Fraud, no.

Basically, Banksy might have screwed up but Hurt You Bad jumped the gun in attacking him. Can Banksy be attacked for using Tejaratchi’s essay? Maybe. But Tejaratchi doesn’t mind. Should you? For once, it seems that a potentially explosive case of copyright violations has ended rationally and reasonably. If only all copyright holders had a more liberal view of things, maybe artists wouldn’t have to resort to doctoring evidence in court when they have done nothing wrong.

Images taken from scans Banksy’s books “Cut It Out” and “Wall and Piece” that I found online somewhere

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Labrona shirts, now only $20

March 18th, 2012 | By | No Comments »

Last month, we relaunched The Vandalog Shop with two new t-shirts by Labrona. Initially they were priced at $30 each. But I screwed up. I’m not a math guy. Turns out, we didn’t really need to sell the shirts for as much as $30. Actually, we can happily sell them for just $20. Whenever possible, we will try to price items in the The Vandalog Shop at something reasonable and affordable. We said that last month. So why would we sell shirts for $30 that we could afford to sell for $20? We’re not trying to be greedy, so we’re not going to do that anymore. From today on, Labrona’s shirts will be available at The Vandalog Shop for just $20. And if you purchased one over the last few weeks for $30, you’ll find a $10 refund in your PayPal account.

Photos by Dan Schaub

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