Specter‘s show at Pure Evil Gallery opened a few days ago, and one thing’s for sure: the judges on Work of Art would hate Specter’s new work (sorry Jerry Saltz, but you don’t need to include somebody’s face in a portrait for it to be a portrait), but that may just be proof of how good it is. Almost all the paintings are portraits of artists who have influenced Specter, as represented by pieces of fabric and clothing.
While my favorite artworks from Specter are still his sculptures and readymades, these new paintings are definitely interesting. Perhaps most importantly, they show how much Specter is thinking outside the box that so many street artists become trapped in.
And since Specter is in London for this show, he’s also been getting up outside:
Photographer and street artist JR will be in Shanghai in October during the Shanghai Biennial for a project called Wrinkles of the City. I think this marks the first large-scale series of street pieces in this series. The photographs for Wrinkles of the City (some of which it seems have been used elsewhere indoors and outdoors for other projects) are all portraits of elderly people from cities around the world. In trademark JR style, those portraits are then blown up and wheatpasted in the cities where the photos were taken. JR says that in this series, the older generation represent the memory of a changing urban environment. Wrinkles of the City will take place in Shanghai from October 23rd through December 11th, with a gallery exhibition with Galerie Magda Danysz opening on October 26th.
Graffiti Analysis is an extensive ongoing study into the motion of graffiti. Custom software designed for graffiti writers creates visualizations of the often unseen motion involved in the creation of a tag. Motion data is recorded, analyzed and archived in a free and open database, 000000book.com, where writers can share analytical representations of their hand styles. Influential graffiti artist such as SEEN, TWIST, AMAZE, KETONE, JONONE, and KATSU have had their tags motion captured using the Graffiti Analysis software. All tags created in Graffiti Analysis are saved as Graffiti Markup Language (GML) files, a new digital standard used by other popular graffiti applications such as Laser Tagand EyeWriter. Graffiti Analysis 2.0 is an open source project that is available online for free in OSX, Windows and Linux. Graffiti writers are invited to capture and share their own tags, and computer programmers are invited to create new applications and visualizations of the resulting data. The project aims to build the worlds largest archive of graffiti motion, and bring together two seemingly disparate communities that share an interest hacking systems, whether found in code or in the city.
After the two previous highly successful shows featuring David Choe and Eurotrash (Conor Harrington, JR, Antony Micalleff, and VHILS), Lazarides LA announced that the third featured exhibit at their U.S. gallery will be collage artist, Jonathan Yeo. Known for his pornographic collage celebrity icons, Yeo reflects the out-of-the-box creative approach by the Lazarides team. The show begins July 9th, but for those deemed worthy enough to be invited before the public, the private viewing is July 8th.
I do find this choice, however, to be a surprising one. Yeo has rather large shoes to fill following the likes of Choe, Harrington, and JR who displayed some of their best work to date at these shows and in the greater Los Angeles area. Yeo’s work is not as well known as the others (most likely because of his lack of street presence) and is not priced nearly as high. I think this third show should have been a representative culmination of the Lazarides team, such as the internationally recognized Paul Insect. A dream show would have been Invader in LA. Invader has not shown since the early Fall, so I think it is about time to get the ball rolling, especially in the States. Imagine the coveted street art that the U.S. would get to see. That would definitely get us bloggers talking/searching/discussing/etc.
Oh well, now I get to see some boobs and vaginas cut and pasted from a financially failing Playboy magazine arranged to look like golfer/manwhore Tiger Woods. Yeo should have used pictures from the 157 cocktail waitresses/escorts/reality TV stars Woods’ slept with instead. Now, that would be impressive.
What celebrity or famous work do you think Yeo should attempt for this show?
Dan Witz is one of street art’s legends. For more than 30 years, Dan has continued to develop and innovate indoors and outdoors, always staying fresh and above art-world trends. He’s one of the artists that inspired countless others to start painting outside. People, street art obsessed or otherwise, tell stories about discovering Dan’s work by accident.
This month, Dan Witz had a massive book published by Ginko Press. Dan Witz: In Plain View: 30 Years of Artworks Illegal and Otherwise is an overview of Dan’s artwork from the 1970′s all the way through 2009, as well as a very in-depth interview with Dan by Marc and Sara Schiller of Wooster Collective. It’s one of the most satisfying art books that I’ve seen, because you really do learn a lot about the artist and gain a new understanding of the artwork without too much effort. I guess that means it’s a successful book, not just a collection of images.
Recently, Dan was kind enough to answer some questioned that I emailed him:
RJ: You’re one of the original modern street artists. Off the top of my head, it was pretty much just Jean-Michel Basquiat, Jenny Holzer and Richard Hambleton doing significant “street art” before you. How did working outdoors start for you?
DW: I got started as an art student in the late 70’s. First wandering around Providence and RISD, then while I attended Cooper Union in New York City. In the days before the internet, our knowledge of what was out there was pretty meagre but I was definitely aware of people who were making street art before me. Charles Simonds did his little people dwellings on the lower east side in 1971. Gordon Matta Clark did his building interventions from the mid 70’s to the 80’s; and there were dozens of artists whose names I never knew. Band posters were big in the east village and were very creative and were generally considered to be more a medium for self–expression than for branding or advertising. Jenny Holzer was in that mix but Richard Hambleton—whose work I really admire–came a few years after I started. And Jean Michel’s Samo stuff, which also appeared a bit after me, I enjoyed a lot, but it was generally considered to be tagging or graffiti writing, not street art. There was a lot of like minded written stuff around at the time, if not as charming or original.
The first things that cracked my mind open and got me working on the street were mostly not from the traditional art world. First and foremost was the subway graffiti, the bombed train cars, how extreme and powerful and utterly original that was. Photos don’t do it justice. Still some of the most astonishing art I’ve ever seen. Seeing and feeling one of those freshly spray-painted trains come rumbling and squealing into the station was just an awe inspiring experience.
Then there was punk rock, and the downtown NYC band culture I was a part of. In that world, art, especially high art, was not highly regarded—it was pretty much looked upon suspiciously, as most likely some kind of scam. The galleries and art magazines of that time were dominated by conceptual and highly theoretical works: a lot of reading and deciphering of dense coded texts was required to appreciate it. To us it just seemed boring and joyless and smugly exclusionary and totally irrelevant to the reality of our lives struggling to survive. The default setting for young artists back then was total rebellion. Against whatever you had. So it seemed obvious to body slam the pendulum as hard as possible to the opposite extreme. Read the rest of this entry »
Following their live performance at the second Lawnfest Charity event hosted by Camilla Al Fayed and sponsored by Gallery Nosco, French artists Dran and Brusk from the DMV crew left their mark in East London.
Dran and Brusk actively painted a fresh mural day and night over the week end in Great Eastern Street. The collaboration depicts a dragon monster representing a CEO (still wearing his tie on) eating an employee, while Dran’s signature children characters are happily riding and laughing on his back.
Okay, you’re thinking: What’s this about Ralph Lauren? Why does some mainstream fashion brand have their logo prominently displayed in a post on Vandalog? Well, turns out, Ralph Lauren/Polo Jeans Co. likes art, and they like street art. Art Stars is a project with 51 artists who have painted or sculpted their artwork onto a 3D star-shaped canvas made of denim. Some of the artists include James Jessop, Herakut, Case, Daniel Tagno, Delta, Bom K, Roa, Matt Small, L’Atlas and Alexone.
Case
So here’s the Art Star press release:
Polo Jeans Co. is proud to present ART STARS, a showcase of work from 51 of Europe’s most recognized up and coming contemporary artists. Inspired by the iconic American Star Spangled Banner and synonymous with the Polo Jeans Co. brand, the artists will create 3D pieces on stars made from the finest American denim. These will be displayed in select Polo Jeans Co. stores in key cities across Europe before coming together in a public exhibition in London in late 2010.
Representing Polo Jeans Co.’s core branding values, each young artist will be challenged to customize a canvas into a three dimensional star using an assortment of unique materials in combination with their practice to create their designs, including a variation of denim, replicas of the American flag, dyes, collage, bleach and embroidery. Beyond the shapes and sizes of the ART STARS, artists are only limited by their own imaginations in transforming the star and denim into a work of art that symbolizes their vision inspired by Polo.
Contemporary art and fashion aficionados will have the opportunity to own one of these exclusive Art Stars. All the stars created will be brought together in a public exhibition in London in late 2010 and auctioned in aid of Teenage Cancer Trust. Teenage Cancer Trust is a charity dedicated to improving the lives of young people with cancer between the ages of 13-24. Teenagers don’t stop being teenagers because they have cancer, which is why Teenage Cancer Trust builds specialist units in NHS hospitals, staffed by teenage cancer specialists. These units are designed for and by young people and aim to give teenage cancer patients the very best chance of a positive outcome whilst being as close as possible to normal life. State-of-the-art facilities keep patients occupied during long, and often grueling stays, whilst bringing teenagers with cancer together so they can support each other. Visit www.teenagecancertrust.org to find out more.
It’s been a long time since Seth and I have had a group show this big at Carmichael Gallery – there will be over 35 artists represented on the walls when we open “Booked” on Saturday, June 5th! Some of the artists we’ve worked with for several years and others we’ll be showing for the first time. We’re also going to have lots of great art books and magazines from publishers like Drago, Gingko, Studiocromie (I really enjoyed opening up the box of Blu and Sam3 books!) and VNA. Books and art are two of the best things in the world, in my opinion, so it should be a fun event! We will be open from 12-8pm on Saturday for Culver City Art Walk (make sure to visit all the other galleries on the block if you come by; there will be lots of cool things to see) and the reception itself is from 6-8pm.
Here are some of the pieces in the show.
Martha Cooper
Escif
SpY
Anthony Lister
Lucas Price (aka Cyclops)
Bumblebee
Brad Downey
Here’s the full line up of artists and publishers:
Aiko, Banksy, Beejoir, Blek le Rat, Boxi, Bumblebee, C215, Henry Chalfant, Martha Cooper, D*Face, Brad Downey, Eine, Ericailcane, Escif, Faile, Shepard Fairey, Stelios Faitakis, Gaia, Hush, Mark Jenkins, Dave Kinsey, Know Hope, Labrona, Anthony Lister, Lucy McLauchlan, Aakash Nihalani, Walter Nomura (a.k.a. Tinho), Other, Steve Powers (a.k.a. ESPO), Lucas Price (a.k.a. Cyclops), Retna, Saber, Sam3, Sixeart, Slinkachu, SpY, Judith Supine, Titi Freak, Nick Walker, Dan Witz and WK Interact
As you may have heard, Rowdy’s home burned down recently. Luckily, he was not hurt (I don’t think anyone else was either), but everything inside the house has been destroyed. Rowdy is a member of Burning Candy, a hard working artist, a friend that I’ve worked with on multiple projects in the last year and an awesome person. Rowdy’s reputation is known throughout Europe, so when his friends heard that his home and possessions had been completely destroyed, people came together to do something. That something is Steal From Work’s Rooftop Burner Fund. Steal From Work have brought artwork together from an international array of artists for a benefit auction to help out Rowdy. Here’s the press release:
So, there are plenty of charity events, plenty of causes worth fighting for, whole countries at war…. But sometimes it’s just about helping your friends, helping those you love. And here we’re taking the opportunity to help one of our best friends.
If you don’t know, here’s the introduction. Rowdy is one of the longest standing players in UK graffiti, supporting the scene and playing his part in what has now turned into a global phenomenon. He has painted with the best of them, in fact is one of the best of them, always sticking true to his vision, rocking his own style, never selling out his ideas. Recently he walked out of his house, which also served as his studio and when he returned a half hour later, everything had been burned to the ground. EVERYTHING! ID, money, clothes, personal possessions, art, the ability to make art, everything gone!
So, we’re taking this as an opportunity to support someone who has so readily supported us as a scene by auctioning some art to help him get back to a position where he can do what he does best, making art.
It’s a testament to his popularity and reputation that so many artists have donated work to this auction. All work has been personally donated by the artists and the galleries that represent them: Banksy, Paul Insect, Swoon, Sickboy, Hush, Espo, the whole Burning Candy crew and a whole bunch more… So, it’s your chance to buy something beautiful and at the same time help out someone who has helped in his way to make graffiti and street art what it is today.
THE ART
A massive thanks to the following artists who have donated work:
Banksy Case
Cept Cyclops
Dscreet
Gold Peg
Guy Denning
Herakut
Hush
LL Brainwashed
Mighty Monkey
Motorboy
Mr Jago
Mudwig
Paris
Paul Insect
Rene Gagnon
Sickboy
Static
Sweet Toof
Swoon
Tek33
Tom Hine
45rpm
Plus more still to be announced
And also huge thanks to the following galleries for donating:
Black Rat Projects Campbarbossa
Pictures On Walls
It will commence Thursday 17th June, and we will stagger the items over the next few days so they don’t all end together. The first items will end Sunday 27th June.
Other than Paypal fees & postage costs EVERY singe penny raised will go to Rowdy.
Yes. Armsrock has a solo show coming up in London. This is going to be fantastic. Except, for some reason, it sometimes feels like I’m alone in thinking that Armsrock’s work is brilliant. Hopefully this upcoming solo show will change some people’s opinions. Drawn Towards the Present opens at Signal Gallery on June 3rd.
Here’s the press release:
The Danish artist Armsrock, is one of a handful of artists on the Urban/Street art scene whose work reaches out beyond the confines of the genre. The quality and unique nature of his work, both on the street and for the gallery, has made him stand out in that talented crowd.
Armsrock’s work consists of delicately drawn figures, which he pastes on walls in urban settings. Mostly life-size portraits of humans on the edge of society, the character and placement of these pieces make them feel, sometimes, as if they have been tattooed to the wall. At other times, they can appear transitory – as if they had just arrived at a scene and are about to move on. More recently, he has developed an analogue projection technique that enables him to combine his magical drawn figures with light. This has the effect of making the images even more fragile and fleeting, almost like ghosts.
His new show in Signal Gallery is called ‘Drawn Towards The Present’. The show will be built around an installation that will consist of monumental charcoal drawings on rice paper. The imagery represented in the drawings is based on press-clippings from the artist’s archive, which have been reworked to create a fragmentary representation of contemporary history and a glimpse into our future hopes and fears.
Armsrock, was born in 1984 in Copenhagen and graduated at the Hochschule Für Kunst in Bremen, Germany. The quality of his art has been recognised internationally and has been seen in streets and public spaces across Europe and the United States. He has also shown his work extensively in traditional art institutions, such as museums and galleries. This is a young artist whose passion and commitment to his craft has won him supporters and buyers wherever he has shown his work.
Unfortunately, I’m going to be in Italy when this show opens, but I expect it’s going to be quite something to see. And make sure to get down to the gallery quickly, because the show only lasts from June 3rd until the 19th.
is an overview of Dan’s artwork from the 1970′s all the way through 2009, as well as a very in-depth interview with Dan by Marc and Sara Schiller of Wooster Collective. It’s one of the most satisfying art books that I’ve seen, because you really do learn a lot about the artist and gain a new understanding of the artwork without too much effort. I guess that means it’s a successful book, not just a collection of images.
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