The Great Artist Steals? – Banksy and Busk

Posted: June 20th, 2010 | Author: | Category: Art News, Featured Posts | Tags: , | 17 Comments »

Photo by ahisgett

One of my favorite new Banksy’s is this thing he did during a recent visit to New York City (is this Banksy’s version of performance art?):

The idea is clever, funny and quintessentially Banksy. Except, Banksy wasn’t the first to have the idea… In fact, Vienna’s Busk did the exact same thing last year at the BLK River Festival. You can check out photos of Busk’s version at the BLK River Festival blog, along with their take on Banksy’s version. Now, I’m not sure if Banksy “stole” this idea from Busk or if they just came to do similar pieces coincidentally (DEFINITELY possible, if not probable). This sort of thing happens all the time. With thousands and thousands of artists out there, creating something entirely original is impossible. The more interesting question is what the BLK River Festival blog asks: “Will Banksy’s portrait earn him another fortune at Sotheby’s next auction or will BUSK be inaugurated to art’s history for being the first to do so?”

For me, Banksy’s portrait is more interesting. I’m much more curious about the identity of Banksy than I am of Busk, and so are a million other people. Banksy’s portrait will be analyzed and picked apart by fans trying to discern his identity and compare it to previous supposed images. And of course, there is the question of if that is even really Banksy or if he just had one of his friends put on the balaclava and pose. Busk, while he may do some more interesting work or not (I’m honestly not too familiar with him besides this portrait and having known that he was involved in that festival), just doesn’t have that power and mystery behind his identity that Banksy does. Busk may have been first (or maybe there were other people doing this before him; surely somebody has gotten one of these portraits done while wearing a Halloween mask), and for that he deserves some credit, but The Cult of Banksy just makes this new version so much more interesting.

Then again, maybe I’m just caught up in the Banksy hype, as can happen with me from time to time. But isn’t that kind of the point of this portrait in the first place?

And let the comments calling me an idiot and a Banksy-whore begin…

Photos from Banksy and ahisgett

Related posts:

  1. A successful Banksy (oh and Banksy updated his website)
  2. Banksy news update
  3. Before Banksy, that “Elephant” tank was a man’s home
  4. German photorealistic graffiti artist CASE pays tribute to Egyptian activist Khaled Said
  5. Exclusive: Art in the Streets – The COMPLETE artist list


  • http://Website ink pigeon

    you’re an idiot.

  • http://www.vandalog.com RJ

    Definitely possible. Care to elaborate?

  • http://www.pedromatos.org Pedro Matos

    The intent, context, strength, history, etcetc from Banksy is definitely not the same as the other guy who was just doing something funny and now one cares about his portrait. Banksy on the other hand is on everyone’s attention and everyone’s trying to guess who he is, etc etc.. that’s why he’s piece/action was so damn good.
    Is it not?
    just my 2 cents though..

  • http://Website Stickboy

    this is in Times Square- where the US had a terror scare just a week before Banksy’s arrival . so its rather funny he’s getting his portrait drawn in Times Square with a mask like that

  • http://Website Brad

    Do you know where this engraved stone come from? where is it located? is it related to the portrait performance?

  • http://vandalog.com Stephanie

    I don’t agree that it is better than busk or isn’t. Art in any genre is always copied, street art included; copied and improved upon (usually). While busk’s piece acts as a taunting to fans who do not know who he is and gives them a picture, a portrait even, but masked questions the heart of one’s identity. The real question for him it seems, is if identity really matters when the work is what is being critiqued. Banksy’s piece on the other hand explores the same identity question, but the fact that it is Times Square NYC make the piece an even more affable joke. The most famous masked street artist is in one of the most public places in the world getting a portrait drawn of him, and his identity is still secret. Just like sneaking into the Louvre or Brooklyn Museum, this piece subversively makes fun and taunts the audience by using their own infatuation with his identity against them.

    That was not supposed to sound so convoluted, but there is a lot of depth to the piece below the surface on both ends.

  • http://Website name

    Talking of sneaking…
    http://www.glitsh.com/glitsh/#29

  • http://Website Darkus

    This is nothing new, Banksy takes most of *his* ideas from somewhere else. Though most of the sources are obscure enough not to get recognised, and so the braindead sheep-like consumers continue to lap it up with embarrassingly fawning adulation. The really interesting thing here is how advertising and marketing techniques have become so highly evolved and cleverly disguised that most people think all of this commercial hype is somehow underground and rebellious. They then swiftly graduate to becoming part of a group of cult-like ‘followers’ who act as unpaid evangelists for the brand, thus it becomes a self perpetuating entity. Some even take this fan lifestyle to an extreme and base their entire social life around it, writing blogs, going on forums, being part of a the same sad old ‘rent a crowd’ who seem to turn up to every urban art gallery opening to parasite off of the free booze and try to pretend they’re cool, trendy, and part of something…rather than the pathetic peripheral hangers-on it’s so apparent they really are.

    *the term ‘his’ is used here to refer to the large number of people that now comprise the organisation.

  • http://www.vandalog.com RJ

    Brad, the engraved stone is from Banksy’s show at the Bristol Museum. I just included it because it seemed relevant to the topic being discussed, but it’s not directly tied to the portrait in Times Square.

  • http://Website ink pigeon

    what is your role within this art world we pathetically devour ourselves over then dorkus? Be you the great beholder of all knowledge? Be you our prophet Banksy? surely not just a mere parasite or follower of the cult.

    I’ve heard stencils are the new freehand.

  • http://Website The truth as you see it?

    Ink Pigeon is my new hero.

  • http://Website Brad

    Thanks RJ for the clarification.

  • http://www.demodtouslesjours.eu Mathieu Tremblin

    Who cares ?
    Daft Punk did it first.

  • http://www.vandalog.com RJ

    And Banksy certainly aware of Subcomandante Marcos, the Zapatista leader who uses a false name and only ever appears in public wearing a balaclava, but I think I’ve started reading too much into this.

  • http://Website Darkus

    Nah Pigeon, I’m not Banksy, or one of his slavering disciples either. Now toddle off to the latest private views, take some pictures to upload to your blog and flickr of you and your hipster pals leeching free beer and desperately trying to look fashionable. Your position in the fanboy hierarchy depends upon it!

  • http://www.demodetouslesjours.eu Mathieu Tremblin

    In fact I’m wrong, because Daft Punk steals the style of another old school band named Space…

  • http://hragv.com Hrag

    Someone should ask Banksy why he brought his B game (or maybe even his C) to New York. His stuff here was meh.